{"id":7236,"date":"2017-02-20T09:22:31","date_gmt":"2017-02-20T15:22:31","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=7236"},"modified":"2025-01-09T18:48:24","modified_gmt":"2025-01-10T00:48:24","slug":"february-23-nathaniel-dorsky-the-dreamer","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2017\/02\/20\/february-23-nathaniel-dorsky-the-dreamer\/","title":{"rendered":"February 23 – Nathaniel Dorsky: The Dreamer"},"content":{"rendered":"
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Nathaniel Dorsky, still from The Dreamer, 2016. Image courtesy of the artist.<\/figcaption><\/figure>\n

Since the early 1960s, Nathaniel Dorsky has been making extraordinarily beautiful films that blend a reverence for the sensual world with a deep contemplation of the mysteries beyond. \u00a0They are \u201coccasions for reflection and meditation on light, landscape, time, and the motions of consciousness,\u201d writes curator Steve Polta. Dorsky\u2019s \u201cphotography emphasizes the elemental frisson between solidity and luminosity…while his uniquely developed montage permits a fluid and flowing experience of time.\u201d In this rare Chicago appearance, Dorsky presents four recent films, Summer<\/em><\/i> (2013), Intimations<\/em><\/i> (2015), Autumn <\/em><\/i>(2016), and T<\/em><\/i>he Dreamer<\/em><\/i> (2016), each suffused with grace, joy, and mourning for changing seasons and times.<\/span><\/p>\n

2013-16, USA, 16mm, ca 90 min + discussion<\/span><\/em><\/i><\/p>\n

Nathaniel Dorsky in person<\/span><\/em><\/i><\/p>\n

Nathaniel Dorsky <\/strong><\/b>(b. New York City) is an experimental filmmaker and film editor who has been making films since 1963. His 2003 book Devotional Cinema<\/em><\/i> explores the relation between cinema and the unknowable. Dorsky is the recipient of many awards including a Guggenheim Fellowship, grants from the National Endowment of the Arts, the Rockefeller Foundation, the LEF Foundation, the Foundation for Contemporary Arts, and the California Arts Council.\u00a0His work has been included for exhibition in the Whitney Museum, New York; MoMA, New York; the Centre Pompidou, Paris; the Tate Modern, London; the Filmoteca Espa\u00f1ola, Madrid; the Prague Film Archive; the Vienna Film Museum; the Pacific Film Archive, San Francisco; the Harvard Film Archive, Cambridge; and the New York Film Festival. Dorsky has lived in San Francisco since 1971.<\/span><\/p>\n

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Nathaniel Dorsky, still from Intimations, 2015. Courtesy of the artist.<\/figcaption><\/figure>\n
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Nathaniel Dorsky, still from Summer, 2013. Courtesy of the artist.<\/figcaption><\/figure>\n
\"\"<\/a>
Nathaniel Dorsky, still from The Dreamer, 2016. Image courtesy of the artist.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"

Since the early 1960s, Nathaniel Dorsky has been making extraordinarily beautiful films that blend a reverence for the sensual world with a deep contemplation of the mysteries beyond. \u00a0They are \u201coccasions for reflection and meditation on light, landscape, time, and the motions of consciousness,\u201d writes curator Steve Polta. Dorsky\u2019s \u201cphotography emphasizes the elemental frisson between […]<\/p>\n

Read More… from February 23 – Nathaniel Dorsky: The Dreamer<\/span><\/a><\/p>\n","protected":false},"author":206,"featured_media":7161,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[24,437],"class_list":["post-7236","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-22","tag-16mm","tag-nathaniel-dorsky"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7236","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/206"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=7236"}],"version-history":[{"count":2,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7236\/revisions"}],"predecessor-version":[{"id":9828,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7236\/revisions\/9828"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/7161"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=7236"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=7236"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=7236"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}