{"id":7119,"date":"2016-10-14T11:12:42","date_gmt":"2016-10-14T17:12:42","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=7119"},"modified":"2025-01-09T21:47:11","modified_gmt":"2025-01-10T03:47:11","slug":"sara-magenheimer-slow-zoom-long-pause-thursday-october-20","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2016\/10\/14\/sara-magenheimer-slow-zoom-long-pause-thursday-october-20\/","title":{"rendered":"Sara Magenheimer: Slow Zoom Long Pause &#8211; Thursday, October 20"},"content":{"rendered":"<figure id=\"attachment_6987\" aria-describedby=\"caption-attachment-6987\" style=\"width: 450px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2016\/01\/10.20_SaraMagenheimer_SlowZoom-e1471146906240.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-6987 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2016\/01\/10.20_SaraMagenheimer_SlowZoom-e1471146906240-1.jpg\" alt=\"Still from Slow Zoom Long Pause (Sara Magenheimer,  2015). Image courtesy of Video Data Bank.\" width=\"450\" height=\"253\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2016\/01\/10.20_SaraMagenheimer_SlowZoom-e1471146906240-1.jpg 450w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2016\/01\/10.20_SaraMagenheimer_SlowZoom-e1471146906240-1-300x169.jpg 300w\" sizes=\"auto, (max-width: 450px) 100vw, 450px\" \/><\/a><figcaption id=\"caption-attachment-6987\" class=\"wp-caption-text\">Still from Slow Zoom Long Pause (Sara Magenheimer, 2015). Image courtesy of Video Data Bank.<\/figcaption><\/figure>\n<p>In her arresting videos, Sara Magenheimer mixes humor and playfulness with a sophisticated inquiry into language and meaning-making. Using visual puns, graphics, and text-to-voice computer programs, her work explores the slippery dimensions of communication. In <i>Seven Signs That Mean Silence<\/i> (2013), two disembodied computer voices describe in-between places where meaning hides. In <i>Slow Zoom Long Pause<\/i> (2015), characters meditate on the many ways language fails.<\/p>\n<p><em>2011\u201316, USA, multiple formats, ca 60 min + discussion<\/em><\/p>\n<p><i>Presented in collaboration with <\/i><a href=\"http:\/\/www.vdb.org\/\"><i>Video Data Bank<\/i><\/a><i> (VDB) as part of the organization\u2019s 40th Anniversary Year.<\/i><\/p>\n<p><a href=\"http:\/\/saramagenheimer.com\/\"><strong>Sara Magenheimer<\/strong><\/a> (b. Philadelphia) has widely exhibited, performed and screened her work. Recent exhibitions include White Columns, New York; Foxy Productions, New York; and Document, Chicago; among others. From 2004\u201310 Magenheimer performed in bands, touring extensively and releasing five records. She was the recipient of a 2014 Rema Hort Mann Foundation Grant, a 2015 Artadia Grant, and the Prix De Varti at the 2015 Ann Arbor Film Festival. Upcoming exhibitions include Art In General\u2019s New Commissions in Riga, Latvia and a solo exhibition at The Kitchen in New York.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>In her arresting videos, Sara Magenheimer mixes humor and playfulness with a sophisticated inquiry into language and meaning-making. Using visual puns, graphics, and text-to-voice computer programs, her work explores the slippery dimensions of communication. In Seven Signs That Mean Silence (2013), two disembodied computer voices describe in-between places where meaning hides. In Slow Zoom Long [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2016\/10\/14\/sara-magenheimer-slow-zoom-long-pause-thursday-october-20\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Sara Magenheimer: Slow Zoom Long Pause &#8211; Thursday, October 20<\/span><\/a><\/p>\n","protected":false},"author":200,"featured_media":6987,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[21],"tags":[],"class_list":["post-7119","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-21"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7119","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/200"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=7119"}],"version-history":[{"count":2,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7119\/revisions"}],"predecessor-version":[{"id":9848,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7119\/revisions\/9848"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/6987"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=7119"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=7119"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=7119"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}