Lillian Heredia & Olivia Jobbe<\/h3>\nNovember 1 – December 8, 2023<\/h4>\nSITE 280 Gallery<\/h5>\n
SITE 280 Gallery<\/h5>\n
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[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row column_structure=”1_2,1_2″ _builder_version=”4.16″ min_height=”648px” custom_margin=”-529px|auto||auto||” custom_padding=”||0px|||” use_custom_width=”on” width_unit=”off” custom_width_percent=”100%” locked=”off” global_colors_info=”{}” width=”84.6%”][et_pb_column type=”1_2″ _builder_version=”4.16″ custom_padding=”|||” global_colors_info=”{}” custom_padding__hover=”|||”][\/et_pb_column][et_pb_column type=”1_2″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_padding=”0px||21px|||” global_colors_info=”{}”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_gallery gallery_ids=”18386,18381,18372,18384,18376,18373,18358,18374,18377,18356,18343,18349,19384,18385″ fullwidth=”on” _builder_version=”4.16″ _module_preset=”default” custom_margin=”-87px|||||” global_colors_info=”{}” custom_padding=”0px|||||” min_height=”739px”][\/et_pb_gallery][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” min_height=”178px” custom_margin=”10px|auto|-81px|auto|false|false” locked=”off” global_colors_info=”{}” custom_padding=”0px||4px|||”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.27.4″ _module_preset=”default” text_font=”Amiko||||||||” text_font_size=”16px” header_3_font=”|600|||||||” custom_margin=”22px||15px||false|false” custom_padding=”0px||0px||false|false” animation_style=”fade” hover_enabled=”0″ global_colors_info=”{}” custom_margin__hover_enabled=”on|desktop” sticky_enabled=”0″ min_height=”53.5px” custom_margin__hover=”22px||15px||false|false”]<\/p>\n
Contributing Artists<\/h3>\n
Lillian Heredia and Olivia Jobbe<\/p>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” min_height=”141px” custom_margin=”-21px|auto|15px|auto|false|false” locked=”off” global_colors_info=”{}” custom_padding=”0px||0px|||”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text quote_border_weight=”10px” quote_border_color=”#e09900″ _builder_version=”4.16″ _module_preset=”default” text_font_size=”16px” quote_font=”||on||||||” quote_text_align=”left” header_3_font=”|600|||||||” custom_margin=”15px||15px||false|false” animation_style=”fade” global_colors_info=”{}”]<\/p>\n
Exhibition Statement as Preserved in the SUGS\/SITE Archives:<\/h3>\n\nSculptural objects and performing bodies function as sites for resistance and reclamation through the appropriation of the symbols, materials, and frameworks of systems in which the body is the primary focus of control. The rejection of the categorical identity of mother happens in different ways–ranging from the termination of a pregnancy to a postpartum reconstruction of selfhood. Though essential to each individual artist’s work this autobiographical distinction is withheld from the viewer, challenging the normative standards and dualistic approaches commonly applied to human sexuality and reproduction.<\/p>\n<\/blockquote>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_margin=”15px|auto|-45px|auto|false|false” animation_style=”fade” locked=”off” global_colors_info=”{}” custom_padding=”0px|||||”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”||||||||” header_3_font=”|600|||||||” custom_margin=”15px||15px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n
Programs<\/h3>\n
[\/et_pb_text][et_pb_tabs active_tab_background_color=”#e09900″ inactive_tab_background_color=”rgba(0,0,0,0)” _builder_version=”4.16″ _module_preset=”default” tab_text_color=”#000000″ min_height=”171.2px” custom_margin=”15px||15px||false|false” custom_padding=”17px||15px||false|false” global_colors_info=”{}”][et_pb_tab title=”Opening & Closing Reception” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(0,0,0,0)” background_enable_color=”on” global_colors_info=”{}”]<\/p>\n
Opening Reception<\/span><\/p>\nNovember 1, 4:00-6:00 PM
280 Gallery<\/span><\/p>\nClosing Reception<\/span><\/p>\nDecember 16, 4:00-6:00 PM<\/p>\n
280 Gallery<\/p>\n
<\/span><\/p>\n<\/span><\/p>\n<\/span><\/p>\n[\/et_pb_tab][et_pb_tab title=”Artist Talk” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
The Artists in Conversation, moderated by Clare Lobenfeld<\/p>\n
November 3, 4:00-5:00 PM<\/span><\/p>\n![\"\"](\"https:\/\/sites.saic.edu\/sitegalleries\/wp-content\/uploads\/sites\/121\/2024\/05\/Lillian-Heredia-and-Olivia-Jobbe-in-Conversation-Moderated-by-Claire-Lobenfeld-300x300.jpg\")
<\/span><\/p>\n[\/et_pb_tab][et_pb_tab title=”Performance and Activation” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
Daydream<\/p>\n
November 16, 4:00 PM
<\/span><\/p>\n<\/span><\/p>\n![\"\"](\"https:\/\/sites.saic.edu\/sitegalleries\/wp-content\/uploads\/sites\/121\/2024\/05\/i-used-to-be-mother_daydream-performance-poster-300x297.jpg\")
<\/p>\n
[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_margin=”15px||15px||false|false” animation_style=”fade” locked=”off” global_colors_info=”{}” custom_padding=”0px|||||”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”||||||||” header_3_font=”|600|||||||” custom_margin=”15px||15px||false|false” global_colors_info=”{}”]<\/p>\n
Exhibition Material<\/h3>\n
[\/et_pb_text][et_pb_tabs active_tab_background_color=”#e09900″ inactive_tab_background_color=”rgba(0,0,0,0)” _builder_version=”4.16″ _module_preset=”default” tab_text_color=”#000000″ custom_margin=”15px||15px||false|false” global_colors_info=”{}”][et_pb_tab title=”Poster” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n
![\"\"](\"https:\/\/sites.saic.edu\/sitegalleries\/wp-content\/uploads\/sites\/121\/2024\/05\/I-used-to-be-a-mother_Poster_1-194x300.jpg\")
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[\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":"
