{"id":6630,"date":"2015-11-13T11:25:23","date_gmt":"2015-11-13T17:25:23","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=6630"},"modified":"2025-01-09T22:12:45","modified_gmt":"2025-01-10T04:12:45","slug":"november-19-claudia-hart-simulisms","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2015\/11\/13\/november-19-claudia-hart-simulisms\/","title":{"rendered":"November 19-Claudia Hart: Simulisms"},"content":{"rendered":"<p><strong>Thursday, November 19<\/strong>\u00a0| <i>This week\u00a0SAIC artist and faculty member <a href=\"http:\/\/www.claudiahart.com\/\">Claudia Hart<\/a> will join us for a live performance and a discussion!\u00a0<\/i><\/p>\n<figure id=\"attachment_6240\" aria-describedby=\"caption-attachment-6240\" style=\"width: 800px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2015\/07\/CHart_Dolls.3._3.12.15.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6240 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2015\/07\/CHart_Dolls.3._3.12.15-1.jpg\" alt=\"Claudia Hart, performance shot from The Dolls (2015). Courtesy of the artist. \" width=\"800\" height=\"450\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2015\/07\/CHart_Dolls.3._3.12.15-1.jpg 800w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2015\/07\/CHart_Dolls.3._3.12.15-1-300x169.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2015\/07\/CHart_Dolls.3._3.12.15-1-768x432.jpg 768w\" sizes=\"auto, (max-width: 800px) 100vw, 800px\" \/><\/a><figcaption id=\"caption-attachment-6240\" class=\"wp-caption-text\">Claudia Hart, performance shot from The Dolls (2015). Courtesy of the artist.<\/figcaption><\/figure>\n<p>Since the late 1980s, artist and SAIC faculty member Claudia Hart has used commercial CGI and 3D simulations technology <a href=\"http:\/\/www.huffingtonpost.com\/g-roger-denson\/claudia-hart_b_1003289.html\" target=\"_blank\" rel=\"noopener noreferrer\">to produce sensual and subversive<\/a> works on identity, representation, and experience. In recent years she has recast these themes in a series of collaborative performances that project 3D animations directly onto participants. She presents a selection of videos based on these works and a new live staging of the media ballet <i><a href=\"https:\/\/vimeo.com\/131040078\" target=\"_blank\" rel=\"noopener noreferrer\">The Dolls<\/a>\u00a0(2014)<\/i>\u00a0which combines dance, sculpture, and animated mathematical algorithms to meditate on the philosophical idea of \u201cthe eternal return\u201d in our digital age. With <a href=\"http:\/\/www.kurthentschlager.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kurt Hentschl\u00e4ger<\/a>, <a href=\"http:\/\/kristinaisabelledance.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Kristina Isabelle<\/a>, and <a href=\"http:\/\/liviu.stoptime341.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Liviu Pasare.<\/a><\/p>\n<p><i>2004\u201315, USA, live performance w\/multiple formats, ca 60 min + discussion<\/i><\/p>\n<p><strong><a href=\"http:\/\/www.claudiahart.com\/\" target=\"_blank\" rel=\"noopener noreferrer\">Claudia Hart<\/a><\/strong> (1955, New York) is an artist, curator, and critic. She creates virtual representations that take the form of 3D imagery integrated into photography, multichannel animation installations, performances, and sculptures using advanced production techniques such as <a href=\"https:\/\/en.wikipedia.org\/wiki\/Rapid_prototyping\" target=\"_blank\" rel=\"noopener noreferrer\">Rapid Prototyping,<\/a> <a href=\"https:\/\/en.wikipedia.org\/wiki\/CNC_router\" target=\"_blank\" rel=\"noopener noreferrer\">CNC routing<\/a>, and <a href=\"https:\/\/en.wikipedia.org\/wiki\/Augmented_reality\" target=\"_blank\" rel=\"noopener noreferrer\">augmented-reality<\/a> custom apps. She aims to de-masculinize the culture of corporate technology by inserting the irrational and the personal into the slick, overly-determined Cartesian world of digital design. Her work has been widely exhibited and collected by galleries and museums, including the Museum of Modern Art, Metropolitan Museum of Art, New Museum, and Eyebeam Art + Technology Center. She received a BA in Art History from New York University and an MS in Architecture from Columbia University. She is an Associate Professor in SAIC\u2019s Department of Film, Video, New Media, and Animation.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, November 19\u00a0| This week\u00a0SAIC artist and faculty member Claudia Hart will join us for a live performance and a discussion!\u00a0 Since the late 1980s, artist and SAIC faculty member Claudia Hart has used commercial CGI and 3D simulations technology to produce sensual and subversive works on identity, representation, and experience. In recent years she [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2015\/11\/13\/november-19-claudia-hart-simulisms\/\">Read More&#8230;<span class=\"screen-reader-text\"> from November 19-Claudia Hart: Simulisms<\/span><\/a><\/p>\n","protected":false},"author":205,"featured_media":6240,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[20],"tags":[124,441,468,518],"class_list":["post-6630","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-20","tag-claudia-hart","tag-new-media","tag-performance","tag-saic-faculty"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/6630","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/205"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=6630"}],"version-history":[{"count":2,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/6630\/revisions"}],"predecessor-version":[{"id":9874,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/6630\/revisions\/9874"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/6240"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=6630"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=6630"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=6630"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}