{"id":9124,"date":"2022-10-20T00:51:54","date_gmt":"2022-10-20T00:51:54","guid":{"rendered":"https:\/\/sites.saic.edu\/cate\/?p=9124"},"modified":"2025-01-08T16:18:08","modified_gmt":"2025-01-08T22:18:08","slug":"oct-20-marta-pajek-impossible-figures-and-other-stories","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2022\/10\/20\/oct-20-marta-pajek-impossible-figures-and-other-stories\/","title":{"rendered":"Marta Pajek: Impossible Figures and Other Stories"},"content":{"rendered":"

Thursday, October 20, 6:00 p.m.<\/span><\/strong><\/em><\/p>\n

\"Stylized
Marta Pajek, Impossible Figures and Other Stories II, 2015. Courtesy the artist and Animoon<\/figcaption><\/figure>\n

Marta Pajek is known for unsettling and enigmatic films about dreams, relationships, and women\u2019s lives. Her latest is the award-winning triptych IMPOSSIBLE FIGURES AND OTHER STORIES, released as a series of individual films over six years. Rendered in elegant, ever-morphing black and white line animations, the trilogy uses the impossible figure\u2014a drawing that follows the rules of perspective but cannot exist in reality\u2014as both a motif and central metaphor. Each film uses a physical space\u2014a house, the space between two lovers, a city\u2014to examine intimate and global anxieties about gender, sexuality, liberation, and political violence. In IMPOSSIBLE FIGURES AND OTHER STORIES II (2017), a young woman confronts the disorienting demands of domesticity; in IMPOSSIBLE FIGURES AND OTHER STORIES III (2018), a couple sinks into a psychosexual romance; and in IMPOSSIBLE FIGURES AND OTHER STORIES I (2021), a grand dame explores the architecture of idealism, authoritarianism, and self-destruction. Pajek will join the program virtually to discuss the ideas and images that inspired the triptych, as well as her distinctive style.<\/p>\n

Marta Pajek, 2017-21, Poland \/ Canada, ca 50 minutes plus audience discussion
\nDigital video
\nIn Polish and German with English subtitles<\/p>\n

Presented in partnership with DePaul University\u2019s School of Cinematic Arts.<\/p>\n

__<\/p>\n

ABOUT<\/strong><\/em><\/p>\n

Marta Pajek is an animator from Kielce, Poland. She studied with renowned Polish animator Jerzy Kucia at Academy of Fine Arts in Krakow and Estonian animator Priit P\u00e4rn at the Turku Arts Academy. Her striking animations employ a minimal palette, clean lines, and negative space, cohesively merging hand-drawn animation with CGI. Her films include AFTER APPLES (2004), NEXTDOOR (2005), SLEEPINCORD (2011) and the acclaimed IMPOSSIBLE FIGURES AND OTHER STORIES trilogy. She has received multiple awards for her works, which have screened around the world, including, among others, the Cannes Film Festival, Ottawa International Animation Festival, Annecy International Animation Film Festival, and Tricky Women\/Tricky Realities, as well as the GLAS Animation Festival, and Stuttgart International Festival of Animated Films, both of which awarded her their grand prize.<\/p>\n","protected":false},"excerpt":{"rendered":"

Thursday, October 20, 6:00 p.m. Marta Pajek is known for unsettling and enigmatic films about dreams, relationships, and women\u2019s lives. Her latest is the award-winning triptych IMPOSSIBLE FIGURES AND OTHER STORIES, released as a series of individual films over six years. Rendered in elegant, ever-morphing black and white line animations, the trilogy uses the impossible […]<\/p>\n

Read More… from Marta Pajek: Impossible Figures and Other Stories<\/span><\/a><\/p>\n","protected":false},"author":268,"featured_media":9062,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[680],"tags":[70,393,727],"class_list":["post-9124","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-680","tag-animation","tag-marta-pajek","tag-poland"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9124","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/268"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=9124"}],"version-history":[{"count":5,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9124\/revisions"}],"predecessor-version":[{"id":9587,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9124\/revisions\/9587"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/9062"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=9124"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=9124"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=9124"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}