Although it sounds indefinite, Zhong’s work quite literally explores the boundary between what is real and artificial. By looking at both the sensory environment and the nature of how an object becomes defined, Zhong investigates the spirit of nature and the potential of imitation.
Voyager, 2020, 32-bit computers, and LCD screens, dimensions variable
Installation View
Voyager
Installation View
Voyager
Installation View
Voyager
Installation View
Tank vs Man
Installation View with remote instructions
Tank vs Man
Installation View
Tank vs Man
Installation View
Tank vs Man, 2018, Computer, remote controller, LCD screen, cable, acrylic, and power supply
In a virtual computer environment, a moving geometric object is simulated, which infinitely reflects against and bounces around in a closed cube-like space. Eventually, due to the limitation of its own system, the ever-increasing travel time and distance will lose its significance when 2,147,483,647 counts down to zero.
Wave, 2019, Mixed media
The two reciprocating mechanical devices simultaneously play the video recording and sound recording of the water wave. When the two are close to each other, the sound recording becomes weaker and gradually distort to digital noise. When it is far away, it gradually becomes clear.
Tank vs Man, 2018 Computer, remote controllers, LCD screen, cables, acrylics, and power supply
Tank vs Man is a game installation that requires two individuals to interact with. One will play as the “Tank” while the other one will play as the “Man”. When the “tank” hits the “Man”, the game will end or restart.