{"id":43,"date":"2019-08-18T18:55:22","date_gmt":"2019-08-18T23:55:22","guid":{"rendered":"http:\/\/sites.saic.edu\/reworkinglabor\/?page_id=43"},"modified":"2024-07-10T14:04:40","modified_gmt":"2024-07-10T19:04:40","slug":"projects","status":"publish","type":"page","link":"https:\/\/sites.saic.edu\/reworkinglabor\/projects\/","title":{"rendered":"Projects"},"content":{"rendered":"
<\/h5>\n
\"Mierle<\/a>MIERLE LADERMAN UKELES<\/a>
\n<\/span><\/i><\/h5>\n

Maintenance is Forever<\/span><\/i> is a three-part presentation of the disruptive and innovative practice of Mierle Laderman Ukeles (HON 2019).<\/span><\/p>\n

\"\"<\/a>IBRAHIM MAHAMA<\/a>
\n<\/span><\/i><\/h5>\n

The <\/span>library of k\u0105r\u00ee\u2019k\u1ea1ch\u00e4 seid\u2019ou<\/span><\/i> is a composition of wood panels from shipping containers acquired in Chicago. It houses a library of reading materials, ranging from communist manifestos to Quantum theory.<\/span><\/p>\n

\"\"<\/a>ANTJE EHMANN, HARUN FAROCKI, EVA STOTZ\u00a0<\/a>
\n<\/span><\/i><\/h5>\n

Labour in a Single Shot<\/span><\/i> is a collaborative project that accumulates an archive of short, rigorous films, each a single shot, one or two minutes in length, produced by workshop participants in cities worldwide.<\/span><\/p>\n

\"\"<\/a>JOHN PREUS<\/a>
\n<\/span><\/i><\/h5>\n

STOOP CULTURE <\/em>was built in an unofficial apprenticeship fashion with studio assistance from Georgie Schaefer and apprentices Kendall Hill, a recent graduate from Chicago\u2019s Lane Tech College Prep High School, and Bienfait Ulumwene, a senior at Chicago\u2019s Robert C. Sullivan High School.<\/span><\/p>\n

\"\"<\/a>CAROLE FRANCES LUNG<\/strong><\/a><\/h5>\n

Frau Fiber vs. Circular Tube Sock Knitting Machine<\/span><\/i> is a four-and-a-half-hour durational video, shot on location on the factory floor of Wigwam Mills where high-performance socks have been produced for over 100 years.<\/span><\/p>\n

\"\"<\/a>CAROLINE WOOLARD<\/a>
\n<\/strong><\/h5>\n

The Meeting<\/span><\/i> presents recent work by New York-based artist Caroline Woolard that takes \u201cthe meeting\u201d itself\u2014the gathering of people for a formal purpose\u2014as a site for artistic and social intervention.<\/span><\/p>\n

\"\"<\/a>NNEKA KAI<\/a>
\n<\/span><\/i><\/h5>\n

WHAT WAS LEFT<\/em> explores radical gestures of Black femininity related to craft, beauty, and labor throughout history.<\/span><\/p>\n

\"\"<\/a>JOSH RIOS, ANTHONY ROMERO, AND DEANNA LEDEZMA<\/a><\/h5>\n

Ballad of the Uprooted<\/span><\/i> uses moving images, sound recordings, and archival documents and artifacts, alongside architectural constructions that function simultaneously as boundaries, enclosures, and mechanisms of display.<\/span><\/p>\n

\"\"<\/a>GREGORY SHOLETTE<\/a><\/h5>\n

Repetitive toil, unseen labor, the obligatory slog of activist organizing. THE LAST MEETING (REWORKED\/RESURRECTED) <\/em>depicts the commonplace, overlooked, invisible work of activism.\u00a0<\/span><\/p>\n

\"\"<\/a>STEPHANIE ROTHENBERG<\/a><\/h5>\n

Proof of Soil<\/span><\/i> speculates on new forms of non-human labor that move between virtual and terrestrial networks to power a global financial economy in the not so distant future.\u00a0<\/span><\/p>\n

\"\"<\/a>AILY NASH AND ANDREW NORMAN WILSON<\/a><\/h5>\n

Image Employment<\/span><\/i> presents recent moving image works that investigate various modes of contemporary labor and production. <\/span><\/p>\n

 <\/p>\n","protected":false},"excerpt":{"rendered":"

MIERLE LADERMAN UKELES Maintenance is Forever is a three-part presentation of the disruptive and innovative practice of Mierle Laderman Ukeles (HON 2019). IBRAHIM MAHAMA The library of k\u0105r\u00ee\u2019k\u1ea1ch\u00e4 seid\u2019ou is a composition of wood panels from shipping containers acquired in Chicago. It houses a library of reading materials, ranging from communist manifestos to Quantum theory. […]<\/p>\nRead more<\/a>","protected":false},"author":192,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"_acf_changed":false,"footnotes":""},"class_list":["post-43","page","type-page","status-publish","hentry"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/pages\/43","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/users\/192"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/comments?post=43"}],"version-history":[{"count":18,"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/pages\/43\/revisions"}],"predecessor-version":[{"id":610,"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/pages\/43\/revisions\/610"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/reworkinglabor\/wp-json\/wp\/v2\/media?parent=43"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}