April 4 – Shards from the Mirror of History
Nicky Ni and Jennifer Lee in person Born under China’s one-child policy in the 1980s and raised amidst the country’s recent social and economic changes, China’s “lost” generation has gained a reputation for unprecedented individualism, ambition, and distinctive sense of humor. Curated by Nicky Ni, this program brings together a group of emerging Chinese artists […]
February 21 – Laida Lertxundi: Landscape Plus
Laida Lertxundi in person Blending conceptual rigor with sensuous pleasure, the films of Los-Angeles based artist Laida Lertxundi are seductive and self-reflexive explorations of place. She presents a suite of recent works produced through a process she refers to as “landscape plus,” which marries observational photography with music, actions, and chance events. In Vivir para […]
February 16 – The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images
Presented as a companion to Naeem Mohaiemen’s United Red Army (The Young Man Was, Part I), Eric Baudelaire’s The Anabasis of May and Fusako Shigenobu, Masao Adachi and 27 Years without Images explores the fractured biographies of Fusako Shigenobu, leader of the ultra-left Japanese Red Army (JRA) in Lebanon, her daughter May Shigenobu, and radical […]
February 14 – Naeem Mohaiemen: United Red Army (The Young Man Was, Part I)
Naeem Mohaiemen in person Naeem Mohaiemen uses films, photographs, and essays to explore the histories of failed utopias within the framework of international left-wing politics. In conjunction with the Art Institute of Chicago’s exhibition of the artist’s acclaimed three-channel installation Two Meetings and a Funeral, Mohaiemen presents United Red Army (The Young Man Was, Part […]
On Thorsten Trimpop
This week, we are thrilled to present a screening of Furusato, the latest feature documentary by Chicago-based filmmaker and School of the Art Institute of Chicago faculty, Thorsten Trimpop. Furusato, which translates to home or hometown, is human-scale portrait of Minamisōma, a small town in Japan’s nuclear exclusion zone. The film explores how the town’s inhabitants and surrounding […]
March 29 – Thorsten Trimpop: Furusato 古里
Our Thursday March 29 screening is now SOLD OUT. We’ve added a second screening, with Thorsten Trimpop in person, on Sunday April 8 at 12:00 p.m. Thorsten Trimpop’s films explore the many ways cultural, political, and ecological histories are borne by individuals in their daily lives. His most recent feature, Furusato, exposes the devastating effects of the […]
On Edward Owens
This week, we are thrilled to present a screening of rare films by the late Chicago-based artist and School of the Art Institute of Chicago alum, Edward Owens (SAIC 1966-67). Owens, who was a native of South Side Chicago, made headway the 1960s New York City underground artistic scene with his beautifully crafted films that […]
March 22 – Edward Owens: A Portrait Study
In the mid 1960s, Edward Owens (SAIC 1966–67), a young African American artist from the South Side of Chicago, burst onto New York’s artistic underground scene with a series of strikingly beautiful films of heartbreak, queer desire, and his own family. With their layered images and flickering edits, the films show the influence of Owens’ […]
On Laura Huertas Millán
We look forward to this week’s Conversations at the Edge screening of Sol Negro (2016) and La Libertad (2017) by French-Colombian filmmaker, Laura Huertas Millán. By combining an exploration of political history with personal narrative, Huertas Millán’s films culminate into what she calls “ethnographic fictions”. For additional context and insight into Huertas Millán’s work, below is an […]
March 8 – Laura Huertas Millán: Ethnographic Fictions
Investigating the terrain between fiction and ethnography, French-Colombian filmmaker Laura Huertas Millán has created a multifaceted body of work where political history and personal narrative meet. Her 2016 film Sol Negro is a portrait of Antonia, a Colombian opera singer, her sister, and her niece. Empathy and anger are exchanged between the women as they each reckon […]
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Conversations at the Edge is a weekly series of screenings, performances, and talks by groundbreaking media artists.
CATE is organized by SAIC's Department of Film, Video, New Media, and Animation in collaboration with the Gene Siskel Film Center and SAIC's Video Data Bank.
Programs take place at the Gene Siskel Film Center (164 N. State / Chicago, IL / 312.846.2600), unless otherwise noted.
