{"id":9168,"date":"2021-04-06T12:00:15","date_gmt":"2021-04-06T12:00:15","guid":{"rendered":"https:\/\/sites.saic.edu\/cate\/?p=9168"},"modified":"2025-02-23T21:59:13","modified_gmt":"2025-02-24T03:59:13","slug":"ian-cheng","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2021\/04\/06\/ian-cheng\/","title":{"rendered":"Ian Cheng"},"content":{"rendered":"<div class=\"field field--name-field-date field--type-datetime field--label-hidden\">\n<div><em><strong>Tuesday, April 06, <span class=\"date-display-start\">6:30 p.m.<\/span>\u2013<span class=\"date-display-end\">7:45 p.m. CT<\/span><\/strong><\/em><\/div>\n<\/div>\n<div class=\"field field--name-field-location-free-form field--type-text-long field--label-hidden\">\n<div class=\"field__items\">\n<div class=\"field__item even\">\n<p>Zoom<\/p>\n<p><em>Live captions available.<\/em><\/p>\n<p>Join us live for a virtual lecture by artist Ian Cheng followed by an audience Q&amp;A. Presented in partnership with SAIC&#8217;s Visiting Artists Program.<\/p>\n<figure id=\"attachment_8940\" aria-describedby=\"caption-attachment-8940\" style=\"width: 725px\" class=\"wp-caption alignnone\"><img loading=\"lazy\" decoding=\"async\" class=\"wp-image-8940 size-full\" src=\"http:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2021\/01\/Ian-Cheng-Emissary-Forks-at-Perfection-still-live-simulation-and-story-infinite-duration-2015-2016.-Courtesy-of-the-artist-Pilar-Corrias-London-and-Gladstone-Gallery-New-York..jpg\" alt=\"\" width=\"725\" height=\"408\" srcset=\"https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2021\/01\/Ian-Cheng-Emissary-Forks-at-Perfection-still-live-simulation-and-story-infinite-duration-2015-2016.-Courtesy-of-the-artist-Pilar-Corrias-London-and-Gladstone-Gallery-New-York..jpg 725w, https:\/\/sites.saic.edu\/cate\/wp-content\/uploads\/sites\/100\/2021\/01\/Ian-Cheng-Emissary-Forks-at-Perfection-still-live-simulation-and-story-infinite-duration-2015-2016.-Courtesy-of-the-artist-Pilar-Corrias-London-and-Gladstone-Gallery-New-York.-300x169.jpg 300w\" sizes=\"auto, (max-width: 725px) 100vw, 725px\" \/><figcaption id=\"caption-attachment-8940\" class=\"wp-caption-text\">Ian Cheng, Emissary Forks at Perfection (still), live simulation and story, infinite duration, 2015-2016. Courtesy of the artist, Pilar Corrias, London and Gladstone Gallery, New York<\/figcaption><\/figure>\n<\/div>\n<\/div>\n<\/div>\n<p>Drawing on principles of video game design, improvisation, and cognitive science, Ian Cheng&#8217;s practice explores the nature of mutation and the capacity of humans to relate to change. He produces computer-generated simulations whose complex ecosystems are programmed to evolve without end. These projects culminated in the\u00a0<em>Emissaries<\/em>\u00a0trilogy (2014\u201317), a set of works in which the motivation of a narrative agent\u2014the emissary\u2014is set into conflict with the open-ended chaos of the simulation. In 2019, he debuted BOB (Bag of Beliefs), an AI creature whose personality, body, and life story evolve across exhibitions, what Cheng calls \u201cart with a nervous system.\u201d<\/p>\n<p>Recent solo exhibitions include:\u00a0<em>Life After Bob<\/em>, The Shed, New York (2021);<em>\u00a0Ian Cheng: BOB<\/em>, Gladstone Gallery, New York (2019);\u00a0<em>Ian Cheng Emissaries<\/em>, Julia Stoschek Collection, Berlin (2018);\u00a0<em>Ian Cheng: BOB<\/em>, Serpentine Gallery, London (2018);\u00a0<em>Ian Cheng: Emissaries<\/em>, MoMA PS1, New York (2017);\u00a0<em>Ian Cheng: Forking at Perfection<\/em>, Migros Museum, Zurich (2016); and\u00a0<em>Ian Cheng: Emissary in the Squat of<\/em><em>\u00a0Gods<\/em>, Fondazione Sandretto Re Rebaudengo, Italy (2015). Recent group exhibitions include:\u00a0<em>Mud Muses<\/em>, Moderna Museet, Stockhom (2019);\u00a0<em>If the Snake<\/em>, Okayama Art Summit, Japan (2019);\u00a0<em>May You Live in Interesting Times<\/em>, Venice Biennale (2019);\u00a0<em>New Order: Art and Technology in the Twenty-First Century<\/em>, Museum of Modern Art, New York (2019);\u00a0<em>Leaving the Echo Chamber<\/em>, Sharjah Biennial, United Arab Emirates (2019);\u00a0<em>Low Form. Imaginaries and Visions in the Age of Artificial Intelligence<\/em>, MAXXI, Rome (2018); and\u00a0<em>I Was Raised on the Internet<\/em>, Museum of Contemporary Art Chicago (2018).<\/p>\n<p><em>This program is partially supported by a grant from the Illinois Arts Council Agency.<\/em><\/p>\n","protected":false},"excerpt":{"rendered":"<p>Tuesday, April 06, 6:30 p.m.\u20137:45 p.m. CT Zoom Live captions available. Join us live for a virtual lecture by artist Ian Cheng followed by an audience Q&amp;A. Presented in partnership with SAIC&#8217;s Visiting Artists Program. Drawing on principles of video game design, improvisation, and cognitive science, Ian Cheng&#8217;s practice explores the nature of mutation and [&#8230;]<\/p>\n<p><a class=\"btn btn-secondary understrap-read-more-link\" href=\"https:\/\/sites.saic.edu\/cate\/2021\/04\/06\/ian-cheng\/\">Read More&#8230;<span class=\"screen-reader-text\"> from Ian Cheng<\/span><\/a><\/p>\n","protected":false},"author":200,"featured_media":8940,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[655],"tags":[45,661,441],"class_list":["post-9168","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-655","tag-3d","tag-ian-cheng","tag-new-media"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9168","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/200"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=9168"}],"version-history":[{"count":4,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9168\/revisions"}],"predecessor-version":[{"id":10162,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9168\/revisions\/10162"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/8940"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=9168"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=9168"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=9168"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}