{"id":9420,"date":"2023-09-14T12:00:07","date_gmt":"2023-09-14T12:00:07","guid":{"rendered":"https:\/\/sites.saic.edu\/cate\/?p=9420"},"modified":"2025-01-08T16:13:09","modified_gmt":"2025-01-08T22:13:09","slug":"interior-lives-sojourner-truth-festival-of-the-arts","status":"publish","type":"post","link":"https:\/\/sites.saic.edu\/cate\/2023\/09\/14\/interior-lives-sojourner-truth-festival-of-the-arts\/","title":{"rendered":"INTERIOR LIVES: Sojourner Truth Festival of the Arts"},"content":{"rendered":"

Thursday, September 14, 6:00 p.m.<\/strong><\/em><\/p>\n

\"\"
Aarin Burch, SPIN CYCLE, 1991. Courtesy of the artist. (2)<\/figcaption><\/figure>\n

In 1976, an extraordinary group of Black feminist artists organized the first-ever Black women\u2019s film festival: the Sojourner Truth Festival of the Arts. Four decades later, a new generation of artists, curators, and scholars have revived the festival.<\/p>\n

INTERIOR LIVES opens a weekend of events at the Gene Siskel Film Center by bringing together 10 exquisite films from the \u201880s, \u201890s, and today that foreground Black women\u2019s interiority. Featuring works by Aarin Burch, Zeinabu irene Davis, Cheryl Dunye, Jada-Amina, S. Pearl Sharp, Cauleen Smith, Paige Taul, Yvonne Welbon, and Fronza Woods and a post-screening discussion with Burch, Davis, Jada-Amina, and Taul, moderated by Sarah Oberholtzer, Program Manager, Sisters in Cinema.<\/p>\n

1981, 2020, Various directors, 84 minutes
\nIn English \/ Format: 16MM and digital<\/p>\n

Presented in partnership with the University of Chicago’s Film Studies Center, Sisters in Cinema, and the Gene Siskel Film Center, with support from the City of Chicago Department of Cultural Affairs and Special Events (DCASE). Curated by Allyson Nadia Field, Hayley O\u2019Malley, and Yvonne Welbon.<\/em><\/p>\n

Program<\/strong><\/p>\n

DREAMS OF PASSION
\nAarin Burch, 1989, 4 minutes \/ Format: 16mm, In English
\nFeaturing contemporary dancers Matima Hadi and Debra Floyd, DREAMS OF PASSION explores creative and sexual desire between two Black women.<\/p>\n

SPIN CYCLE
\nAarin Burch, 1991, 6 minutes \/ Format: 16mm, In English
\nIn this autobiographical look at filmmaking and romantic relationships, Aarin Burch ruminates on how to represent race, the ways her films might objectify women, and being pigeonholed as a Black lesbian filmmaker.<\/p>\n

CYCLES
\nZeinabu irene Davis, 1989, 16 minutes \/ Format: Digital Video, In English
\nZeinabu irene Davis combines live action, animation, and still photography in this beautiful portrait of a woman taking stock of her life and performing acts of self-care.<\/p>\n

JANINE
\nCheryl Dunye, 1990, 9 minutes \/ Format: Digital Video, In English
\nIn this candid self-portrait, Cheryl Dunye (THE WATERMELON WOMAN) tells the story of a fraught teenage friendship with a white upper-middle class girl. Through direct address and high school snapshots, Dunye relays the often-painful process of searching for\u2014and ultimately affirming\u2014her Black lesbian identity.<\/p>\n

I\u2019M NOT GOING TO DIE, I\u2019M GOING HOME LIKE A SHOOTING STAR
\nJada-Amina, 2020, 15 minutes \/ Format: Digital Video, In English
\nTaking its title from Sojourner Truth\u2019s own words, Jada-Amina\u2019s film explores the Black ecstatic through archival footage, Black cultural icons, and vignettes of loved ones.<\/p>\n

BACK INSIDE HERSELF
\nPearl Sharp, 1984, 4 minutes \/ Format: Digital Video, In English
\nFirst place winner at the San Francisco Poetry Film Festival and the Black American Cinema Society\u2019s Independent Film Awards, S. Pearl Sharp\u2019s debut film is a visual poem on identity and the assertion of self, starring the magnetic actor Barbara O. Jones (DAUGHTERS OF THE DUST, BUSH MAMA).<\/p>\n

CHRONICLES OF A LYING SPIRIT (BY KELLY GABRON)
\nCauleen Smith, 1992, 6 minutes \/ Format: 16mm, In English
\nA fabulist short that traces a circuitous history from the Middle Passage to late-1980s, Cauleen Smith\u2019s film concludes with an unflinching monologue about class privilege and artistic responsibility, declaring: \u201cThe only way I\u2019m gonna get on TV is to make my own goddamn tapes and play them for myself, my sisters, my brothers. We will be seen, and we will be heard.\u201d<\/p>\n

10:28,30
\nPaige Taul, 2019, 5 minutes \/ Format: Digital Video, In English
\nPart of the larger constellations of works concerning familial ties, 10:28,30 explores the relationships between Paige Taul, her twin sister, and their mother.<\/p>\n

MONIQUE
\nYvonne Welbon, 1991, 2 minutes \/ Format: Digital Video, In English
\nYvonne Welbon reflects on a childhood experience of racism and considers how deeply it is ingrained in the fabric of society, pervasive enough to infect even children\u2019s play.<\/p>\n

FANNIE\u2019S FILM
\nFronza Woods, 1981, 15 minutes \/ Format: Digital Video, In English
\nA portrait of a 65-year-old woman as she tells stories about her life while cleaning a Pilates studio. Challenging mainstream media\u2019s stereotypes of women of color who earn their living as domestic workers, this seemingly simple documentary achieves a quiet revolution: the expressive portrait of a fully realized individual.<\/p>\n

Accessibility<\/strong><\/p>\n

CATE events are presented with real-time captions (CART). Hearing loops, wheelchair accessibility, and companion seating are also available at the Gene Siskel Film Center. For other accessibility requests, please visit saic.edu\/access or write cate@saic.edu.<\/p>\n","protected":false},"excerpt":{"rendered":"

Thursday, September 14, 6:00 p.m. In 1976, an extraordinary group of Black feminist artists organized the first-ever Black women\u2019s film festival: the Sojourner Truth Festival of the Arts. Four decades later, a new generation of artists, curators, and scholars have revived the festival. INTERIOR LIVES opens a weekend of events at the Gene Siskel Film […]<\/p>\n

Read More… from INTERIOR LIVES: Sojourner Truth Festival of the Arts<\/span><\/a><\/p>\n","protected":false},"author":200,"featured_media":9421,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"footnotes":""},"categories":[701],"tags":[787,795,849,791,788,794,796,789,792,850,790,786,793,741],"class_list":["post-9420","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-701","tag-aarin-burch","tag-allyson-nadia-field","tag-blackness","tag-cauleen-smith","tag-cheryl-dunye","tag-fronza-woods","tag-hayley-omalley","tag-jada-amina","tag-paige-taul","tag-personal-film","tag-s-pearl-sharp","tag-sojourner-truth-festival-of-the-arts","tag-yvonne-welbon","tag-zeinabu-irene-davis"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9420","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/users\/200"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/comments?post=9420"}],"version-history":[{"count":3,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9420\/revisions"}],"predecessor-version":[{"id":9568,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/posts\/9420\/revisions\/9568"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media\/9421"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/media?parent=9420"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/categories?post=9420"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/cate\/wp-json\/wp\/v2\/tags?post=9420"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}