. Conversations at the Edge (CATE)

April 19 – An Evening with Joan Jonas

Among the most significant artists working today, Joan Jonas has a groundbreaking body of work that spans video, performance, dance, installation, and drawing to explore fundamental questions around visual perception, ritual, archetypes, and transmission of knowledge. Initially trained as a sculptor, she began experimenting with performance in the late 1960s, merging elements of contemporary dance, […]

On Latham Zearfoss

Our spring 2018 season premieres today with work by Chicago-based artist and School of the Art Institute of Chicago alum, Latham Zearfoss (BFA 2008). Zearfoss produces time-based images, objects, and experiences about selfhood and otherness. Outside of the studio, they contribute to collective motions toward joy and reflection through social projects. This week, we welcome […]

February 15 – Latham Zearfoss: Home Movies

Chicago-based artist and organizer Latham Zearfoss (BFA 2008) has built a multifaceted body of work that unites themes of love, community, family, political legacy, personal agency, and collective action. Their poetic and pop-infused videos mine the territory between public and private, reason and emotion, the extraordinary, and the everyday. In HOME MOVIE (2012) cell phone videos of […]

On Ana Mendieta

This week, we are thrilled to present a selection of experimental short films by the late Cuban-born multidisciplinary artist Ana Mendieta. Born in Havana, Cuba, Ana Mendieta grew up amidst the political upheaval of Castro’s regime, fleeing to the United States with her older sister Raquelin in 1961. She would later go on to forge […]

November 9 – The Films of Ana Mendieta

The late Cuban-born artist Ana Mendieta forged a radical practice that explored primal themes of displacement, the body, violence, and transformation. Known mostly for her earthworks, photographs, and performances, Mendieta also created numerous short films. With these works, she both captured her ephemeral performances and further transformed them through trick photography, staging, or video synthesis. […]

On VALIE EXPORT

We wrap up the Spring 2017 season this week with the work of Austrian performance and multi-media artist, VALIE EXPORT. Born Waltraud Lehner, the artist rejected her family and ex-husband’s name in 1967, adopting the nom de guerre, VALIE EXPORT, from a popular brand of cigarettes. VALIE EXPORT’s work spans the realms of video, performance, cinema, installation, and interaction, expanding […]

April 20 – VALIE EXPORT

Due to unforeseen circumstances, VALIE EXPORT will not be able to join us as previously announced. Curator and Professor Bruce Jenkins will introduce the screening with an in-depth overview of the artist’s career.  Among the most important artists of her generation, VALIE EXPORT has created a provocative and groundbreaking body of work that spans film, […]

April 13 – Wael Shawky: Cabaret Crusades

The rich and provocative work of Egyptian artist Wael Shawky uses film and performance to explore the complexities of national, religious, and artistic identity. With the three-part Cabaret Crusades, he restages the medieval upheaval between Muslim and Christian worlds with a cast of exquisitely crafted marionettes and score derived from Shia lamentation criers and traditional […]

On Jacolby Satterwhite

We are excited to welcome graduate student Caroline McCraw to write for us this week. In her essay, McCraw discusses Satterwhite’s body of work, which combines dance, 3D animation, and the family archive. Jacolby Satterwhite is a New York-based artist from Columbia, SC, whose multidisciplinary work explores identity and personal history through video, performance, animation, drawing, […]

On Lyra Hill

We are delighted to have graduate student Lara Schoorl help us conclude our spring 2016 season with some thoughts on artist Lyra Hill!  Lyra Hill’s work as an artist, curator, and performer expresses a deep engagement with place, whether that is a physical location or conceptual mindset. In her recent show at Conversations at the Edge, Hill used the conditions […]

« go backkeep looking »