April 6 – Melika Bass: Devotional Animals
Richly atmospheric, the films and installations of Chicago-based artist Melika Bass (MFA 2007) are populated by elusive figures whose enigmatic behavior suggest dark and troubling lives just beyond the screen. Working with a recurring group of performers, some of whom reappear as the same character in multiple films, Bass has developed an expansive approach to […]
On Hyphen-Labs
This week, we are thrilled to present NeuroSpeculative AfroFeminism, the latest project by Hyphen-Labs, an international collective of women artists, designers, engineers, game-builders, and writers known for works that merge art, technology, and science. In this interview with SAIC graduate student Mev Luna, the collective shares their thoughts on Afrofuturism, virtual reality, ritual, and other concepts related […]
March 30 – Hyphen-Labs NeuroSpeculative AfroFeminism
Hyphen-Labs is an international collective of women artists, designers, engineers, game-builders, and writers known for works that merge art, technology, and science. Their latest project, the multi-platform NeuroSpeculative AfroFeminism uses video, virtual reality, and medical imaging to explore Black women’s contributions to science while raising issues of identity and perception. Set in a future “neurocosmetology […]
On Sky Hopinka
We are excited to present Translations & Transmutations, in conjunction with Video Data Bank, featuring the work of artist Sky Hopinka. Hopinka, a member of the Ho-Chunk Nation of Wisconsin and descendent of the Pechanga Band of Luiseño Mission Indians, creates sublime polyrhythmic films that draw upon his history and identity, addressing ideas of homeland, language, and landscape. […]
March 16 – Sky Hopinka: Translations and Transmutations
A Ho-Chunk Nation national and descendent of the Pechanga Band of Luiseño Indians, Sky Hopinka creates sublime polyrhythmic works that draw upon his history and identity. He presents a selection of recent works built around ideas of homeland, language, and landscape. In the dazzling Anti-Objects, or Space Without Path or Boundary (2016), audio of one […]
On The Passion of Remembrance
This week, we look forward to screening The Passion of Remembrance, the first feature film from The Sankofa Film and Video Collective, co-directed by members Maureen Blackwood and Isaac Julien. For additional insight and context into this film and the impact of the collective’s work, we are linking to YOUNG BRITISH AND BLACK: A MONOGRAPH ON THE WORK […]
March 9 – The Passion of Remembrance
The Sankofa Film and Video Collective was part of a wave of politically-minded Black independent filmmakers who emerged in London in the 1980s, during an era of increasing social conservatism and racial unrest. The group’s acclaimed first feature, co-directed by members Maureen Blackwood and Isaac Julien, is a prismatic look at gender, race, sexuality, and […]
On Stacey Steers
This week, we are excited to welcome back graduate student Julia Sharpe to write for us! Sharpe’s essay looks at Stacey Steers’ surreal films, which explore the inner-lives of women, meditating on fraught relationships, motherhood, medicine, and death. Whispering, dropping, digging, buzzing… A page peels back and a rose rapidly blooms and decays; the forest […]
March 2 – Stacey Steers: Edge of Alchemy
Bees swarm, a bat swallows a young woman, and eggs and orbs multiply against backdrops of flora, viscera, and pulsating night skies. Such are the surreal visions of Stacey Steers’ animated films, which she composes by hand from thousands of silent film stills and fragments of 19th-century engravings and illustrations. Over the last decade, she […]
On Nathaniel Dorsky
We are thrilled to welcome graduate student George Olken to write for us this week. In his essay, Olken reflects on the work of Nathaniel Dorsky, whose films explore the relationship between cinema and the unknowable. Nathaniel Dorsky captures silent images of the world, subtle shifts, beauty. His tools are deceptively simple: a 16mm camera […]
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Conversations at the Edge is a weekly series of screenings, performances, and talks by groundbreaking media artists.
CATE is organized by SAIC's Department of Film, Video, New Media, and Animation in collaboration with the Gene Siskel Film Center and SAIC's Video Data Bank.
Programs take place at the Gene Siskel Film Center (164 N. State / Chicago, IL / 312.846.2600), unless otherwise noted.
