{"id":4087,"date":"2011-10-15T16:52:55","date_gmt":"2011-10-15T22:52:55","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=4087"},"modified":"2025-01-09T23:39:10","modified_gmt":"2025-01-10T05:39:10","slug":"rebecca-meyers-blue-mantle","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2011\/10\/15\/rebecca-meyers-blue-mantle\/","title":{"rendered":"REBECCA MEYERS: BLUE MANTLE"},"content":{"rendered":"<p>\t\t\t\t<strong>Thursday, October 20,  6:00 pm<\/strong> | <em>Rebecca Meyers in person!<\/em><\/p>\n<address><\/address>\n<dl>\n<dt><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2011\/08\/10-20_RMeyers_bluemantle_web.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-3979\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2011\/08\/10-20_RMeyers_bluemantle_web.jpg\" alt=\"Meyers_bluemantle\" width=\"450\" height=\"310\" \/><\/a><\/dt>\n<dd>Image from blue mantle (Rebecca Meyers, 2010). Courtesy the artist.<\/dd>\n<\/dl>\n<p>In her nimble,  intimately-observed films, Cambridge-based filmmaker Rebecca Meyers  illuminates the uncanny and exquisite in the everyday. lions  and tigers and bears (2006) seeks out urban wildlife&#8211;from  spiders and pigeons to bronze lions and chrome-plated jaguars; night  side (2008) captures a wintry twilight of street  lamp halos and solitary animals. \u00a0Shot along the Massachusetts coast,  Meyers\u2019 latest film is a haunting ode to the sea. \u00a0Combining historical  accounts of ocean travel and disaster with images of its vast, roiling  expanse, blue mantle (2010)  meditates on humanity\u2019s attempts to conquer the deep and reflects on its  role as a metaphor and passageway to the unknown. This evening, Meyers  presents these and a selection of earlier works, including glow  in the dark (2002) and things we want  to see (2004).<strong> Rebecca Meyers, 2002-  2010, USA, 16mm, ca. 65 min plus discussion.<\/strong><\/p>\n<p><strong>REBECCA MEYERS<\/strong> (b. 1976, New York City) is a filmmaker and  programmer living in Cambridge, Massachusetts. Her films have screened  internationally at festivals and in curated exhibitions such as Media  City, Windsor, ON, Canada, and Detroit, MI;  Images Festival, Toronto, Canada; New York Film Festival&#8217;s Views from  the Avant-Garde, New York, NY; Festival Les Inattendus, Lyon, France;  the London International Film Festival, London, England;  &#8220;Bringing to Light&#8221; at the San Francisco Cinematheque, San Francisco,  CA; and &#8220;White Shadows: Stories and Polar Visions&#8221; at the Galleria  Civica di Arte Contemporanea, Turin, Italy. For three years she served  as Co-Programmer of Chicago&#8217;s Onion City Experimental Film and Video  Festival and has curated film programs for the Chicago Underground Film  Festival, the Massachusetts College of Art Film Society, Brooklyn&#8217;s  Light Industry and the Harvard Film Archive, where she acted as Archive  Coordinator. She is currently Director of Film Programs at ArtsEmerson  at Emerson College and Associate Director of Studio7Arts in Cambridge.  Rebecca holds an MFA from the University of Iowa in Film\/Video  Production.\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, October 20, 6:00 pm | Rebecca Meyers in person! Image from blue mantle (Rebecca Meyers, 2010). Courtesy the artist. In her nimble, intimately-observed films, Cambridge-based filmmaker Rebecca Meyers illuminates the uncanny and exquisite in the everyday. lions and tigers and bears (2006) seeks out urban wildlife&#8211;from spiders and pigeons to bronze lions and chrome-plated [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2011\/10\/15\/rebecca-meyers-blue-mantle\/\">Read More&#8230;<span class=\"screen-reader-text\"> from REBECCA MEYERS: BLUE MANTLE<\/span><\/a><\/p>\n","protected":false},"author":201,"featured_media":3979,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[16],"tags":[211,423,615],"class_list":["post-4087","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-16","tag-experimental","tag-monographic-shows","tag-usa"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/4087","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/201"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=4087"}],"version-history":[{"count":1,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/4087\/revisions"}],"predecessor-version":[{"id":8646,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/4087\/revisions\/8646"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/3979"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=4087"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=4087"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=4087"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}