{"id":95,"date":"2016-02-24T16:27:12","date_gmt":"2016-02-24T16:27:12","guid":{"rendered":"http:\/\/sites.saic.edu\/impact2016\/?page_id=95"},"modified":"2016-05-04T00:40:47","modified_gmt":"2016-05-04T00:40:47","slug":"program-notes","status":"publish","type":"page","link":"https:\/\/sites.saic.edu\/impact2016\/program-notes\/","title":{"rendered":"Program Notes"},"content":{"rendered":"

Jeremy Pauly<\/strong><\/p>\n

Nouveaux Syst\u00e8me Archa\u00efque de la Production Moderne<\/em><\/p>\n

Duration: 2x8hours
\nLocation: McLean 2M performance Space,\u00a0112 S Michigan Ave.<\/p>\n

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\"thumb_DSC_0326_1024\"<\/a><\/p>\n

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Allen Conkle<\/strong><\/p>\n

The Loss of Nothing<\/em><\/p>\n

Duration:\u00a04x1hour (performance and installation)
\nLocation: McLean 2M Installation Space, 112 S Michigan Ave.<\/p>\n

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An intimate interactive installation in four parts.
\nA glimpse. \u00a0A ghost. \u00a0A thought. \u00a0A translation.<\/span><\/p>\n

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CV Peterson<\/strong><\/p>\n

Mykitas Epoch \u2013 Habitat<\/em><\/p>\n

Duration: durational
\nLocation: Gallery X, 280 S Columbus Dr.<\/p>\n

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Non-biodegradable material is the legacy of Man after humanity\u2019s extinction.<\/span> Earth will continue to thrive with life even after humans are gone, and other organisms will flourish. A new sentient being will evolve from plastic consuming fungus, such as <\/span>Pestalotiopsis microspore.<\/span><\/i> Starting the era of the rise of the fungus, the \u201cMykitas Epoch.\u201d These creatures will roam the Earth, collecting the relics of humanity\u2019s existence: plastics, which they find to be useful and oh so very tasty.<\/span><\/p>\n

Donors: <\/span>Adrian Acosta,<\/span>\u00a0Allen Conkle, Megan Fasbenner, Vanessa Fletcher, Eduardo Kac, Jenna H Kang, Michelle <\/span>LaPlante<\/span>, Sheika Lugtu, <\/span>Annie Novotny, <\/span>M\u00e1ire Witt O\u2019Neill, Paul & Laurie Peterson, Pom Express, Javiera Reyes, Amy Sinclair, Lauren Steinberg, Lisa Stertz, Peyton Stewart, Mario Valdivia, Jia Zhao, Tongyu Zhao, <\/span>Employees from BLICK-Loop<\/span>, and all the others who have collected plastics with me in mind.<\/span><\/p>\n

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Sadie Woods<\/strong><\/p>\n

A Study in Rhyme & Song<\/i><\/p>\n

Duration: 90min
\nLocation: 012 performance space, 280 S Columbus Dr<\/p>\n

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Collaborators: Steven Beaudion, Eliijah Blanton, Patches Blanton, Aidan Eubanks, Omari Ferrell, Tyran Freeman, Osirirs Khepera, Erick McGee, Sean James William Parris, Elijah Ruiz<\/span><\/p>\n

A Study in Rhyme & Song<\/span><\/i> surveys the performance of identity as a form of social terrorism through the lens of children\u2019s rhymes and songs. This performative sound installation of Minstrel show tunes \u201cTen Little Nigger Boys\u201d and \u201cTen Little Injuns\u201d confronts a history of social conditioning in education and entertainment.<\/span><\/p>\n

Thank you to Tom Burtonwood, Elise Cowin, Robin Deacon, Ricardo Gamboa, Sola Gbadebo, Mark Jeffery, Ginger Krebs, Lou Mallozzi, Trevor Martin, Mitsu Salmon, Roberto Sifuentes, Lauren Steinberg, Lisa Stertz, Jan Tichy, and Erika Uzmann for your continuous support throughout the many stages of this project. A special thank you to Steven Beaudion, Eliijah Blanton, Patches Blanton, Aidan Eubanks, Omari Ferrell, Tyran Freeman, Osirirs Khepera, Erick McGee, Sean James William Parris, and Elijah Ruiz for your dedication and commitment to this performance.<\/span><\/p>\n

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Lisa Stertz<\/strong><\/p>\n

