. Conversations at the Edge (CATE)

October 24 – An Evening With Rachel Rossin

Rachel Rossin in person Over the last four years, multidisciplinary artist Rachel Rossin has gained recognition for a series of astonishing exhibitions that blend oil painting, sculpture, and virtual reality. Rossin’s practice investigates the fluid boundary between physical and digital worlds, particularly the ways information and sensory experience are transfigured by each. In the 2015 […]

March 21 – Evan Meaney: We Will Love You Forever

Evan Meaney in person Mixing humor and pathos, the work of new media artist and game designer Evan Meaney meditates on the transience of human experience and its representation in digital media. Meaney often uses corrupted and failing data as source material, exploring human efforts to collect and preserve in the face of entropy. He […]

On Hayoun Kwon

We are thrilled to present a screening of work by Paris and South Korea based multimedia artist Hayoun Kwon. Through animation and virtual reality technologies, Kwon bridges the realms of documentary and fiction to question ideas around borders, territory, memory, testimony, and reality itself. This week, we welcome School of the Art Institute of Chicago […]

April 5 – Hayoun Kwon: Films and Virtual Realities

Through a unique interplay of documentary techniques and animation technologies, the films and virtual reality projects of Paris-based South Korean artist Hayoun Kwon present new realms for history and memory. Biographical accounts of a Nigerian asylum seeker in Lack of Evidence (2011) and a South Korean soldier serving in the Korean Demilitarized Zone in 489 Years (2016) are mapped […]

On The Real-Fake

This week’s Conversations at the Edge program features The Real-Fake curated by Claudia Hart, Rachel Clarke, and Pat Reynolds. This screening brings together 23 artists working with 3D simulation tools to produce a new aesthetic and ethic of the fake. To accompany the program, we are excerpting media artist, curator, and theorist Patrick Lichty’s interview with Claudia Hart on […]

October 19 – The Real-Fake

In an epoch defined by avatars, reality bubbles, and the rapid spread of alt-facts, the role of computer simulation technologies and the parallel worlds they produce take on new dimensions. Curated by Claudia Hart, Rachel Clarke, and Pat Reynolds, The Real-Fake brings together 23 artists working with 3D simulation tools to produce a new esthetic and ethic of the […]

On Hyphen-Labs

This week, we are thrilled to present NeuroSpeculative AfroFeminism, the latest project by Hyphen-Labs, an international collective of women artists, designers, engineers, game-builders, and writers known for works that merge art, technology, and science.  In this interview with SAIC graduate student Mev Luna, the collective shares their thoughts on Afrofuturism, virtual reality, ritual, and other concepts related […]

March 30 – Hyphen-Labs NeuroSpeculative AfroFeminism

Hyphen-Labs is an international collective of women artists, designers, engineers, game-builders, and writers known for works that merge art, technology, and science. Their latest project, the multi-platform NeuroSpeculative AfroFeminism uses video, virtual reality, and medical imaging to explore Black women’s contributions to science while raising issues of identity and perception. Set in a future “neurocosmetology […]

On Claudia Hart

This week I am delighted to welcome graduate student Veronica Sines to write on our final show of the fall 2015 season featuring Claudia Hart! Sines reflects on the complex virtual worlds that Hart has constructed throughout her career.  Since the late 1980s, Claudia Hart has used computer generated images (CGI) and 3D simulation technology […]