{"id":8062,"date":"2019-03-25T09:00:02","date_gmt":"2019-03-25T15:00:02","guid":{"rendered":"http:\/\/blogs.saic.edu\/cate\/?p=8062"},"modified":"2025-01-09T10:16:33","modified_gmt":"2025-01-09T16:16:33","slug":"march-28-disorienting-diasporas","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2019\/03\/25\/march-28-disorienting-diasporas\/","title":{"rendered":"March 28 &#8211; Disorienting Diasporas"},"content":{"rendered":"<p><span style=\"font-weight: 400\"><i>Curators Nima Esmailpour<\/i><i>\u00a0and <\/i><i>Jordan Arseneault in person<\/i> <i>\u00a0\u00a0<\/i><\/span><\/p>\n<figure id=\"attachment_8000\" aria-describedby=\"caption-attachment-8000\" style=\"width: 2560px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"size-full wp-image-8000\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-scaled.jpeg\" alt=\"\" width=\"2560\" height=\"1708\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-scaled.jpeg 2560w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-300x200.jpeg 300w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-1024x683.jpeg 1024w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-768x512.jpeg 768w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-1536x1025.jpeg 1536w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2019\/01\/3_28_Fawzia-Mirza_The-Queen-of-My-Dreams_2011_Courtesy-of-the-artist-1-2048x1366.jpeg 2048w\" sizes=\"auto, (max-width: 2560px) 100vw, 2560px\" \/><figcaption id=\"caption-attachment-8000\" class=\"wp-caption-text\">Fawzia Mirza, still fromThe Queen of My Dreams, 2011. Courtesy of the artist.<\/figcaption><\/figure>\n<p><span style=\"font-weight: 400\">Since 2006, the Queer Media Database Canada-Qu\u00e9bec Project (QMDCQ) has worked to resuscitate a rich heritage of queer moving-image makers and their works. Curated by the QMDCQ in partnership with the Montr\u00e9al-based collective Taklif: \u062a\u06a9\u0644\u06cc\u0641, <\/span><i><span style=\"font-weight: 400\">Disorienting Diasporas<\/span><\/i><span style=\"font-weight: 400\"> is a migrant mixtape par excellence. Spanning nearly two decades with stops in South Asia, the Middle East, and the Maghreb before passing through Canadian border controls, this program brings together work by Brown diasporic artists who elude the logic of either\/or in favor of the neither\/nor of unbelonging. In their play with media and expectations, these artists open the way to a lucid, radical, and unyielding reflection on the marginalized trajectories of Brown diasporas in Canada since the 1990s. Featuring works by Atif Siddiqi, Hejer Charf, Ari Nooranii, Kevin d\u2019Souza, Farrah Khan, Sharif Waked, Fawzia Mirza, 2Fik, and Safiya Randera.<\/span><\/p>\n<p><i><span style=\"font-weight: 400\">1998\u20132015, various artists, Canada, multiple formats, ca 60 minutes followed by discussion<\/span><\/i><\/p>\n<p><i><span style=\"font-weight: 400\">Presented in partnership with the Queer Media Database Canada-Qu\u00e9bec Project. Introduced by Nima Esmailpour from Taklif: <\/span><\/i><span style=\"font-weight: 400\">\u062a\u06a9\u0644\u06cc\u0641<\/span><i><span style=\"font-weight: 400\"> and Jordan Arseneault from the QMDCQ<\/span><\/i><\/p>\n<p><strong>The Queer Media Database Canada-Qu\u00e9bec Project<\/strong><span style=\"font-weight: 400\"> aims to maintain a dynamic and interactive online catalogue of LGBTQ Canadian film, video, and digital works; their makers; and related institutions. The website, mediaqueer.ca is a bilingual online research and curatorial tool that provides researchers, students, artists, academics, curators, cinephiles, critics, and community members free access to a rich array of art historical and biographical information about queer moving image works from the 1930s to today.<\/span><\/p>\n<p><strong>Taklif : \u062a\u06a9\u0644\u06cc\u0641<\/strong> <span style=\"font-weight: 400\">is an imaginary space and a traveling library for radical imagination dedicated to learning, unlearning, and relearning practices through art and dialogue and an artist-run initiative formed with the ambition to rigorously bridge our intellectual activities with our emotional embodied intuitions, within and beyond institutional settings.<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Curators Nima Esmailpour\u00a0and Jordan Arseneault in person \u00a0\u00a0 Since 2006, the Queer Media Database Canada-Qu\u00e9bec Project (QMDCQ) has worked to resuscitate a rich heritage of queer moving-image makers and their works. Curated by the QMDCQ in partnership with the Montr\u00e9al-based collective Taklif: \u062a\u06a9\u0644\u06cc\u0641, Disorienting Diasporas is a migrant mixtape par excellence. Spanning nearly two decades [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2019\/03\/25\/march-28-disorienting-diasporas\/\">Read More&#8230;<span class=\"screen-reader-text\"> from March 28 &#8211; Disorienting Diasporas<\/span><\/a><\/p>\n","protected":false},"author":207,"featured_media":8000,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[2],"tags":[44,77,85,152,222,223,263,335,468,476,490,491,515,533,578],"class_list":["post-8062","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-2","tag-2fik","tag-ari-nooranii","tag-atif-siddiqi","tag-curators-and-programmers","tag-farrah-khan","tag-fawzia-mirza","tag-hejer-charf","tag-kevin-dsouza","tag-performance","tag-political","tag-qmdcq","tag-queer","tag-safiya-randera","tag-sharif-waked","tag-taklif"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/8062","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/207"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=8062"}],"version-history":[{"count":3,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/8062\/revisions"}],"predecessor-version":[{"id":9742,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/8062\/revisions\/9742"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/8000"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=8062"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=8062"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=8062"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}