April 7-Dana Levy: Impermanent Display
Thursday, April 7 | Join us for New York–based artist Dana Levy for a screening and discussion! Tel Aviv–born, New York–based artist Dana Levy is known for her symbolically resonant studies of art museums, natural history collections, and other sites of preservation. Her careful choreography meditates on the political and environmental histories that undergird their display, […]
On Mike Henderson
This week we are excerpting this important interview with Mike Henderson in Black Camera which thoroughly investigates Henderson’s extensive body of work over his artistic career! Michael T. Martin: I’m here at the Black Film Center/Archive with emeritus professor Mike Henderson, noted and accomplished painter, blues guitarist, and experimental filmmaker, on the occasion of a retrospective […]
March 31-Down Hear: The Films of Mike Henderson
Thursday, March 31 | Join us for San Francisco–based artist and musician Mike Henderson for a screening and discussion! Best known as a painter and blues guitarist, San Francisco–based artist Mike Henderson produced a remarkable body of experimental and performance-driven films starting in the mid 1960s through the 1980s. Politically charged and often wickedly funny, Henderson’s […]
March 17-shawné michaelain holloway: Extreme Submission
Thursday, March 17 | Join us to welcome dirty new media performance artist shawné michaelain holloway for a screening and discussion! In the last four years, Paris-based dirty new media performance artist shawné michaelain holloway has established herself as one of the most significant voices online. Her rhizomatic projects explore intimacy, power dynamics, and the technologies that […]
On Nobuaki Doi
This week I am delighted to welcome graduate student Kelsey Velez to write for us! Velez reflects on the work of Japanese curator and scholar Nobuaki Doi. As a curator and scholar, Nobuaki Doi’s work facilitates the continuing legacy of animation in Japan—a legacy that stretches back as far as the 1910s. He got his start as […]
March 10-Wonder: Recent Independent Animation from Japan
Thursday, March 10 | This week Japanese animation scholar and curator Nobuaki Doi joins us for a screening and discussion! Over the last decade and a half, a generation of independent animators have redefined “Japanese animation.” Organized by the animation scholar and curator Nobuaki Doi, this program showcases the landscape of independent Japanese animation, including Mirai Mizue’s stunning, hand-drawn […]
March 3-Beatriz Santiago Muñoz: Otros usos
Thursday, March 3 | This week artist Beatriz Santiago Muñoz kicks off our Spring 2016 season with a screening and discussion! Puerto Rican artist Beatriz Santiago Muñoz (MFA 1997) draws from anthropology and experimental theater to craft exquisite films about the physical and symbolic histories of the Caribbean. She often collaborates with her subjects—through interviews, reenactment, and play—to […]
On Claudia Hart
This week I am delighted to welcome graduate student Veronica Sines to write on our final show of the fall 2015 season featuring Claudia Hart! Sines reflects on the complex virtual worlds that Hart has constructed throughout her career. Since the late 1980s, Claudia Hart has used computer generated images (CGI) and 3D simulation technology […]
November 19-Claudia Hart: Simulisms
Thursday, November 19 | This week SAIC artist and faculty member Claudia Hart will join us for a live performance and a discussion! Since the late 1980s, artist and SAIC faculty member Claudia Hart has used commercial CGI and 3D simulations technology to produce sensual and subversive works on identity, representation, and experience. In recent years she […]
On Martine Syms
This week I am delighted to write about Los Angeles-based ‘conceptual entrepreneur’ Martine Syms! Syms explores identity and the ways it is constructed, particularly blackness and black identity–through popular and everyday culture. Martine Syms’s highly interdisciplinary and prolific practice explores the requirements and motives of individual and collective identities in contemporary Western society. Her work often interprets […]
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