April 19 – An Evening with Joan Jonas
Among the most significant artists working today, Joan Jonas has a groundbreaking body of work that spans video, performance, dance, installation, and drawing to explore fundamental questions around visual perception, ritual, archetypes, and transmission of knowledge. Initially trained as a sculptor, she began experimenting with performance in the late 1960s, merging elements of contemporary dance, […]
On The Nation’s Finest
This week, we present The Nation’s Finest, a program that deconstructs the athlete body – how it is used for national, political, and social agendas, and how it is viewed and re-crafted by artists (who are sometimes athletic!). Curated by Astria Suparak and Brett Kashmere, The Nation’s Finest is part of A Non-Zero-Sum Game: Sports, Art, and the Moving […]
April 12 – The Nation’s Finest
For millennia, sports have been intrinsic to daily life, physical well-being, education, civic identity, and social harmony. Over the past decade, sports have assumed an even larger, more multidimensional place in our culture. The traditional schisms and antagonisms between sports performance and spectatorship, creative production, and scholarly activity (jocks vs nerds, square vs cool), have […]
On Hayoun Kwon
We are thrilled to present a screening of work by Paris and South Korea based multimedia artist Hayoun Kwon. Through animation and virtual reality technologies, Kwon bridges the realms of documentary and fiction to question ideas around borders, territory, memory, testimony, and reality itself. This week, we welcome School of the Art Institute of Chicago […]
April 5 – Hayoun Kwon: Films and Virtual Realities
Through a unique interplay of documentary techniques and animation technologies, the films and virtual reality projects of Paris-based South Korean artist Hayoun Kwon present new realms for history and memory. Biographical accounts of a Nigerian asylum seeker in Lack of Evidence (2011) and a South Korean soldier serving in the Korean Demilitarized Zone in 489 Years (2016) are mapped […]
On Latham Zearfoss
Our spring 2018 season premieres today with work by Chicago-based artist and School of the Art Institute of Chicago alum, Latham Zearfoss (BFA 2008). Zearfoss produces time-based images, objects, and experiences about selfhood and otherness. Outside of the studio, they contribute to collective motions toward joy and reflection through social projects. This week, we welcome […]
February 15 – Latham Zearfoss: Home Movies
Chicago-based artist and organizer Latham Zearfoss (BFA 2008) has built a multifaceted body of work that unites themes of love, community, family, political legacy, personal agency, and collective action. Their poetic and pop-infused videos mine the territory between public and private, reason and emotion, the extraordinary, and the everyday. In HOME MOVIE (2012) cell phone videos of […]
On Sondra Perry
We close this season of Conversations at the Edge with a performance and video by New York-based interdisciplinary artist Sondra Perry whose work critically examines the technologies and power relations that affect representation and black identity. This week, we welcome School of the Art Institute of Chicago graduate student Lindsay A. Hutchens to reflect upon […]
November 16 – Sondra Perry: Performance and Video
Mixing personal history and pop culture, New York-based artist Sondra Perry savvily dissects power relations that shape Black identity and representation. Her performances and multimedia works use video games, glitchy 3D avatars, and computer desktop windows to express and explode biases built into the code of everyday life. In the video-performance Lineage for a Multiple-Monitor Workstation: […]