November 12-Martine Syms: The Unreliable Narrator
Thursday, November 12 | This week Los Angeles based ‘conceptual entrepreneur’ Martine Syms will join us for a screening and discussion! The interdisciplinary work of Los Angeles–based “conceptual entrepreneur” Martine Syms (BFA 2007) takes shape through websites, essays, bibliographies, and videos to explore the ways individual and social identities are formed. Incisive and sharp, she has addressed Afrofuturism, […]
On Ming Wong
This week we are excerpting Travis Jeppesen‘s Art in America interview with Ming Wong! To read the full interview see the “MORE” link at the end. TRAVIS JEPPESEN: Petra von Kant, Gustav von Aschenbach, Jake Gittes, Evelyn Mulwray: These cinematic heroes and heroines have little in common except for having all been re-depicted by the Singaporean artist Ming Wong, who […]
November 5-Ming Wong
Thursday, November 5 | This week Berlin based artist Ming Wong joins us for a screening and discussion! Berlin-based, Singapore-born artist Ming Wong repurposes global cinema to explore issues of race, gender, and performance. He deliberately miscasts himself in iconic scenes from films by directors like Rainer Werner Fassbinder, Wong Kar-wai, Alain Resnais, and Roman Polanski, often in settings […]
On Heinz Emigholz
This week I am thrilled to welcome SAIC student Sidney Tilghman to the blog! Sidney highlights the ways Heinz Emigholz’s film The Airstrip explores modernity through a wide array of structures ranging from airports to shopping malls from Wrocław, Poland to Mexico City, Mexico. Like many of Heinz Emigholz’s films, The Airstrip (2013) unspools in a specific juncture of time and […]
October 29-Heinz Emigholz: The Airstrip
Thursday, October 29 | This week German director Heinz Emigholz joins us for a screening of The Airstrip and a discussion! German director Heinz Emigholz is renowned for a series of films on the buildings of Louis Sullivan, Adolf Loos, and Rudolf Schindler. With The Airstrip (2013), he weaves architectural study into a wide-ranging examination of the […]
On Lorna Mills
Tomorrow Lorna Mills will join us for a screening and discussion with artists featured in Ways of Something, a four-part update of John Berger’s BBC documentary Ways of Seeing! I’m excited to welcome SAIC undergraduate Paula Pinho Martins Nacif to blog about Mills and her work. Nacif perceptively analyzes Mills’s ambitious series as a whole and sheds light on […]
October 22-Lorna Mills: Ways of Something
Thursday, October 22 | This week new media based artist Lorna Mills will join us for a screening and discussion! Ways of Something is Lorna Mills’s astonishing update of John Berger’s seminal BBC program Ways of Seeing (1972). Featuring the work of 114 digital and web artists from around the world, the project consists of a series of […]
On Suzan Pitt
This week we are thrilled to present the animated films of Suzan Pitt! I am excited to welcome SAIC art history graduate student Lara Schoorl to the blog. Schoorl reflects on the psychosexual nature of Pitt’s films while describing their visually stunning style. Suzan Pitt’s films from the 1970s through the 2010s show us dream worlds, female […]
October 15-The Animated Films of Suzan Pitt
Thursday, October 15 | Suzan Pitt will discuss her films via Skype. She will not be able to appear in person, as previously announced (we hope you still join us!). Since the 1970s, Suzan Pitt has created some of the most acclaimed and influential independent animations of her generation. Best known for Asparagus (1979)—which screened with David […]
On Louis Henderson
Tomorrow English filmmaker Louis Henderson will join us for his first Chicago appearance! Video Data Bank‘s Lindsay Bosch blogs about Henderson’s references to the Internet and computing in his complex meditations on neo-colonalism and contemporary Ghana. Most of video art I watch, I watch on my laptop. I dream of creating a perfect screening space—uninterrupted hours, big […]
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Conversations at the Edge is a weekly series of screenings, performances, and talks by groundbreaking media artists.
CATE is organized by SAIC's Department of Film, Video, New Media, and Animation in collaboration with the Gene Siskel Film Center and SAIC's Video Data Bank.
Programs take place at the Gene Siskel Film Center (164 N. State / Chicago, IL / 312.846.2600), unless otherwise noted.
