Just before his execution, abolitionist John Brown wrote, “I am now quite certain that the crimes of this guilty land will never be purged away but with blood.” Brown was hung on December 2, 1859, less than two months after he led a raid on a federal armory in an attempt to incite an armed […]
Month: February 2018
On Ephraim Asili
We are delighted to welcome Zach Vanes of the Video Data Bank to write for us. In this essay, Vanes discusses The Diaspora Suite, a series of films on the African diaspora by Video Data Bank artist Ephraim Asili. Screening this week at Conversations at the Edge, these films bring together archival research and Asili’s travels to chart […]
February 22 – Ephraim Asili: The Diaspora Suite
In 2011, New York-based filmmaker, DJ, and traveler Ephraim Asili began an extraordinary series of films on the African diaspora. These films—Forged Ways (2011), American Hunger (2013), Many Thousands Gone (2015), Kindah (2016), and Fluid Frontiers (2017)—bring together archival research and Asili’s travels through Brazil, Canada, Ethiopia, Ghana, Jamaica, and the United States to chart cultural connections across time and space. Fluid Frontiers, for example, explores […]
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On Latham Zearfoss
Our spring 2018 season premieres today with work by Chicago-based artist and School of the Art Institute of Chicago alum, Latham Zearfoss (BFA 2008). Zearfoss produces time-based images, objects, and experiences about selfhood and otherness. Outside of the studio, they contribute to collective motions toward joy and reflection through social projects. This week, we welcome […]
February 15 – Latham Zearfoss: Home Movies
Chicago-based artist and organizer Latham Zearfoss (BFA 2008) has built a multifaceted body of work that unites themes of love, community, family, political legacy, personal agency, and collective action. Their poetic and pop-infused videos mine the territory between public and private, reason and emotion, the extraordinary, and the everyday. In HOME MOVIE (2012) cell phone videos of […]