{"id":7631,"date":"2018-04-13T12:00:48","date_gmt":"2018-04-13T18:00:48","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=7631"},"modified":"2025-01-09T10:51:30","modified_gmt":"2025-01-09T16:51:30","slug":"april-19-an-evening-with-joan-jonas","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2018\/04\/13\/april-19-an-evening-with-joan-jonas\/","title":{"rendered":"April 19 – An Evening with Joan Jonas"},"content":{"rendered":"
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Joan Jonas, Reanimation 2012 performance at the Hangar Bicocca Milan, Italy Light Time Tales, 2014. Photo by Moira Ricci.<\/figcaption><\/figure>\n

Among the most significant artists working today, Joan Jonas has a groundbreaking body of work that spans video, performance, dance, installation, and drawing to explore fundamental questions around visual perception, ritual, archetypes, and transmission of knowledge. Initially trained as a sculptor, she began experimenting with performance in the late 1960s, merging elements of contemporary dance, Japanese Noh theater, and props like masks, mirrors, and eventually, video cameras and monitors. In works like\u00a0Songdelay\u00a0<\/em>(1973) she incorporated distance and sound to draw attention to the ways perception is altered by space. In\u00a0Organic Honey\u2019s Vertical Roll\u00a0<\/em>(1972) she performed alongside a video monitor, exploring the medium\u2019s ability to both reflect and obscure her image. In the years since, her electrifying videos and multimedia works have combined folk tales, dreams, and autobiography and frequently feature collaborators, including\u00a0Tilda Swinton<\/a>, jazz pianist\u00a0Jason Moran<\/a>, and Sami yoik singer\u00a0\u00c1nde Somby<\/a>, among others. Jonas presents an overview of her practice, including a selection of films and videos from across her career.<\/p>\n

Tonight’s program will include new 16mm prints of Wind<\/em> (1968) and Songdelay<\/em> (1973). These films have been preserved by Anthology Film Archives through the National Film Preservation Foundation\u2019s Avant-Garde Masters Grant program and The Film Foundation. Funding provided by the George Lucas Family Foundation. This is the first time these prints have screened outside of New York.<\/p>\n

1968\u20132017, multiple countries, multiple formats, ca 90 min + discussion<\/em>
\nJoan Jonas in person<\/em><\/p>\n

Joan Jonas<\/strong><\/a>\u00a0is a pioneer of performance and video art. Since 1968, she has worked with video, installation, sculpture, and drawing to explore ways of seeing, the rhythms of ritual, and the authority of objects and gestures. Among her many honors are awards from Anonymous Was A Woman (1998); the Rockefeller Foundation (1990); American Film Institute\u2019s Maya Deren Award for Video (1989); Guggenheim Foundation (1976); and the National Endowment for the Arts (1974). Jonas is the subject of a major retrospective at the Tate Modern in London opening in March 2018 and represented the US at the 2015 Venice Biennial. She has had major exhibitions at Kulturhuset Stadsteatern, Stockholm; Contemporary Arts Museum Houston; Documenta; Performa; The Kitchen, New York; Bergen Kunsthall, Norway; Museum of Modern Art, New York; among many others. Jonas is Professor Emerita in the MIT Program in Art, Culture, and Technology within the School of Architecture and Planning. She lives and works in New York and Nova Scotia, Canada.<\/p>\n","protected":false},"excerpt":{"rendered":"

Among the most significant artists working today, Joan Jonas has a groundbreaking body of work that spans video, performance, dance, installation, and drawing to explore fundamental questions around visual perception, ritual, archetypes, and transmission of knowledge. Initially trained as a sculptor, she began experimenting with performance in the late 1960s, merging elements of contemporary dance, […]<\/p>\n

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