{"id":7738,"date":"2018-04-24T09:49:29","date_gmt":"2018-04-24T15:49:29","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=7738"},"modified":"2025-01-09T10:36:59","modified_gmt":"2025-01-09T16:36:59","slug":"thank-you-spring-2018","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2018\/04\/24\/thank-you-spring-2018\/","title":{"rendered":"Thank you!"},"content":{"rendered":"<p>Thank you for the support as we end another great season of Conversations at the Edge!<br \/>\nHere are some highlights from this season. Be sure to check back in August for our Fall 2018 lineup!<\/p>\n<p>Sold-out screenings by the pioneering interdisciplinary artist <a href=\"http:\/\/blogs.saic.edu\/cate\/april-19-an-evening-with-joan-jonas\/\">Joan Jonas<\/a>, multimedia artist <a href=\"http:\/\/blogs.saic.edu\/cate\/april-5-hayoun-kwon-films-and-virtual-realities\/\">Hayoun Kwon<\/a>, filmmaker <a href=\"http:\/\/blogs.saic.edu\/cate\/march-29-thorsten-trimpop-furusato-%E5%8F%A4%E9%87%8C\/\">Thorsten Trimpop<\/a>, and Chicago-based artist <a href=\"http:\/\/blogs.saic.edu\/cate\/february-15-latham-zearfoss-home-movies\/\">Latham Zearfoss<\/a>!<\/p>\n<figure id=\"attachment_7733\" aria-describedby=\"caption-attachment-7733\" style=\"width: 1771px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7733 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/02-Joan-Jonas-performance-documentation-of-They-Come-to-Us-without-a-Word-II-U.S.-Pavilion-56th-Venice-Biennale-2015.-Photograph-by-Moira-Ricci-1.jpg\" alt=\"\" width=\"1771\" height=\"1181\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/02-Joan-Jonas-performance-documentation-of-They-Come-to-Us-without-a-Word-II-U.S.-Pavilion-56th-Venice-Biennale-2015.-Photograph-by-Moira-Ricci-1.jpg 1771w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/02-Joan-Jonas-performance-documentation-of-They-Come-to-Us-without-a-Word-II-U.S.-Pavilion-56th-Venice-Biennale-2015.-Photograph-by-Moira-Ricci-1-300x200.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/02-Joan-Jonas-performance-documentation-of-They-Come-to-Us-without-a-Word-II-U.S.-Pavilion-56th-Venice-Biennale-2015.-Photograph-by-Moira-Ricci-1-1024x683.jpg 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/02-Joan-Jonas-performance-documentation-of-They-Come-to-Us-without-a-Word-II-U.S.-Pavilion-56th-Venice-Biennale-2015.-Photograph-by-Moira-Ricci-1-768x512.jpg 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/02-Joan-Jonas-performance-documentation-of-They-Come-to-Us-without-a-Word-II-U.S.-Pavilion-56th-Venice-Biennale-2015.-Photograph-by-Moira-Ricci-1-1536x1024.jpg 1536w\" sizes=\"auto, (max-width: 1771px) 100vw, 1771px\" \/><figcaption id=\"caption-attachment-7733\" class=\"wp-caption-text\">Joan Jonas, performance documentation of They Come to Us Without a Word II, U.S. Pavilion, 56th Venice Biennale, 2015. Photograph by Moira Ricci<\/figcaption><\/figure>\n<figure id=\"attachment_7589\" aria-describedby=\"caption-attachment-7589\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7589 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-scaled.jpg 2560w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-300x169.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-1024x576.jpg 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-768x432.jpg 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-1536x864.jpg 1536w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/04.05_HayounKwon_489Years_2016_1-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-7589\" class=\"wp-caption-text\">Hayoun Kwon, still from 489 Years, 2016. Image courtesy of the artist.<\/figcaption><\/figure>\n<figure id=\"attachment_7701\" aria-describedby=\"caption-attachment-7701\" style=\"width: 1920px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7701 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/Hospital-1-1.jpg\" alt=\"\" width=\"1920\" height=\"1080\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/Hospital-1-1.jpg 1920w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/Hospital-1-1-300x169.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/Hospital-1-1-1024x576.jpg 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/Hospital-1-1-768x432.jpg 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/Hospital-1-1-1536x864.jpg 1536w\" sizes=\"auto, (max-width: 1920px) 100vw, 1920px\" \/><figcaption id=\"caption-attachment-7701\" class=\"wp-caption-text\">Thorsten Trimpop, still from Furusato, 2016. Image courtesy of the artist.<\/figcaption><\/figure>\n<figure id=\"attachment_7637\" aria-describedby=\"caption-attachment-7637\" style=\"width: 1840px\" class=\"wp-caption alignnone\"><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM.png\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7637 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM-1.png\" alt=\"\" width=\"1840\" height=\"948\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM-1.png 1840w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM-1-300x155.png 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM-1-1024x528.png 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM-1-768x396.png 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/02\/Screen-Shot-2018-02-15-at-2.39.33-PM-1-1536x791.png 1536w\" sizes=\"auto, (max-width: 1840px) 100vw, 1840px\" \/><\/a><figcaption id=\"caption-attachment-7637\" class=\"wp-caption-text\">Latham Zearfoss, still from Something to Move In, 2014. Image courtesy of the artist.