{"id":3623,"date":"2010-11-06T10:08:05","date_gmt":"2010-11-06T16:08:05","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=3623"},"modified":"2025-01-09T23:48:27","modified_gmt":"2025-01-10T05:48:27","slug":"erie","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2010\/11\/06\/erie\/","title":{"rendered":"Erie"},"content":{"rendered":"<p>\t\t\t\t<strong>Thursday, November 11, 6 p.m. |<em> Kevin Jerome Everson in person!<\/em><\/strong><\/p>\n<figure id=\"attachment_3624\" aria-describedby=\"caption-attachment-3624\" style=\"width: 450px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2010\/11\/4_CATE_Everson_Erie.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3624\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2010\/11\/4_CATE_Everson_Erie.jpg\" alt=\"4_CATE_Everson_Erie\" width=\"450\" height=\"314\" \/><\/a><figcaption id=\"caption-attachment-3624\" class=\"wp-caption-text\">    <i>Still from \u201cErie\u201d (Kevin Jerome Everson, 2010).<\/i><\/figcaption><\/figure>\n<p>Over the past thirteen years, <a href=\"http:\/\/people.virginia.edu\/~ke5d\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kevin Jerome Everson<\/a> has crafted an  exquisite\u2014and prodigious\u2014body of work on the working-class culture of  African-Americans and people of African descent.\u00a0 Combining documentary  and fiction, Everson\u2019s nearly 70 shorts and four features center on  everyday tasks and gestures to unearth and illuminate the ordinary grace  of daily life.\u00a0 This evening, in conjunction with the Video Data Bank\u2019s  release of the 25-title DVD box set, <em>Broad Daylight and Other Times: Selected Works of Kevin Jerome Everson<\/em>, the artist presents his acclaimed feature <em>Erie<\/em> (2010) along with a handful of new shorts. Unspooling in a series of  hand-held, single-take shots filmed in the urban centers around the  great lake, <em>Erie<\/em> captures the conversation of former General  Motors workers as the plant is about to close; hospital employees  carefully sorting and sterilizing surgical implements; and young  performers krumping and rehearsing musical theater side-by-side, the  camera moving between them in a kind of mash-up-<em>en-scene<\/em> and  microcosm of the rich and multifaceted operation of the film as a  whole.\u00a0 Co-presented by the Video Data Bank. Kevin Jerome Everson, 2010,  USA, HDCAM video, ca. 90 min (plus discussion).<\/p>\n<p><strong>KEVIN JEROME EVERSON<\/strong> (1965, Mansfield, OH) has made  four feature-length films and nearly seventy shorts.\u00a0 He received an MFA  from Ohio University and a BFA from the University of Akron. His films  and artwork have been exhibited at the Museum of Modern Art, New York;  the Whitney Museum of American Art; the Cleveland Museum of Art; the  Studio Museum in Harlem; the Armand Hammer Museum, Los Angeles;  Whitechapel Gallery, London; the Palm Beach Institute of Contemporary  Art, Florida; Wurttenbergischer Kunstverein, Stuttgart, Germany; the  Spaces Gallery, Cleveland; the American Academy of Rome, Italy; the  Sundance Film Festival; Rotterdam International Film Festival;  Cinematexas; Ann Arbor Film Festival; and Chicago Underground Film  Festival, among many others. He is the recipient of a Guggenheim  Fellowship, a fellowship from the National Endowment for the Arts, two  fellowship from the National Endowment for the Humanities, two Ohio Arts  Council Fellowships, an American Academy Rome Prize, and residencies at  Yaddo and MacDowell Colony.\u00a0 He is currently Assistant Professor of Art  at the University of Virginia and resides in Charlottesville, Virginia.<\/p>\n<p>Further reading:<\/p>\n<ul>\n<li>Ed Halter, \u201cThe Practice of Everyday Life,\u201d <em>Artforum<\/em> (May 2010): 228-33.<\/li>\n<li>Laila Lalami, \u201c<a href=\"http:\/\/www.independent-magazine.org\/node\/253\" target=\"_blank\" rel=\"noopener noreferrer\">The Pay-Off: Kevin Everson Turns the Ordinary into the Extraordinary<\/a>,\u201d Independent Film and Video Monthly (Jan-Feb 2005);\u00a028 (1):\u00a022-26.<\/li>\n<li><a href=\"http:\/\/whitney.org\/www\/2008biennial\/www\/?section=artists&amp;page=artist_everson\" target=\"_blank\" rel=\"noopener noreferrer\">Kevin Everson at the Whitney Biennial 2008<\/a><\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, November 11, 6 p.m. | Kevin Jerome Everson in person! Over the past thirteen years, Kevin Jerome Everson has crafted an exquisite\u2014and prodigious\u2014body of work on the working-class culture of African-Americans and people of African descent.\u00a0 Combining documentary and fiction, Everson\u2019s nearly 70 shorts and four features center on everyday tasks and gestures to [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2010\/11\/06\/erie\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Erie<\/span><\/a><\/p>\n","protected":false},"author":198,"featured_media":3624,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[15],"tags":[417,423,450,476,623],"class_list":["post-3623","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-15","tag-midwest","tag-monographic-shows","tag-non-fiction","tag-political","tag-video-data-bank"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/3623","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/198"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=3623"}],"version-history":[{"count":1,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/3623\/revisions"}],"predecessor-version":[{"id":8668,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/3623\/revisions\/8668"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/3624"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=3623"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=3623"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=3623"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}