Hunter Whitaker-Morrow is an artist who works in modes of video installation, experimental documentary, and performance.
His work, both structuralist and conceptual, centers on an exploration of the moving image as socio-historical text, mass media as archive, and the potentialities of audio-visual constructions to serve as instruments of liberation.
Informed by his academic background in sociology & film theory in concert with a breadth of experience working in the television industry, Whitaker-Morrow investigates the physical, technological, social, and political dimensions of moving image viewership and creation with a particular focus on Black experience in the United States.