On Stan VanDerBeek

Conversations at the Edge opens its Fall 2018 season this week with a program surveying the career of pioneering American media artist Stan VanDerBeek. Focusing on VanDerBeek’s computer graphics films, this program also coincides with an exhibition of the artist’s work at DOCUMENT. For this post, we welcome SAIC student Sophie Jenkins (Dual MA, 2020), […]

Read More… from On Stan VanDerBeek

Sep 13 – Stan VanDerBeek: Euclidean Illusions

Johannes VanDerBeek of the VanDerBeek Archive in person The visionary work of media artist Stan VanDerBeek spanned film, interactive television, expanded cinema, and computer animation. Introduced by Johannes VanDerBeek of the VanDerBeek Archive, this program focuses on his computer films, screening in newly preserved 16mm prints. VanDerBeek began experimenting with computers in the mid-1960s, as […]

Read More… from Sep 13 – Stan VanDerBeek: Euclidean Illusions

ANNOUNCING CATE FALL 2018

We’re thrilled to announce our Fall 2018 schedule! The season begins on September 13 with Stan VanDerBeek: Euclidean Illusions, presented in collaboration with Document Gallery. Additional programs include Camilo Restrepo: Ghosts and Songs on September 20; Margaret Tait: Poems and Portraits on September 27; Steffani Jemison: Sensus Plenior on October 4; Stephen Varble’s Journey to the […]

Read More… from ANNOUNCING CATE FALL 2018

Thank you!

Thank you for the support as we end another great season of Conversations at the Edge! Here are some highlights from this season. Be sure to check back in August for our Fall 2018 lineup! Sold-out screenings by the pioneering interdisciplinary artist Joan Jonas, multimedia artist Hayoun Kwon, filmmaker Thorsten Trimpop, and Chicago-based artist Latham […]

Read More… from Thank you!

On Joan Jonas

We end our spring 2018 season with program featuring the work of prolific interdisciplinary artist Joan Jonas. Jonas is a pioneer of performance and video art whose career spans more than five decades. As one of the most important female artists to emerge in the late 1960s and early 1970s, Jonas has pushed the boundaries […]

Read More… from On Joan Jonas

April 19 – An Evening with Joan Jonas

Among the most significant artists working today, Joan Jonas has a groundbreaking body of work that spans video, performance, dance, installation, and drawing to explore fundamental questions around visual perception, ritual, archetypes, and transmission of knowledge. Initially trained as a sculptor, she began experimenting with performance in the late 1960s, merging elements of contemporary dance, […]

Read More… from April 19 – An Evening with Joan Jonas

On The Nation’s Finest

This week, we present The Nation’s Finest, a program that deconstructs the athlete body – how it is used for national, political, and social agendas, and how it is viewed and re-crafted by artists (who are sometimes athletic!). Curated by Astria Suparak and Brett Kashmere, The Nation’s Finest is part of A Non-Zero-Sum Game: Sports, Art, and the Moving […]

Read More… from On The Nation’s Finest

April 12 – The Nation’s Finest

For millennia, sports have been intrinsic to daily life, physical well-being, education, civic identity, and social harmony. Over the past decade, sports have assumed an even larger, more multidimensional place in our culture. The traditional schisms and antagonisms between sports performance and spectatorship, creative production, and scholarly activity (jocks vs nerds, square vs cool), have […]

Read More… from April 12 – The Nation’s Finest

On Hayoun Kwon

We are thrilled to present a screening of work by Paris and South Korea based multimedia artist Hayoun Kwon. Through animation and virtual reality technologies, Kwon bridges the realms of documentary and fiction to question ideas around borders, territory, memory, testimony, and reality itself. This week, we welcome School of the Art Institute of Chicago […]

Read More… from On Hayoun Kwon

April 5 – Hayoun Kwon: Films and Virtual Realities

Through a unique interplay of documentary techniques and animation technologies, the films and virtual reality projects of Paris-based South Korean artist Hayoun Kwon present new realms for history and memory. Biographical accounts of a Nigerian asylum seeker in Lack of Evidence (2011) and a South Korean soldier serving in the Korean Demilitarized Zone in 489 Years (2016) are mapped […]

Read More… from April 5 – Hayoun Kwon: Films and Virtual Realities