Feb 20 – Avant-Noir

Curator Greg de Cuir Jr. and artist Edgar Arceneaux in person Conceived by Belgrade-based curator Greg de Cuir Jr. as an “intervention into the status quo,” Avant-Noir brings together contemporary films and videos by international artists of African descent to showcase visual representations of Black cultures in their many complexities. Part of a much larger […]

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Feb 13 – Lori Felker: Intrusions and Interruptions

Lori Felker in person Known for genre-bending explorations of human relationships, award-winning filmmaker Lori Felker (MFA 2007) debuts a collection of slippery, semiautobiographical tales of motherhood, miscarriages, and missing people. In Spontaneous (2020) she charts the loss of her pregnancy during the Slamdance Film Festival premiere of her short Discontinuity (2016), highlighting the chasm between her body’s slow-moving […]

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Feb 6 – An Evening with Vaginal Davis

Vaginal Davis in person Vaginal Davis is a key figure in the history of queer music, performance, and video art. She emerged from Los Angeles’s 1970s queer and punk performance scenes, creating her own mythology during live shows with her “multiracial, maxi-gendered” bands. She turned to video in the late 1980s, mixing identity, fiction, and […]

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Spring 2020 Season Announcement

We’re pleased to announce the Spring 2020 season of Conversations at the Edge! We have a spectacular program lined up, including appearances by media artists  Vaginal Davis (Feb 6); Lori Felker (Feb 13); Linda Mary Montano (Feb 27); Mariah Garnett (March 5); Beatrice Gibson (March 12); Ian Cheng (March 24), and Wong Ping (April 9), […]

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November 21: Image Employment

Curator Aily Nash in person Re:Working Labor curators Daniel Eisenberg and Ellen Rothenberg in person Organized in conjunction with the exhibition Re:Working Labor at SAIC’s Sullivan Galleries, Image Employment presents a selection of recent moving image works that investigate various modes of contemporary labor and production. Curated by Aily Nash and Andrew Norman Wilson, the program explores the […]

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November 14 – Filipa César: Spell Reel

Filipa César in person The genre-bending work of Portuguese artist Filipa César takes up the legacies of European colonialism, focusing on moments and movements of resistance. In 2012, she began investigating a trove of footage documenting Guinea-Bissau’s war of independence from Portugal in the 1960s and 1970s. Long thought to be lost, these films mark […]

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November 7 – An Evening With Hiwa K

Hiwa K in person Drawing from individual stories, political actions, and his own experience fleeing Iraq by foot in the late 1990s, the deeply moving and often darkly absurd films, performances, and installations of Iraqi-German artist Hiwa K explore our most pressing issues—displacement, war, and identity. In videos like Pre-Image (Blind as the Mother Tongue) (2017) or A […]

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October 31 – Shengze Zhu: Present.Perfect.

Shengze Zhu in person Award-winning filmmaker Shengze Zhu (MFA 2017) is celebrated for her incisive portraits of everyday life in China. Her latest film, Present.Perfect., spotlights the country’s explosive livestreaming phenomenon. Collaged from more than 800 hours of footage from “anchors” who share their lives with a virtual community, the film eschews the medium’s stars to […]

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October 24 – An Evening With Rachel Rossin

Rachel Rossin in person Over the last four years, multidisciplinary artist Rachel Rossin has gained recognition for a series of astonishing exhibitions that blend oil painting, sculpture, and virtual reality. Rossin’s practice investigates the fluid boundary between physical and digital worlds, particularly the ways information and sensory experience are transfigured by each. In the 2015 […]

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October 17 – Narcisa Hirsch: Contact Zones

Curator Federico Windhausen in person and Narcisa Hirsch via Skype A pivotal figure in Latin American experimental cinema, Narcisa Hirsch is renowned for her striking explorations of the body, agency, and desire. Emigrating from Germany to Argentina in the 1920s, Hirsch first took up artistic practice through painting, then shifted to performances and happenings before […]

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