{"id":3909,"date":"2011-04-11T06:56:00","date_gmt":"2011-04-11T12:56:00","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=3909"},"modified":"2025-01-09T23:42:35","modified_gmt":"2025-01-10T05:42:35","slug":"aberration-of-light-dark-chamber-disclosure","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2011\/04\/11\/aberration-of-light-dark-chamber-disclosure\/","title":{"rendered":"Aberration of Light: Dark Chamber Disclosure"},"content":{"rendered":"<p>\t\t\t\t<strong>Thursday, April 14, 6:00 pm<\/strong><em> | Live performance!  Sandra Gibson, Luis Recoder, and Olivia Block in person!<\/em><\/p>\n<address>\n<dl>\n<dt><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2011\/01\/Gibson-Recoder-BlockSmall2.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3701\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2011\/01\/Gibson-Recoder-BlockSmall2-e1302526528765.jpg\" alt=\"\" width=\"450\" height=\"302\" \/><\/a><\/dt>\n<dd> Aberration of Light (Sandra Gibson, Luis Recoder, Olivia Block, 2010-11). Courtesy the artists. <\/dd>\n<\/dl>\n<\/address>\n<p><em>\u201cSandra Gibson and Luis Recoder are creating some of the most  innovative and engaging light works of the present time.\u201d \u2013 Mark Webber,  London Film Festival<\/em><\/p>\n<p><em><\/em>Since 2001, New York-based artists Sandra Gibson and Luis Recoder  have collaborated on a series of performances and installations that  transform the mundane mechanics of film projection into sublime  experiences of light and space. The duo uses a system of film loops,  crystals, and hand gestures to bend, reflect, and refract the  projector\u2019s beam, recasting the theatrical space of the cinema into a  unique medium for sculpting light. This evening, in their first-ever  Chicago appearance together, Gibson and Recoder present their latest  projector performance, developed with noted Chicago-based composer and  sound artist, Olivia Block. Block, who mixes field recordings and live  instrumentation, has been likened to \u201ca good cinematographer who happens  to use sounds instead of images\u201d (Peter Margasak, Chicago Reader). This  is the second piece the three have created together; the first, <em>Untitled<\/em> (2008) premiered at the Sundance Film Festival and screened at the Tate  Modern, London, and Redcat, Los Angeles. 2010-11, Sandra Gibson\/Luis  Recoder\/Olivia Block, USA, multiple formats, ca. 60 mins plus  discussion.<\/p>\n<p><strong>SANDRA GIBSON<\/strong> (1968, Portland, OR) and <strong>LUIS RECODER <\/strong>(1971,  San Francisco, CA) are internationally acclaimed artists whose work  primarily addresses the medium and idea of the cinema.  Ed Halter, <em>Artforum<\/em> critic and co-founder of Light Industry, has written: \u201cIn their  collaborative film performances, Sandra Gibson and Luis Recoder employ  simple mechanical means to hypnotically elaborate ends\u2026Their  performances melt the projector\u2019s machine materialism into ethereal  experiences.\u201d  Gibson and Recoder\u2019s projector performances and  installations have exhibited at numerous museums, galleries, and  festivals such as the 2004 Whitney Biennial at the Museum of American  Art (NY), Performa 09 Biennial at Light Industry (NY), <em>Radical Light<\/em> at the Berkeley Art Museum\/Pacific Film Archive (Berkeley), <em>Film.Text.Performance.Film<\/em> at Ballroom Marfa (Marfa), BFI 50th London Film Festival at the Institute of Contemporary Arts (London), <em>Expanded Cinema: Film als Spektakel, Ereignis und Performance<\/em> at Hartware MedienKunstVerein (Dortmund), <em>Kill Your Timid Notion<\/em> at Dundee Contemporary Arts (Dundee), Image Forum Festival at 21st  Century Museum of Contemporary Art (Kanazawa), and 36th International  Film Festival Rotterdam (Rotterdam).<\/p>\n<p><strong>OLIVIA BLOCK<\/strong> (b. 1971, Dallas, TX) is a contemporary  composer and sound artist who combines field recordings, scored  segments for acoustic instruments, and electronically generated sound.  Block works with recorded media, chamber ensembles, video, and  site-specific sound installations. She has performed throughout Europe,  America, and Japan in tours and festivals including Sonic Light,  Dissonanze, Archipel, Angelica, Sunoni per il Popolo, Outer Ear, and  many others. Her works have premiered at La Biennale di Venezia 52nd  International Festival of Contemporary Music, and she has completed  residencies and premiered works at Mills College of Music and The  Berklee College of Music. She has taught master classes at several  additional universities. Block has created sound installations for  public sites and exhibition spaces including the Museum of Contemporary  Art in Chicago, the library at Wesleyan University in Connecticut, the  Lincoln Conservatory Fern Room in Chicago, and at the \u201cEchoes Through  the Mountains\u201d exhibit at the 2006 Winter Olympics in Turin, Italy. Her  2008 DVD release with video artists Sandra Gibson and Luis Recoder, <em>Untitled<\/em>,  on SOS editions, has been screened at the 2008 Sundance Film Festival  and the Expanded Cinema symposium at the Tate Modern in London. Her  release Mobius Fuse was voted one of the best albums of the decade by  Pitchfork. Block has published recordings through Sedimental,  either\/OAR, and Cut, among other labels. \t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, April 14, 6:00 pm | Live performance! Sandra Gibson, Luis Recoder, and Olivia Block in person! Aberration of Light (Sandra Gibson, Luis Recoder, Olivia Block, 2010-11). Courtesy the artists. \u201cSandra Gibson and Luis Recoder are creating some of the most innovative and engaging light works of the present time.\u201d \u2013 Mark Webber, London Film [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2011\/04\/11\/aberration-of-light-dark-chamber-disclosure\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Aberration of Light: Dark Chamber Disclosure<\/span><\/a><\/p>\n","protected":false},"author":199,"featured_media":3701,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[115,211,374,468,518,549,615],"class_list":["post-3909","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-16","tag-chicago","tag-experimental","tag-live-cinema","tag-performance","tag-saic-faculty","tag-sound","tag-usa"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/3909","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/199"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=3909"}],"version-history":[{"count":1,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/3909\/revisions"}],"predecessor-version":[{"id":8655,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/3909\/revisions\/8655"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/3701"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=3909"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=3909"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=3909"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}