{"id":1126,"date":"2022-07-30T15:20:43","date_gmt":"2022-07-30T15:20:43","guid":{"rendered":"https:\/\/sites.saic.edu\/emerge2022\/?page_id=1126"},"modified":"2023-02-17T16:02:48","modified_gmt":"2023-02-17T16:02:48","slug":"pareja","status":"publish","type":"page","link":"https:\/\/sites.saic.edu\/emerge\/change\/art\/pareja\/","title":{"rendered":"Melissa Pareja"},"content":{"rendered":"\n<h3 class=\"has-text-align-center has-text-color wp-block-heading\" style=\"color:#1a1a1a\"><em>The Process of Transformation<\/em>, 2019<\/h3>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"http:\/\/sites.saic.edu\/emerge2022\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-683x1024.jpg\" alt=\"\" class=\"wp-image-572\" srcset=\"https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-683x1024.jpg 683w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-200x300.jpg 200w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-768x1152.jpg 768w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-1024x1536.jpg 1024w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-1365x2048.jpg 1365w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-1200x1800.jpg 1200w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-1980x2970.jpg 1980w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Anton1-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Melissa Pareja<br><em>The Process of Transformation (Anton)<\/em>, 2019<br>Digital Print<\/figcaption><\/figure>\n\n\n\n<p><em>The Process of Transformation<\/em> is a performative piece that questions the permanence of <em>change<\/em>. In the performance, I hand-poke a tattoo of the word <em>\u201cchange\u201d <\/em>on volunteer participants while engaging them in conversation about the ephemerality of transformation present in every aspect of life. Nothing is ever static; meaning change is constant. But <em>transformation<\/em>, on the other hand, rarely ever looks, feels, or sounds the same. Much like the Ouroboros, whose ongoing renewal can only happen by devouring itself, change can only happen with the destruction of what was previously there.&nbsp;<\/p>\n\n\n\n<p>This is where tattooing enters. Through this action, I\u2019m inflicting a wound on a body in order to change what was physically and mentally there. Tattoos are also ephemeral and volatile, since the skin\u2019s constant renewal transforms the ink throughout the years, fading it, altering its colors and stretching out, depending on where they are placed on the body. Participants had limited choices when deciding on their hand-poked tattoo: color, the language in which it was to be written, the placement of the word on their body, and the font. Interestingly enough, almost every single individual chose to mark their body with my handwriting as their chosen font style.&nbsp; This was especially touching, and I viewed this as an extension of myself; a piece of my being transferred onto someone who will continue to roam the world and be a part of a network of people that may or may not ever meet again.<\/p>\n\n\n\n<p>Those who decided to participate often approached me to tell me about the moments in their lives that were marked by this word. Life, death, politics, gender expression, climate change, illness, loss and hopes for the future were all topics of discussion. I believe I created a safe space for a free-flowing range of emotions. This is an ongoing project that so far counts with more than forty participants, where a variety of objects have been exchanged as a token of appreciation, such as songs, books, drawings, and letters. In 2020, the book &#8220;Cambio&#8221; was published, compiling 12 of the stories that make up the project.<\/p>\n\n\n\n<p class=\"has-text-color has-large-font-size\" style=\"color:#210838\"><strong>&#8212; Melissa Pareja<\/strong><\/p>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"http:\/\/sites.saic.edu\/emerge2022\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-683x1024.jpg\" alt=\"\" class=\"wp-image-573\" srcset=\"https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-683x1024.jpg 683w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-200x300.jpg 200w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-768x1152.jpg 768w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-1024x1536.jpg 1024w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-1365x2048.jpg 1365w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-1200x1800.jpg 1200w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-1980x2970.jpg 1980w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/Dania3-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Melissa Pareja<br><em>The Process of Transformation (Dania)<\/em>, 2019<br>Digital print<\/figcaption><\/figure>\n\n\n\n<figure class=\"wp-block-image alignwide size-large\"><img loading=\"lazy\" decoding=\"async\" width=\"683\" height=\"1024\" src=\"http:\/\/sites.saic.edu\/emerge2022\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-683x1024.jpg\" alt=\"\" class=\"wp-image-574\" srcset=\"https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-683x1024.jpg 683w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-200x300.jpg 200w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-768x1152.jpg 768w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-1024x1536.jpg 1024w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-1365x2048.jpg 1365w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-1200x1800.jpg 1200w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-1980x2970.jpg 1980w, https:\/\/sites.saic.edu\/emerge\/wp-content\/uploads\/sites\/144\/2022\/07\/LinaO1-scaled.jpg 1707w\" sizes=\"auto, (max-width: 683px) 100vw, 683px\" \/><figcaption class=\"wp-element-caption\">Melissa Pareja<br><em>The Process of Transformation (Lina)<\/em>, 2019<br>Digital print<\/figcaption><\/figure>\n\n\n\n<p>\u200b\u200b<strong>Melissa Pareja<\/strong>\u2019s practice is heavily influenced by her surroundings, more specifically, the urban environment and its culturally established relationships with nature. Born in Kingston, NY, she spent the majority of her formative years in Las Vegas, NV. She moved to Colombia in 2011 to study Fine Arts at Universidad de Antioquia in Medell\u00edn. Her fascination with urban landscape, bodies of water and socio-cultural dynamics have led her to explore these topics through various mediums, including performance, video, installation, and sculpture. After finishing her Masters in Fine, Electronic and Time arts at La Universidad de los Andes, Pareja moved to New York and continues to work there. Her art has been featured in a number of solo exhibitions, the most recent of which, \u201cResonancias del R\u00edo\u201d (2019) at the Neebex Gallery in Bogot\u00e1, was featured at\u00a0 ArtBo art fair. Her large-scale video sculpture \u201cOda al R\u00edo\u201d (2018), which was most recently exhibited at the Water Museum in Medell\u00edn, Colombia, received the Creative Grant for Emerging Artists awarded by the city of Medell\u00edn. In addition, Pareja has taken part in several collective exhibitions and fairs such as \u201cArrugas Gravitacionales&#8221; (2022) at Montenegro Art Projects, &#8220;Voltaje: Feria de Arte y Tecnolog\u00eda&#8221; (2021) in Bogot\u00e1, \u201cExperimental Film and Video\u201d (2020) at the CICA museum in South Korea, \u201cII Muestra de Video Arte Faenza\u201c (2019) in Cuba, and &#8220;De per se nacion&#8221; (2019) in El Salvador.<\/p>\n","protected":false},"excerpt":{"rendered":"<p>The Process of Transformation, 2019 The Process of Transformation is a performative piece that questions the permanence of change. In the performance, I hand-poke a tattoo of the word \u201cchange\u201d on volunteer participants while engaging them in conversation about the ephemerality of transformation present in every aspect of life. Nothing is ever static; meaning change [&hellip;]<\/p>\n","protected":false},"author":271,"featured_media":0,"parent":1701,"menu_order":8,"comment_status":"closed","ping_status":"closed","template":"templates\/template-full-width.php","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-1126","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/pages\/1126","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/users\/271"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/comments?post=1126"}],"version-history":[{"count":16,"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/pages\/1126\/revisions"}],"predecessor-version":[{"id":1362,"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/pages\/1126\/revisions\/1362"}],"up":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/pages\/1701"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/emerge\/wp-json\/wp\/v2\/media?parent=1126"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}