{"id":7948,"date":"2018-11-05T09:00:37","date_gmt":"2018-11-05T15:00:37","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=7948"},"modified":"2025-01-10T09:48:20","modified_gmt":"2025-01-10T15:48:20","slug":"coco-fusco-cuba-portraits","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2018\/11\/05\/coco-fusco-cuba-portraits\/","title":{"rendered":"Coco Fusco: Cuba Portraits"},"content":{"rendered":"<p><em>Coco Fusco in person<\/em><\/p>\n<p>For more than 30 years, interdisciplinary artist Coco Fusco has explored notions of race, identity, and power through video and performance. In recent years, Fusco has examined a number of legendary stories that lack pictorial representation due to institutional censorship or an absence of governmental documentation. She presents two intimate artist portraits centered on concepts of the body, state control, and expurgation, investigating their effects on artistic production and political discourse in Cuba. Both created in 2015,\u00a0<em>La confesi\u00f3n<\/em>\u00a0explores the public confession of poet and accused counterrevolutionary Heberto Padilla, while\u00a0<em>La botella al mar de Mar\u00eda Elena<\/em>focuses on the state intimidation of political reformer Mar\u00eda Elena Cruz Varela. These portraits examine the relationship of art and artists to our contemporary political moment while charting a legacy of regime power and control of information.<\/p>\n<p><em>Presented in collaboration with the Video Data Bank.<\/em><\/p>\n<p><em>2015, Cuba \/ USA, multiple formats, ca 65 min + discussion<\/em><\/p>\n<p><strong>Coco Fusco<\/strong>\u00a0is a Cuban American interdisciplinary artist and writer. She is the Andrew Banks Endowed Professor of Art at the University of Florida and the recipient of several fellowships and awards, such as a CINTAS Fellowship (2014), Guggenheim Fellowship (2013), Absolut Art Writing Award (2013), Fulbright Fellowship (2013), United States Artist Fellowship (2012), and a Herb Alpert Award in the Arts (2003). Fusco&#8217;s performances and videos have been presented in the 56th Venice Biennale, two Whitney Biennials, BAM\u2019s Next Wave Festival, the Biennale of Sydney, Johannesburg Biennale, Kwangju Biennale, Shanghai Biennale, InSite_O5, Bienal do Mercosul, transmediale, London International Festival of Theatre, Videobrasil, and Performa 05. Her works have also been shown at the Tate Liverpool, England; Museum of Modern Art, New York; Walker Art Center, Minneapolis; and the Barcelona Museum of Contemporary Art, Spain. She is represented by Alexander Gray Associates in New York.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>Coco Fusco in person For more than 30 years, interdisciplinary artist Coco Fusco has explored notions of race, identity, and power through video and performance. In recent years, Fusco has examined a number of legendary stories that lack pictorial representation due to institutional censorship or an absence of governmental documentation. She presents two intimate artist [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2018\/11\/05\/coco-fusco-cuba-portraits\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Coco Fusco: Cuba Portraits<\/span><\/a><\/p>\n","protected":false},"author":207,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[23],"tags":[126,144,276],"class_list":["post-7948","post","type-post","status-publish","format-standard","hentry","category-23","tag-coco-fusco","tag-cuba","tag-identity"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7948","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/207"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=7948"}],"version-history":[{"count":3,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7948\/revisions"}],"predecessor-version":[{"id":10140,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/7948\/revisions\/10140"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=7948"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=7948"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=7948"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}