<\/figcaption><\/figure>\n<p>Filmmakers <a href=\"http:\/\/blogs.saic.edu\/cate\/february-22-ephraim-asili-the-diaspora-suite\/\">Ephraim Asili,\u00a0<\/a>\u00a0<a href=\"http:\/\/blogs.saic.edu\/cate\/march-8-laura-huertas-millan-ethnographic-fictions\/\">Laura Huertas Mill\u00e1n<\/a>, and <a href=\"http:\/\/blogs.saic.edu\/cate\/march-1-lee-anne-schmitt-purge-this-land\/\">Lee Anne Schmitt<\/a>, who led illuminating discussions during their respective post-screening Q&amp;As.<\/p>\n<figure id=\"attachment_7676\" aria-describedby=\"caption-attachment-7676\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7676 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1468\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-scaled.jpg 2560w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-300x172.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-1024x587.jpg 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-768x440.jpg 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-1536x881.jpg 1536w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/03\/sol-negro4-1-2048x1175.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-7676\" class=\"wp-caption-text\">Laura Huertas Mill\u00e1n, still from Sol Negro, 2016. Image courtesy of the artist.<\/figcaption><\/figure>\n<figure id=\"attachment_7575\" aria-describedby=\"caption-attachment-7575\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7575 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-scaled.jpg\" alt=\"\" width=\"2560\" height=\"1440\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-scaled.jpg 2560w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-300x169.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-1024x576.jpg 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-768x432.jpg 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-1536x864.jpg 1536w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.01_LeeAnneSchmitt_PurgeThisLand_2017_1-1-2048x1152.jpg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-7575\" class=\"wp-caption-text\">Lee Anne Schmitt, still from Purge This Land, 2017. Image courtesy of the artist.<\/figcaption><\/figure>\n<p><a href=\"http:\/\/blogs.saic.edu\/cate\/april-12-the-nations-finest\/\">T<em>he Nation&#8217;s Finest<\/em>,<\/a> curated by Astria Suparak and Brett Kashmere, as part of a nation-wide tour for <em>INCITE Journal<\/em>&#8216;s issue on <a href=\"http:\/\/www.incite-online.net\/issueseven.html\">Sports.<\/a><\/p>\n<figure id=\"attachment_7719\" aria-describedby=\"caption-attachment-7719\" style=\"width: 834px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7719 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/Haig-Aivazian-1.jpg\" alt=\"\" width=\"834\" height=\"607\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/Haig-Aivazian-1.jpg 834w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/Haig-Aivazian-1-300x218.jpg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/04\/Haig-Aivazian-1-768x559.jpg 768w\" sizes=\"auto, (max-width: 834px) 100vw, 834px\" \/><figcaption id=\"caption-attachment-7719\" class=\"wp-caption-text\">Haig Aivazian, still from How Great You Are O Son of the Desert!, Part I, 2013. Image courtesy of the artist.<\/figcaption><\/figure>\n<p>A revelatory screening of rare films by late Chicago filmmaker <a href=\"http:\/\/blogs.saic.edu\/cate\/march-22-edward-owens-a-portrait-study\/\">Edward Owens.<\/a><\/p>\n<figure id=\"attachment_7586\" aria-describedby=\"caption-attachment-7586\" style=\"width: 600px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-7586 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.22_Edward_Owens_RembranceAPortraitStudy_1967.-Courtesy-of-the-Film-makers_-Cooperative-USE-WEB-ONLY-1.jpg\" alt=\"\" width=\"600\" height=\"450\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.22_Edward_Owens_RembranceAPortraitStudy_1967.-Courtesy-of-the-Film-makers_-Cooperative-USE-WEB-ONLY-1.jpg 600w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2018\/01\/03.22_Edward_Owens_RembranceAPortraitStudy_1967.-Courtesy-of-the-Film-makers_-Cooperative-USE-WEB-ONLY-1-300x225.jpg 300w\" sizes=\"auto, (max-width: 600px) 100vw, 600px\" \/><figcaption id=\"caption-attachment-7586\" class=\"wp-caption-text\">Edward Owens, still from Remembrance: A Portrait Study, 1967. Image courtesy of the Filmmakers Cooperative.<\/figcaption><\/figure>\n","protected":false},"excerpt":{"rendered":"<p>Thank you for the support as we end another great season of Conversations at the Edge! Here are some highlights from this season. Be sure to check back in August for our Fall 2018 lineup! Sold-out screenings by the pioneering interdisciplinary artist Joan Jonas, multimedia artist Hayoun Kwon, filmmaker Thorsten Trimpop, and Chicago-based artist Latham [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2018\/04\/24\/thank-you-spring-2018\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Thank you!<\/span><\/a><\/p>\n","protected":false},"author":206,"featured_media":7733,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[],"class_list":["post-7738","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-23"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7738","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/206"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=7738"}],"version-history":[{"count":4,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7738\/revisions"}],"predecessor-version":[{"id":9774,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7738\/revisions\/9774"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/7733"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=7738"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=7738"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=7738"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}