Subject To Change<\/em><\/p>\n

Duration: 90min
\nLocation: 012A side room, 280 S Columbus Dr.<\/p>\n

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Acknowledgements:\u00a0<\/span>My sincere thank you\u2019s go out to Robin Deacon, James Elkins, Matthew Goulish, and Roberto Sifuentes for their advice and conversations to shape the performance, to Melanie Wiener for documenting, and not least to friends and family for their trust and belief from near and far.<\/span><\/p>\n

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David Hall<\/strong><\/p>\n

A Brief\u00a0History of Loss<\/em><\/p>\n

Duration: 40min
\nLocation: 012 performance space, 280 S Columbus Dr.<\/p>\n

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We might begin by thinking about the ways in which interiority, language, and images are objects that are framed to be narrated. We might think about beginning to occupy these interstices of when and where these objects lose their handlers. We might, further still, consider these objects not in terms of the conditions of their production, but of their management and condition.<\/span><\/p>\n

David Hall would like to thank Robin for address and methodology, Beth for context and critique, Mark for deferral and inversion, Terri for framing and figuring, Matthew for framework and difference, Ellen for equivalence and insistence, and Judd for position and execution.<\/span><\/p>\n

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Joshua Roginsky
\n<\/strong><\/p>\n

Echolalia<\/em><\/p>\n

Duration: 12min
\nLocation: 012 performance space, 280 S Columbus Dr.<\/p>\n

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A repetition of text constructed in a single discrete machine\/space. A machine for reading in. Stein, Beckett, Artaud, Acker, there now you don\u2019t have to go.<\/span><\/p>\n

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Chloe Cucinotta\u00a0<\/strong>@chloecucinotta<\/span><\/p>\n

DISCO DIVINE<\/em><\/p>\n

Duration: 35min
\nLocation: 012 performance space, 280 S Columbus Dr.<\/p>\n

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DISCO DIVINE began with my looking at descriptions of the annunciation during which Mary is visited by the angel Gabriel and is told that she is pregnant with Jesus Christ. I became interested in transferring the annunciation image to my moving body.<\/span><\/p>\n

When I did this an invisible but tangible and elevated aura tiptoed into the room, so I opened my study of transcendence to include the characteristic choreography associated with recently historical and ongoing rituals.<\/span><\/p>\n

Perhaps I will suggest that you take note of the hands\u2026 within and between each ritual a transcendent experience may (or may not) occur.<\/span><\/p>\n

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Dedicated to my late grandmother Marie Vonderheide (who appears in this piece) and to my generous friend Jack Meriwether (who is a smash to collaborate with) @jack.meriwether !<\/span><\/p>\n

Special thanks to my advisors Roberto and Lan, as well as to costume specialist Polly Bland @paulieantiques, sound designer William Psilos @wimmyul and my striking collaborators:<\/span><\/p>\n

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Mary the Mother of God\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026\u2026..Haley Dennis
\n<\/span>Mary the immaculate Conception\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Camila Rivera
\n<\/span>Mary Queen of Heaven\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026..Misha Woodward
\n<\/span>Mary Queen of the Angles\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.\u2026Leslie Keller
\n<\/span>Mary Queen of Peace\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026.Jennifer Stough
\n<\/span>Mary Star of the Sea\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026…Polly Bland
\n<\/span>Mary Mother of all Sorrows\u2026\u2026\u2026\u2026\u2026\u2026\u2026….\u2026\u2026\u2026.Shanna Fragen<\/span><\/p>\n

Gabriel\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026\u2026……………Tanya Hong \u00a0<\/span><\/p>\n

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 <\/p>\n","protected":false},"excerpt":{"rendered":"

Jeremy Pauly Nouveaux Syst\u00e8me Archa\u00efque de la Production Moderne Duration: 2x8hours Location: McLean 2M performance Space,\u00a0112 S Michigan Ave.       Allen Conkle The Loss of Nothing Duration:\u00a04x1hour (performance and installation) Location: McLean 2M Installation Space, 112 S Michigan Ave.   An intimate interactive installation in four parts. A glimpse. \u00a0A ghost. \u00a0A thought. … Continued<\/a><\/p>\n","protected":false},"author":4,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"open","ping_status":"open","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-95","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/pages\/95","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/users\/4"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/comments?post=95"}],"version-history":[{"count":36,"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/pages\/95\/revisions"}],"predecessor-version":[{"id":349,"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/pages\/95\/revisions\/349"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/impact2016\/wp-json\/wp\/v2\/media?parent=95"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}