{"id":7352,"date":"2017-04-14T09:30:34","date_gmt":"2017-04-14T15:30:34","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=7352"},"modified":"2025-01-09T18:37:22","modified_gmt":"2025-01-10T00:37:22","slug":"april-20-valie-export","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2017\/04\/14\/april-20-valie-export\/","title":{"rendered":"April 20 – VALIE EXPORT"},"content":{"rendered":"

Due to unforeseen circumstances, VALIE EXPORT will not be able to join us as previously announced. Curator and Professor Bruce Jenkins will introduce the screening with an in-depth overview of the artist’s career.\u00a0<\/em><\/p>\n

\"\"<\/a>
VALIE EXPORT, Adjunct Dislocations (still), 1973. Courtesy of VALIE EXPORT.<\/figcaption><\/figure>\n

Among the most important artists of her generation, VALIE EXPORT has created a provocative and groundbreaking body of work that spans film, performance, and installation and interrogates many of the sociopolitical issues central to modern life\u2014gender, surveillance, information, and political power. Rejecting her family and ex-husband\u2019s name in 1967, she adopted her <\/span>nom de guerre <\/em><\/i>from a popular brand of cigarettes. The nature of this act has characterized much of her work, from the radical <\/span>Tapp und Tastkino (Touch and Tap Cinema) <\/em><\/i>(1968) in which she used the physicality of her body to confront social and media chauvinism to the analytical film\u00a0<\/span>Adjunct Dislocations<\/em><\/i>\u00a0<\/span>(1973) which breaks down space and time to offer new possibilities for sensual representation of the world.<\/span><\/p>\n

1968\u20142009, Austria\/Germany, multiple formats, ca 75 min + discussion<\/span><\/em><\/i><\/p>\n

VALIE EXPORT<\/strong><\/b> is a filmmaker and performance artist. She received a degree in textile design from the Technical School for Textile Industry in Vienna in 1964 and began her career expanding on the Viennese Actionist project with a complex feminist critique of the social and political body, fusing the visceral and conceptual. Her works are in the collections of the Centre Pompidou, Paris; Tate Modern, London; Reina Sofia, Madrid; MoMA, New York; and the Museum of Contemporary Art, Los Angeles and have been exhibited around the world in museums, art spaces, and media festivals including the Venice Biennale; documenta, Kassel; Stedelijk Museum, Amsterdam; Shanghai Art Museum; Metropolitan Museum of Art, Seoul; Metropolitan Museum of Art, New York; Ars Electronica Center, Linz; and the Cannes, Montr\u00e9al, Vancouver, San Francisco, Locarno, Hong Kong, Sydney, and New York Film Festivals. She has taught at the Academy of Visual Arts, Munich; the University of Wisconsin-Milwaukee; the San Francisco Art Institute; and the Kunsthochschule f\u00fcr Median in Cologne. She currently lives and works in Vienna.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Due to unforeseen circumstances, VALIE EXPORT will not be able to join us as previously announced. Curator and Professor Bruce Jenkins will introduce the screening with an in-depth overview of the artist’s career.\u00a0 Among the most important artists of her generation, VALIE EXPORT has created a provocative and groundbreaking body of work that spans film, […]<\/p>\n

Read More… from April 20 – VALIE EXPORT<\/span><\/a><\/p>\n","protected":false},"author":206,"featured_media":7164,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[22],"tags":[225,468,476,616],"class_list":["post-7352","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-22","tag-feminist","tag-performance","tag-political","tag-valie-export"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7352","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/206"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=7352"}],"version-history":[{"count":2,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7352\/revisions"}],"predecessor-version":[{"id":9812,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7352\/revisions\/9812"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/7164"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=7352"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=7352"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=7352"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}