. Conversations at the Edge (CATE)

Renée Green: Partially Buried and Mise-en-scène: Commemorative Toile

Thursday, September 23–Thursday, September 30 See Partially Buried, Partially Buried Continued, and Mise-en-scène: Commemorative Toile by the artist and filmmaker Renée Green. Presented in partnership with Video Data Bank and the Society for Contemporary Art at the Art Institute of Chicago. Theatrical Screening Thursday, September 23, 6:00 pm CT Gene Siskel Film Center Virtual Screenings […]

Announcing Fall 2021

The Fall 2021 season of Conversations at the Edge starts Thursday, September 23! Join us for theatrical screenings, virtual artist talks, and virtual screenings! All programs take place at the Gene Siskel Film Center of the School of the Art Institute of Chicago and on the Film Center’s virtual cinema platform. More info at saic.edu/cate. […]

Spring 2021 Season Recap

Thank you for joining us for the Spring 2021 season of Conversations at the Edge!  We are so grateful for the artists and scholars who shared their work with us and for our presenting partners, including the School of the Art Institute of Chicago’s (SAIC) Visiting Artists Program, the Open Practice Committee in the Department of […]

Wong Ping Lecture and Conversation

Thursday, April 15, 7:00 p.m. Gene Siskel Film Center Virtual Cinema Join artist and animator Wong Ping and Orianna Cacchione, curator of global contemporary art at the Smart Museum of Art for a wide-ranging look at the ideas and approaches behind Wong’s singular digital-pop works. Presented in partnership with the Open Practice Committee in the Department of […]

Wong Ping: Digital Fables

Monday, April 12–Sunday, April 18 Gene Siskel Film Center Virtual Cinema Six films by the Hong Kong based artist and animator Wong Ping. Presented in partnership with the Open Practice Committee in the Department of Visual Arts at the University of Chicago. Self-described as “low-tech, stand-up comedies,” Wong Ping’s animations and installations combine ribald humor with […]

Ian Cheng

Tuesday, April 06, 6:30 p.m.–7:45 p.m. CT Zoom Live captions available. Join us live for a virtual lecture by artist Ian Cheng followed by an audience Q&A. Presented in partnership with SAIC’s Visiting Artists Program. Drawing on principles of video game design, improvisation, and cognitive science, Ian Cheng’s practice explores the nature of mutation and […]

Madeleine Hunt-Ehrlich Lecture and Conversation

Thursday, March 25, 7:00 p.m. CT Gene Siskel Film Center Virtual Cinema Live captions available. Join artist Madeleine Hunt-Ehrlich and art historian Romi Crawford, professor in visual and critical studies and liberal arts at the School of the Art Institute of Chicago, for this look at Hunt-Ehrlich’s practice, including her ongoing work with the United Order […]

Madeleine Hunt-Ehrlich: Speculative Archives

Monday, March 22–Sunday, March 28 Gene Siskel Film Center Virtual Cinema Closed captions available. See four recent films by the artist and filmmaker Madeleine Hunt-Ehrlich, Spit on the Broom (2019), A Quality of Light (2019), Footnote to the West (2020), and Outfox the Grave (2020). Madeleine Hunt-Ehrlich’s rich and often surreal works blend narrative and documentary to explore the private worlds of […]

Discussion with Dustin Gibson, Robert McRuer, and Liza Sylvestre

Thursday, February 25, 7:00 p.m. Gene Siskel Film Center Virtual Cinema Live captions and ASL interpretation available. Join us for a cross-disciplinary discussion with disability activist and educator Dustin Gibson, scholar and Crip Theory (NYU Press, 2006) author Robert McRuer, and This Set of Actions is a Mirror curators Liza Sylvestre and Minh Nguyen. Dustin Gibson, Robert McRuer, Liza Sylvestre […]

Compensation

February 25–March 3 Gene Siskel Film Center Virtual Cinema Open captions and ASL Zeinabu irene Davis’s celebrated and formally adventurous 1999 film depicts Black Deaf lives at the start and end of the 20th century. Renowned for its depiction of Black Deaf lives and expansive reimagining of the cinematic form, Zeinabu irene Davis’s exquisite 1999 […]

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