. Conversations at the Edge (CATE)

That’s A Wrap! – Fall 2019

Thank you for joining us for our Fall 2019 season! See you in January 2020!                    

October 3 – New Films from the GLAS Animation Festival

GLAS Animation Festival director Jeanette Bonds in person Each year, the GLAS Animation Festival showcases a thrillingly expansive range of films from around the globe. Founded in 2016 by animators Jeanette Bonds and Einar Baldvin, it has become a singular platform for art and industry alike, highlighting experimental and visionary threads across the spectrum. Bonds […]

September 26 – Selina Trepp: I Work With What I Have

Selina Trepp, Tomeka Reid, Jason Roebke, Dan Bitney in person Informed by ideas of improvisation, collaboration, and flux, Chicago-based artist Selina Trepp (BFA 1998) produces exuberant works from radically limited means. Since 2012, she has refrained from bringing new materials into her practice, instead recycling past artworks and remnants into each new project. Her animated […]

February 7 – Jodie Mack: The Grand Bizarre

Jodie Mack in person Artist and animator Jodie Mack (MFA 2007) is celebrated for transforming the patterns of everyday life into dazzling short films. Her debut feature is an exhilarating examination of the global circulation of textiles. Shot on location in nearly 20 countries, the film interweaves footage of industrial mills, artisan looms, airports, cargo […]

An Interview with Peter Burr

During his visit to SAIC in this week, Peter Burr sat down with CATE Curatorial Assistant Nicky Ni for an interview about his background in painting and drawing, his iconic computer animation style, and his multimedia practice that spans from video, performance, to immersive and interactive game installation. NN: Could you give a brief summary […]

Peter Burr: Pattern Language

Artist and animator Peter Burr creates videos, performances, and video games that conjure virtual spaces and illusive patterns. Burr’s singularity not only resides in his mesmerizing moiré sequences but also in his aesthetic of privileging every crisp pixel. This program features a series of single-channel computer animations extracted from Burr’s expanded projects. Derived from Aria End, […]

On Margaret Tait

At the shady foot of trees Certain things grow, But at the foot of stone grow the sun-loving             wind–resisting short plants With very small bright flowers And compact, precise leaves. The wind whips the tight stems into a vibration, But they don’t break. — Margaret Tait, excerpt from The […]

Sep 27 – Margaret Tait: Poems and Portraits

Scottish film-poet Margaret Tait produced an exquisite body of work combining poetry, portraiture, music, ethnography, and animation. She studied filmmaking in Rome during the height of Italian neorealism before returning to her native Scotland in the early 1950s where she found inspiration in the contrasting daily rhythms of Edinburgh and the Orkney Islands. In an […]

Sep 13 – Stan VanDerBeek: Euclidean Illusions

Johannes VanDerBeek of the VanDerBeek Archive in person The visionary work of media artist Stan VanDerBeek spanned film, interactive television, expanded cinema, and computer animation. Introduced by Johannes VanDerBeek of the VanDerBeek Archive, this program focuses on his computer films, screening in newly preserved 16mm prints. VanDerBeek began experimenting with computers in the mid-1960s, as […]

On Hayoun Kwon

We are thrilled to present a screening of work by Paris and South Korea based multimedia artist Hayoun Kwon. Through animation and virtual reality technologies, Kwon bridges the realms of documentary and fiction to question ideas around borders, territory, memory, testimony, and reality itself. This week, we welcome School of the Art Institute of Chicago […]

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