My fashion practice started my senior year of High School, so I do not have a lot of prior technical ability. This being said, I can use what I do know about sculpture and color and my excitement for design to create projects that push me in the right direction. I think that starting from the beginning is a huge positive for me because I am learning things as I go and I can approach designing and constructing garments and accessories from an outsider’s perspective. All of the projects from this class have forced me to learn new techniques and push the limits of those techniques, such as the limits of how felt can be molded over a head block as complex as a hand. I draw inspiration from various areas of my life, history, and pop culture and though it is a bit all over the place today, I am going to use the lack of confined inspiration to explore all corners of design and construction so that I have the skill set to fall back on when I need to focus my energy into cohesive collections in the future.
I push to make things “Xtrah”, as I like to say. This means that there are no limits and no pressure to conform to the “norms” of society and life. Growing up I had to restrain myself to dressing the way that all the other little boys did and by the time I reached high school I had had more than enough. This was when people started to tell me that. was being too extra and that I was just looking for attention, my response to that was to push even harder to be different, and thus Xtrah by Coby was born. My practice in fashion is focused on unlocking the extra within those who wear my garments and accessories. My goals in fashion are to create garments for celebrity red carpets and galas, film and theater, and drag performers. But for now, I am going to continue to develop individually and figure out just who the Xtrah within myself is and reflect that in my practice at SAIC without ever sacrificing my authenticity to conform to the expectations of others.