An overarching agglomerated vision of human settlements across the globe (considering the ancient settlements, functionality, usability, and predominantly the necessity to sustain life) is itself a paradigm for any scholar to contemplate and construe its labyrinth fabric in a disciplined way, by keeping an artistic mindset, social, economic and cultural desires as a nanoscopic part of our robust ecosystem.
For the past 10,000 years, if we study the hegemony of humans and our beliefs, we have kept all our desires and our ostentatious needs before humanity and we keep ourselves as the epicenter of this concept of life and try to accommodate this exquisite ecology (land, air, water, sky, and fire) as our secondary support system. These presumed phenomena allowed us to cultivate our values, upbringings, cultural and social connections through methodology and approaches across the globe, to define our milieu and tangible precincts on this globe.
In an attempt to preserve, designers often reiterate conservative ways and in this attempt, lose cognizance of the cultural value of the landmark. what were to occur if we were to oblige versatile, adaptive reuse by carrying the traditionalist to contemporary. These practices have been utilized across as of now yet the mindfulness towards the equivalent might not have been brought into consideration.
Some graphics have been inspired by artist Sohan Jahkar, and modified by Ashita Saraswat.