These pieces are based on objects that are consumed or used in daily life: hamburgers presented in forms, cans interpreted, McDonald’s napkins submerged in issues, non-functional clocks spinning ineffectively, messages constantly compressed. In the process of transforming and changing objects, symbols are either established, stripped, or confused, thus affecting the cognitive, conception of objects, no matter how firmly and clearly they previously existed in vision, in experience, in function, in imagination, in common recognition. The objects are unfamiliarized and at the same time are better viewed, rethought about in which system they should be repositioned and as what kind of objects they should be tasted.
Menu Quart de Livre - Amuse Bouche, 2022, Quarter Pounder hamburger
McDonald's Quarter Pounder hamburgers are deconstructed and reconstructed on plates of fine dining. * All component materials are derived from the Quarter Pounder itself.
Menu Quart de Livre - Entrée Froides, 2022, Quarter Pounder hamburgers
Menu Quart de Livre - Le Plat, 2022, Quarter Pounder hamburger
Menu Quart de Livre - Dessert, 2022, Quarter Pounder hamburgers
Cannery, 2022, works, exhibition labels
Five cans, with their surface sanded off, and five exhibition labels, making the cans artworks.
I am passionate about making things up, upsetting contexts, misdirecting the viewer, emphasizing weakened attributes, and exhausting possibilities. My practice concentrate on ideas, triggered by the structure of the artwork, my action in making art, the relationship of the pieces to the real space or to the viewer, and scatter in media, among screenshots, hamburgers, artificial intelligence, money, body, exhibition labels, napkins, etc.
I made rules for myself. Sometimes my artwork is simply one action, one gesture, which is executed consciously. Sometimes my artwork is indexical and multi-layered. I use many small pieces of work. But they are only used as materials to form a whole artwork. Usually in this kind of artwork, each individual piece is instrumental, constitutive and inconsequential. Instead, the action of making is the artwork itself.
Things in reality, perceived concepts, carriers of meaning, how they connect, which is certain and which is shifting, which is real and which is constructed, the skeptical discernment, displacement and destruction of these structures, these are the things that are written in the last paragraph.