You lucky blog readers are in for another treat this week, with second year graduate Art History student Elizabeth Metcalfe’s musings on how Andrew Lampert as both a producer and a conservator questions, reconstructs and ultimately expands what we as an audience perceive the scope of Cinema to be. The term curator derives from the […]
This week SAIC graduate student Charles Rice writes about how he has drawn inspiration from Carlos Motta’s work in order to develop a practice informed by abandonment, autobiography and memory. My own artistic practice is centered on my own (queer) body and how I may establish a narrative that acknowledges my own lived histories. I […]
I’m delighted to publish SAIC graduate student Cassie Carpenter’s short text on why she, as a woman who traces her roots to the Midwest, is so excited to see Jennifer Reeder’s work at Conversation at the Edge (CATE) this week. Regional identity has always been somewhat of a challenge for me. I was born in […]
This season we are commissioning original content from the School of the Art Institute of Chicago student body inspired by and about the many exciting artists we will be showcasing. Over the course of the season we will be publishing short texts on each artist’s practice written by students from across SAIC. Many of these students will […]
Thursday, April 24 | Basma Alsharif in person! Basma Alsharif’s sharp, seductive films have often been informed by Palestine’s history, its contemporary political situation, and the conflicted experiences of those who call it home (whether or not they live there). She returns to CATE with a collection of recent films that explore bilocation—the act of being in multiple places […]
Thursday, April 17 | Tom Andersen in person! A master of the essay film, Thom Andersen turns his attention to the work of the Pritzker Prize–winning Portuguese architect Eduardo Souto de Moura. Considering built, unrealized, and abandoned projects and using a stop-motion technique that emphasizes the temporal dimension of architecture, Reconversão (2012) regards buildings not as static objects but living things, subject […]
Filmmaker Sven Augustijnen sat down with CATE Program Assistant George William Price to discuss his multifaceted artistic practice within the context of his film “Spectres”, screened at CATE on April 4, 2014. Augustijnen’s work concentrates on the tradition of portraiture and the porous boundaries between fiction and reality, using a hybrid of genres and techniques to […]
Thursday, April 10 | Commodore Gilgamesh and Ghoul Skool in person! “If everything is terrible, then nothing is” is the motto of this filmmaking collective, whose pseudonym-loving members make rapid-fire mash-ups from VHS tapes found in thrift stores—forgotten children’s shows, religious sermons, no-budget monster movies—to explore the weirdest corners of the American psyche. Leaving little time for […]
Read More… from April 10 – Everything is Terrible! Doggie Woggiez and More
Curator and academic Christiane Paul sat down with CATE Program Assistant George William Price to discuss her research and curatorial practice centered around New Media. Paul presented a multimedia talk “Genealogies of the New Aesthetic” at CATE on March 27, 2014. Christiane Paul (b. 1961, Attendorn, Germany) is Associate Professor at the School of Media Studies, […]
Thursday, April 3 | Sven Augustijnen in person! Confronting the authorized version of an atrocity committed during the early days of post-colonial African rule, Sven Augustijnen’s Spectres (2011) focuses a critical eye on the official account of the murder of Patrice Lumumba, the Congo’s first elected Prime Minister. The film begins a half-century later as the filmmaker sets off in […]