Thursday, March 14, 2002, 6:15pm A central but rarely shown film in the history of feminist cinema, Jeanne Dielman follows three days in the life of a middle-class European woman as she does her daily housework, cooks for her teenage son, occasionally engages in prostition, and gradually descends into madness. Using the real-time element of […]
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Thursday, March 7, 2002, 6pm Paula Froehle in person! Loosely traversing the boundary between experimental and narrative form, Paula Froehle’s densely layered and poetic films search for new metaphoric relationships to express the realms of the subconscious. This evening provides an overview of her work, from early pieces such as Second Skin (1990), Spitting Image […]
Thursday, February 28, 2002, 6pm Joseph Cornell’s film work links the tradition of early surrealism with the entire range of work produced by experimental filmmakers in the fifties, sixties & seventies in New York. The enormously influential Rose Hobart (1939) practically launched a movement by itself, after being seen by Jack Smith and Ken Jacobs. […]
Read More… from Films by Joseph Cornell from the Flaxman Collection
Thursday, February 21, 2002, 6pm Immensely influential to a generation of filmmakers, The Hart of London manages to create a seamless flow of documentary materials, poetic imagery, and a complex metaphoric construction. Canadian painter and filmmaker Jack Chambers created The Hart of London to speak about the costs of civilization and modernity, using images of […]
Thursday, February 14, 2002, 6pm Bruce LaBruce in Person! Bruce LaBruce is a writer, filmmaker, and photographer stuck in the gulag otherwise known as Toronto, Canada. He started out as a child, then quickly moved on to the production of homo punk fanzines and super 8 movies. These products helped to launch the so-called Homocore […]
Read More… from A Special Valentine’s Day With Bruce LaBruce
Friday, February 8, 2002, 6pm The second evening of work will be presented in the screening room of the Department of Film, Video, and New Media, 112 S. Michigan Avenue, Room 1311, 13th floor. Includes: Impossible Love (Jim Jennings, 11 min); Train (Masako Miyazaki, 8 min); Shudder (Michael Gitlin, 3 min); Go/Army (Ruben OMalley, 9 […]
Thursday, February 7, 2002, 6pm Curator John Columbus in person! John Columbus, founding director of the Black Maria Film and Video Festival, will present the first of two programs of this year’s Festival winners. The Black Maria continues to be one of America’s most important festivals of new experimental work in film and video, showcasing […]
Thursday, December 13, 2001, 6pm 1923-2001, various directors, France/Russia/USA, ca 110 min, various formats From the warm-and-fuzzy to the chilly-and-scaly, from the gently lyrical to the grimly pedagogical, these thirteen films feature dogs, cats, bats and bugs and the people who love them, or don’t. Programmed and presented in person by animation artist/professor Jim Trainor, […]
Thursday, December 6, 2001, 6pm CYBERNOIA: SUICIDE BOX 1996, Natalie Jeremijenko, USA, 13 min, video. and FRESH KILL 1994, Shu Lea Cheang, USA, 80 min, 35mm. Technology takes a sinister turn in these works, which alternately satirize and comment darkly upon the omnipresence of electronic telecommunications, surveillance video, and broadcast propaganda in contemporary life. Co-presented […]
Friday, November 30, 2001, 6pm 1971-1972, Hollis Frampton, USA, ca 76 min, 16mm A special presentation of the final three films that make up Hollis Frampton’s Hapax Legomena series: Special Effects (1972); Remote Control (1972); Ordinary Matter (1972). […]
Read More… from Hapax Legomena: Special Effects, Remote Control, Ordinary Matter