{"id":786,"date":"2006-03-16T18:19:05","date_gmt":"2006-03-17T00:19:05","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=786"},"modified":"2025-01-10T08:40:27","modified_gmt":"2025-01-10T14:40:27","slug":"phil-collins-videos-1999-2005","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2006\/03\/16\/phil-collins-videos-1999-2005\/","title":{"rendered":"Phil Collins: Videos 1999 \u2013 2005"},"content":{"rendered":"<p>\t\t\t\t<strong>Thursday, March 16, 2006, 6pm<\/strong> | <em>Phil Collins in person!<\/em><\/p>\n<address>\n<dl>\n<dt><a href=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2009\/09\/Collins450.jpg\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-2923\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2009\/09\/Collins450.jpg\" alt=\"el mundo no escuchar\u00e1 (2004). Image courtesy of Tanya Bonakdar Gallery.\" width=\"450\" height=\"374\" \/><\/a><\/dt>\n<dd>el mundo no escuchar\u00e1 (2004). Image courtesy of Tanya Bonakdar Gallery.<\/dd>\n<\/dl>\n<\/address>\n<p>UK photographer and video artist Phil Collins\u2019 works are a savvy blend of politics and pop culture. Working in embattled regions around the globe-Belfast, Belgrade, Baghdad, Bogot\u00e1-he takes on mass media representations of these geopolitical flashpoints by casting residents in pop-song-scored performances both charming and discomforting. In <em>they shoot horses<\/em><span> (2004), nine young Palestinians compete in an eight-hour disco marathon staged in a lurid pink gymnasium; in <em>el mundo no escuchar\u00e1<\/em><\/span><span> (2004) Colombian Smiths fans sing along to backing tracks (a rerecording of the album \u201cThe World Won\u2019t Listen\u201d by Bogot\u00e1 musicians) against photographs of Mediterranean holiday villas and tropical sunsets; and in <em>baghdad screentests<\/em><\/span><span> (2002), Iraqis channel Warhol while preparing for the United States\u2019 \u201clast resort.\u201d Collins will screen an exclusive CATE mix of these videos along with: <em>how to make a refugee<\/em><\/span><span> (1999); <em>d\u00fcnya dinlemiyor<\/em><\/span><span> (2005); <em>the louder you scream, the faster we go<\/em><\/span><span> (2005); and <em>the return of the real<\/em><\/span><span> (2005).<\/span> 1999-2005, Phil Collins, Colombia\/Iraq\/Spain\/Turkey\/UK, ca. 100 min, various formats.\t\t<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Thursday, March 16, 2006, 6pm | Phil Collins in person! el mundo no escuchar\u00e1 (2004). Image courtesy of Tanya Bonakdar Gallery. UK photographer and video artist Phil Collins\u2019 works are a savvy blend of politics and pop culture. Working in embattled regions around the globe-Belfast, Belgrade, Baghdad, Bogot\u00e1-he takes on mass media representations of these [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2006\/03\/16\/phil-collins-videos-1999-2005\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Phil Collins: Videos 1999 \u2013 2005<\/span><\/a><\/p>\n","protected":false},"author":198,"featured_media":2923,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[11],"tags":[206,423,475,476],"class_list":["post-786","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-11","tag-europe","tag-monographic-shows","tag-photography","tag-political"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/786","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/198"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=786"}],"version-history":[{"count":1,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/786\/revisions"}],"predecessor-version":[{"id":8803,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/786\/revisions\/8803"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/2923"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=786"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=786"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=786"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}