. Conversations at the Edge (CATE)

Sep 20 – Camilo Restrepo: Ghosts and Songs

Camilo Restrepo in person In recent years, award-winning Colombian filmmaker Camilo Restrepo has gained a reputation for striking explorations of personal and political trauma, survival, and resistance. Featuring Réunion Island singer Christine Salem, Cilaos (2016) uses the incendiary rhythms of maloya, ritual music derived from slave songs, to tell the story of a woman driven to meet […]

On Ephraim Asili

We are delighted to welcome Zach Vanes of the Video Data Bank to write for us. In this essay, Vanes discusses The Diaspora Suite, a series of films on the African diaspora by Video Data Bank artist Ephraim Asili. Screening this week at Conversations at the Edge, these films bring together archival research and Asili’s travels to chart […]

February 22 – Ephraim Asili: The Diaspora Suite

In 2011, New York-based filmmaker, DJ, and traveler Ephraim Asili began an extraordinary series of films on the African diaspora. These films—Forged Ways (2011), American Hunger (2013), Many Thousands Gone (2015), Kindah (2016), and Fluid Frontiers (2017)—bring together archival research and Asili’s travels through Brazil, Canada, Ethiopia, Ghana, Jamaica, and the United States to chart cultural connections across time and space. Fluid Frontiers, for example, explores […]

On Sky Hopinka

We are excited to present Translations & Transmutations, in conjunction with Video Data Bank, featuring the work of artist Sky Hopinka. Hopinka, a member of the Ho-Chunk Nation of Wisconsin and descendent of the Pechanga Band of Luiseño Mission Indians, creates sublime polyrhythmic films that draw upon his history and identity, addressing ideas of homeland, language, and landscape. […]

March 16 – Sky Hopinka: Translations and Transmutations

A Ho-Chunk Nation national and descendent of the Pechanga Band of Luiseño Indians, Sky Hopinka creates sublime polyrhythmic works that draw upon his history and identity. He presents a selection of recent works built around ideas of homeland, language, and landscape. In the dazzling Anti-Objects, or Space Without Path or Boundary (2016), audio of one […]

On Sara Magenheimer

We are delighted to welcome George William Price of Video Data Bank to write for us. In his essay, Price reflects on the work of this week’s Conversations at the Edge artist, Sara Magenheimer. I am delighted to welcome interdisciplinary artist Sara Magenheimer to Conversations at the Edge this week as part of Video Data […]

On Dana Levy

This week we are thrilled to welcome New York-based artist Dana Levy! We have chosen to show an interview with Levy that was published by BOMB Magazine. In this insightful interview, Levy sits down with New York curator and critic Naomi Lev where they discuss Levy’s practice in great depth.  NL Let’s go back some more, to 2008, to Silent […]

April 7-Dana Levy: Impermanent Display

Thursday, April 7 | Join us for New York–based artist Dana Levy for a screening and discussion! Tel Aviv–born, New York–based artist Dana Levy is known for her symbolically resonant studies of art museums, natural history collections, and other sites of preservation. Her careful choreography meditates on the political and environmental histories that undergird their display, […]

On Louis Henderson

Tomorrow English filmmaker Louis Henderson will join us for his first Chicago appearance!   Video Data Bank‘s Lindsay Bosch blogs about Henderson’s references to the Internet and computing in his complex meditations on neo-colonalism and contemporary Ghana.   Most of video art I watch, I watch on my laptop.  I dream of creating a perfect screening space—uninterrupted hours, big […]

October 8- Louis Henderson: Melts Into Air

Thursday, October 8 | Paris-based filmmaker Louis Henderson in person! In his first Chicago appearance, award-winning director Louis Henderson presents a pair of films on the networked links between colonialism, computing, and capitalism in contemporary Ghana. In Lettres du Voyant (2013), a series of mysterious letters describe the practice of “Sakawa”—e-scams fortified by Western African religious rituals—and the possibilities […]

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