{"id":9111,"date":"2023-02-16T16:27:57","date_gmt":"2023-02-16T16:27:57","guid":{"rendered":"https:\/\/sites.saic.edu\/cate\/?p=9111"},"modified":"2025-01-08T16:15:52","modified_gmt":"2025-01-08T22:15:52","slug":"colectivo-los-ingravidos","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2023\/02\/16\/colectivo-los-ingravidos\/","title":{"rendered":"Colectivo Los Ingr\u00e1vidos"},"content":{"rendered":"

Thursday, February 16, 6:00 p.m.<\/strong><\/em><\/p>\n

\"Close
Colectivo Los Ingra\u0301vidos, Tierra en Trance, 2022. Courtesy of the artists.<\/figcaption><\/figure>\n

\u201cThe films and videos of Los Ingr\u00e1vidos are signed in solidarity under a collective banner\u2026 fashioned together in love and outrage.\u201d \u2013 Stephen Broomer,\u00a0CinemaScope<\/em><\/p>\n

\u201cIn its mode of organization, intersectional approach, and formal characteristics, [Los Ingr\u00e1vidos] is one of the most singular contemporary Latin American film collectives.\u201d \u2013 Raquel Schefer,\u00a0Jump Cut<\/em><\/p>\n

Since 2012, the Mexican Colectivo Los Ingr\u00e1vidos, which translates into English as \u201cthe weightless,\u201d has been producing dazzling, often trance-like films with an activist sensibility. In their first ever appearance in Chicago, the collective presents a selection of recent shorts, including two parts of their searing THE SUN QUARTET (2017) and the mesmerizing TIERRA EN TRANCE (2022). Stitched together from contemporary, historical, and mythic images of Mesoamerica, the films reflect on interconnected social, political, and environmental issues in Mexico, the Americas, and beyond.<\/p>\n

Presented in partnership with the\u00a0Video Data Bank\u00a0<\/a>and\u00a0Northwestern University\u2019s Block Museum.<\/a><\/em><\/p>\n

2017\u201322, Colectivo Los Ingr\u00e1vidos, Mexico, ca 75 minutes plus discussion
\nFormat: 16mm and 16mm on digital
\nIn Spanish with English subtitles<\/p>\n

__<\/p>\n

PROGRAM<\/strong><\/em><\/p>\n

THE SUN QUARTET, PART 2: SAN JUAN RIVER, 2017, 16mm to digital, 13 minutes<\/p>\n

THE SUN QUARTET, PART 4: FAR FROM AYOTZINAOA, 2017, 16mm to digital, 23 minutes<\/p>\n

On the evening of September 26, 2014, a group of 43 students from the Ayotzinapa Rural Teaching College disappeared just outside of Iguala, Mexico. THE SUN QUARTET is a solar composition in four movements, a political composition in four natural elements, an audiovisual composition in four bodily mutations: a sun stone where youth blooms in protest, a river overflowing the streets, the burning plain rising in the city, and, finally, the clamor of the people that shook Mexico in the wake of that fateful night.<\/p>\n

\u201cTHE SUN QUARTET confronts the climate of corruption and violence that dominates contemporary Mexican leadership and militarism. It exemplifies the poetic operations of the collective, who reconcile elements ranging from improvisational music, superimposed cinematography, poetic texts both read and cast on screen, and documentation of protests. These elements assemble as a counter to official claims to truth regarding traumas as recent as the 2014 disappearance of 43 students from the Ayotzinapa rural normal school that happened in Iguala, Mexico, and as distant as the 1968 Tlatelolco massacre, a formative event in contemporary Mexican revolutionary consciousness. THE SUN QUARTET also summons resonances of older, unspeakable traumas, rifts that recede deep into the past of Mexico.\u201d \u2013 Stephen Broomer<\/p>\n

TIERRA EN TRANCE, 2022, 16mm, 38 minutes<\/p>\n

\u201cThese are the dancing bodies in an agitated rapture: prelude to trance, invocation of the gods, consecration of intermittence. Here our point of view sparkles under the spell and trance of things gathered, fallen, yielding, pluvial, Mesoamerican wind, goddess breath, breeze of sticks, percussive woods. Here the audiovisual diagram that guides us, the kinetic breath that inspires us, the serpentine spear that snatches us away, the agitated plumes that trembles at us are the sound and rumble of Teponaztli, a Mesoamerican percussive instrument: serpentine, dancing, bouncing sticks, trunks, branches and wood. Kinetic and audiovisual serialism from the embers of the Earth. This is the Earth in a trance.\u201d \u2013 Colectivo Los Ingr\u00e1vido<\/p>\n

__<\/p>\n

ABOUT<\/strong><\/em><\/p>\n

Colectivo Los Ingr\u00e1vidos<\/strong>\u00a0was founded in Tehuac\u00e1n Mexico in 2012 to dismantle the commercial and corporate audiovisual grammar and its embedded ideology. The collective is inspired by the historical avant-gardes and their commitment to using both form and content against alienating realities. Their methods combine digital and analogue mediums, interventions on archival materials, agitprop, mythology, social protests, and documentary poetry. Their radical experimentations in documentary and cinematography produce visual and auditory\u00a0 impressions that are political possibilities in their own right. Their work has been exhibited internationally, including at the 2019 Whitney Biennial,\u00a0the Bienal de la Imagen Movimiento in Buenos Aires, International Film Festival Rotterdam, RIDM Montreal International Documentary Festival, Images Festival; Media City Film Festival, Ambulante Cine Documental, International Short Film Festival Oberhausen, and Festival Internacional de Cine FILMADRID.<\/p>\n","protected":false},"excerpt":{"rendered":"

Thursday, February 16, 6:00 p.m. \u201cThe films and videos of Los Ingr\u00e1vidos are signed in solidarity under a collective banner\u2026 fashioned together in love and outrage.\u201d \u2013 Stephen Broomer,\u00a0CinemaScope \u201cIn its mode of organization, intersectional approach, and formal characteristics, [Los Ingr\u00e1vidos] is one of the most singular contemporary Latin American film collectives.\u201d \u2013 Raquel Schefer,\u00a0Jump […]<\/p>\n

Read More… from Colectivo Los Ingr\u00e1vidos<\/span><\/a><\/p>\n","protected":false},"author":268,"featured_media":9085,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[701],"tags":[24,703,711,413,623],"class_list":["post-9111","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-701","tag-16mm","tag-block-museum","tag-colectivo-los-ingravidos","tag-mexico","tag-video-data-bank"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9111","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/268"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=9111"}],"version-history":[{"count":7,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9111\/revisions"}],"predecessor-version":[{"id":9579,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9111\/revisions\/9579"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/9085"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=9111"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=9111"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=9111"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}