February 16 – The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images
Presented as a companion to Naeem Mohaiemen’s United Red Army (The Young Man Was, Part I), Eric Baudelaire’s The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images explores the fractured biographies of Fusako Shigenobu, leader of the ultra-left Japanese Red Army (JRA) in Lebanon, her daughter May Shigenobu, and radical […]
February 14 – Naeem Mohaiemen: United Red Army (The Young Man Was, Part I)
Naeem Mohaiemen in person Naeem Mohaiemen uses films, photographs, and essays to explore the histories of failed utopias within the framework of international left-wing politics. In conjunction with the Art Institute of Chicago’s exhibition of the artist’s acclaimed three-channel installation Two Meetings and a Funeral, Mohaiemen presents United Red Army (The Young Man Was, Part […]
Daniel Eisenberg’s Introduction to Les Messagers
To recapture yesterday’s screening of Les Messagers by French filmmakers Hélène Crouzillat and Laetitia Tura, we are sharing the text of Daniel Eisenberg’s beautiful introduction to the program. Daniel Eisenberg is Professor in Film, Video, New Media, and Animation at the School of the Art Institute of Chicago and has been making films and videos at the edges […]
On Les Messagers
Throughout their individual careers, artists and filmmakers Hélène Crouzillat and Laetitia Tura have produced works about borders and individuals made most vulnerable by them. The two introduce their starkly poetic feature Les Messagers (2014) which presents the harrowing testimonies of migrants traveling from African into Europe. In advance of tomorrow’s program, we repost an interview […]
Oct 18 – Hélène Crouzillat and Laetitia Tura: Les Messagers
Hélène Crouzillat and Laetitia Tura in person Throughout their individual careers, artists and filmmakers Hélène Crouzillat and Laetitia Tura have examined the harrowing histories of borders and the individuals made most vulnerable by them. Their starkly poetic film Les Messagers (2014) focuses on the border at Melilla, a Spanish city at the northern edge of Morocco. Through […]
On Thorsten Trimpop
This week, we are thrilled to present a screening of Furusato, the latest feature documentary by Chicago-based filmmaker and School of the Art Institute of Chicago faculty, Thorsten Trimpop. Furusato, which translates to home or hometown, is human-scale portrait of Minamisōma, a small town in Japan’s nuclear exclusion zone. The film explores how the town’s inhabitants and surrounding […]
March 29 – Thorsten Trimpop: Furusato 古里
Our Thursday March 29 screening is now SOLD OUT. We’ve added a second screening, with Thorsten Trimpop in person, on Sunday April 8 at 12:00 p.m. Thorsten Trimpop’s films explore the many ways cultural, political, and ecological histories are borne by individuals in their daily lives. His most recent feature, Furusato, exposes the devastating effects of the […]
On Laura Huertas Millán
We look forward to this week’s Conversations at the Edge screening of Sol Negro (2016) and La Libertad (2017) by French-Colombian filmmaker, Laura Huertas Millán. By combining an exploration of political history with personal narrative, Huertas Millán’s films culminate into what she calls “ethnographic fictions”. For additional context and insight into Huertas Millán’s work, below is an […]
On Lee Anne Schmitt
This week, we are excited to welcome Los Angeles-based filmmaker Lee Anne Schmitt for a screening of her latest film Purge This Land (2017), made in collaboration with her partner, experimental jazz and rock musician, Jeff Parker. Through the life and legacy of the radical abolitionist John Brown, Purge This Land reflects on how the shadows of […]
March 1 – Lee Anne Schmitt: Purge This Land
Just before his execution, abolitionist John Brown wrote, “I am now quite certain that the crimes of this guilty land will never be purged away but with blood.” Brown was hung on December 2, 1859, less than two months after he led a raid on a federal armory in an attempt to incite an armed […]
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