i used to be mother. Lillian Heredia & Olivia Jobbe November 1 – December 8, 2023 SITE 280 Gallery Contributing Artists Lillian Heredia and Olivia JobbeExhibition Statement as Preserved in the SUGS\/SITE Archives: Sculptural objects and performing bodies function as sites for resistance and reclamation through the appropriation of the symbols, materials, and frameworks of […]<\/p>\n","protected":false},"author":313,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[6],"tags":[],"class_list":["post-18323","post","type-post","status-publish","format-standard","hentry","category-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts\/18323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/users\/313"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/comments?post=18323"}],"version-history":[{"count":10,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts\/18323\/revisions"}],"predecessor-version":[{"id":22292,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts\/18323\/revisions\/22292"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/media?parent=18323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/categories?post=18323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/tags?post=18323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
Sculptural objects and performing bodies function as sites for resistance and reclamation through the appropriation of the symbols, materials, and frameworks of systems in which the body is the primary focus of control. The rejection of the categorical identity of mother happens in different ways–ranging from the termination of a pregnancy to a postpartum reconstruction of selfhood. Though essential to each individual artist’s work this autobiographical distinction is withheld from the viewer, challenging the normative standards and dualistic approaches commonly applied to human sexuality and reproduction.<\/p>\n<\/blockquote>\n
[\/et_pb_text][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_margin=”15px|auto|-45px|auto|false|false” animation_style=”fade” locked=”off” global_colors_info=”{}” custom_padding=”0px|||||”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”||||||||” header_3_font=”|600|||||||” custom_margin=”15px||15px||false|false” locked=”off” global_colors_info=”{}”]<\/p>\n
Programs<\/h3>\n
[\/et_pb_text][et_pb_tabs active_tab_background_color=”#e09900″ inactive_tab_background_color=”rgba(0,0,0,0)” _builder_version=”4.16″ _module_preset=”default” tab_text_color=”#000000″ min_height=”171.2px” custom_margin=”15px||15px||false|false” custom_padding=”17px||15px||false|false” global_colors_info=”{}”][et_pb_tab title=”Opening & Closing Reception” _builder_version=”4.16″ _module_preset=”default” background_color=”rgba(0,0,0,0)” background_enable_color=”on” global_colors_info=”{}”]<\/p>\n
Opening Reception<\/span><\/p>\n November 1, 4:00-6:00 PM Closing Reception<\/span><\/p>\n December 16, 4:00-6:00 PM<\/p>\n 280 Gallery<\/p>\n <\/span><\/p>\n <\/span><\/p>\n <\/span><\/p>\n [\/et_pb_tab][et_pb_tab title=”Artist Talk” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n The Artists in Conversation, moderated by Clare Lobenfeld<\/p>\n November 3, 4:00-5:00 PM<\/span><\/p>\n [\/et_pb_tab][et_pb_tab title=”Performance and Activation” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n Daydream<\/p>\n November 16, 4:00 PM <\/span><\/p>\n [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][et_pb_row _builder_version=”4.16″ _module_preset=”default” custom_margin=”15px||15px||false|false” animation_style=”fade” locked=”off” global_colors_info=”{}” custom_padding=”0px|||||”][et_pb_column type=”4_4″ _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”][et_pb_text _builder_version=”4.16″ _module_preset=”default” text_font=”||||||||” header_3_font=”|600|||||||” custom_margin=”15px||15px||false|false” global_colors_info=”{}”]<\/p>\n [\/et_pb_text][et_pb_tabs active_tab_background_color=”#e09900″ inactive_tab_background_color=”rgba(0,0,0,0)” _builder_version=”4.16″ _module_preset=”default” tab_text_color=”#000000″ custom_margin=”15px||15px||false|false” global_colors_info=”{}”][et_pb_tab title=”Poster” _builder_version=”4.16″ _module_preset=”default” global_colors_info=”{}”]<\/p>\n [\/et_pb_tab][\/et_pb_tabs][\/et_pb_column][\/et_pb_row][\/et_pb_section]<\/p>\n","protected":false},"excerpt":{"rendered":" i used to be mother. Lillian Heredia & Olivia Jobbe November 1 – December 8, 2023 SITE 280 Gallery Contributing Artists Lillian Heredia and Olivia JobbeExhibition Statement as Preserved in the SUGS\/SITE Archives: Sculptural objects and performing bodies function as sites for resistance and reclamation through the appropriation of the symbols, materials, and frameworks of […]<\/p>\n","protected":false},"author":313,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"_acf_changed":false,"_et_pb_use_builder":"on","_et_pb_old_content":"","_et_gb_content_width":"2880","footnotes":""},"categories":[6],"tags":[],"class_list":["post-18323","post","type-post","status-publish","format-standard","hentry","category-exhibitions"],"acf":[],"_links":{"self":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts\/18323","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/users\/313"}],"replies":[{"embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/comments?post=18323"}],"version-history":[{"count":10,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts\/18323\/revisions"}],"predecessor-version":[{"id":22292,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/posts\/18323\/revisions\/22292"}],"wp:attachment":[{"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/media?parent=18323"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/categories?post=18323"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/sites.saic.edu\/sitegalleries\/wp-json\/wp\/v2\/tags?post=18323"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}
280 Gallery<\/span><\/p>\n<\/span><\/p>\n
<\/span><\/p>\n<\/p>\nExhibition Material<\/h3>\n
<\/p>\n