. Conversations at the Edge (CATE)

On Wayne Boyer and Larry Janiak: Camera and Line

Tomorrow Wayne Boyer, Michael Golec, Associate Professor of Design History at SAIC, and Anne Wells, Collections Manager for the Chicago Film Archives (CFA) will join us at the Gene Siskel Film Center post screening for a round table discussion. This week Anne Wells of the CFA writes for us, reflecting on her personal relationship with the […]

October 1-Wayne Boyar and Larry Janiak: Camera and Line

Thursday, October 1 | Followed by a roundtable with Boyer, Michael Golec, Associate Professor of Design History at SAIC, and Anne Wells, Collections Manager for the Chicago Film Archives (CFA). Presented in collaboration with the CFA.  Chicago at midcentury was home to a remarkable group of artists who bridged European modernism, pop, and psychedelia in brilliant personal and […]

An Interview with Daniel Sousa

During his visit to SAIC in April Daniel Sousa sat down with graduate student Elizabeth Metcalfe for a revealing interview about his background in painting and illustration, his relationship to animation and upcoming projects he is currently working on. Elizabeth Metcalfe: I know you have a background as a painter and illustrator. Your films have a very painterly quality. […]

On Daniel Sousa

I’m delighted to welcome SAIC art history graduate student Elizabeth Metcalfe to our blog for the second time. Elizabeth writes about Sousa’s unique ability to address the intrinsic human condition through his delicate animation. Keep your eyes peeled for Elizabeth’s upcoming interview with the artist himself! Painting springs to life in Daniel Sousa’s award-winning animated short films. […]

Apr 9 – Daniel Sousa: Feral and other Animations

Thursday, April 9th | Daniel Sousa in person! The lush, painterly films of Cape Verde–born, Providence-based animator Daniel Sousa employ puppets, collage, and hand-drawn characters in tales of memory, perception, and the struggle between the intellect, unconscious, and unknown. A young boy raised in the wild attempts to make his way in civilized society, a man […]

On Encounters

Alexander Stewart takes a moment to write about the upcoming program Encounters: Experimental Film and Animation from Croatia for the CATE blog. Encounters, screening Thursday (12th) and Saturday (14th) of this week, explores the rich history of Croatian film and animation. This intensively researched program reveals the unique history of Croatian avant-garde cinema–a history that runs in parallel to […]

Mar 12 & 14 – Encounters: Experimental Film and Animation from Croatia

Thursday, March 12th & Saturday, March 14th | Introduced by Alexander Stewart, filmmaker, curator, and Assistant Professor at DePaul University Zagreb, Croatia has long been an important hub for animation, experimental film, and avant-garde culture. Informed by unique cultural, intellectual, and political legacies, filmmakers there have produced decades of strong, challenging, and fascinating experimental work. Filmmaker Alexander […]

On Jonathan Monaghan…

This season we are commissioning original content from the School of the Art Institute of Chicago student body inspired by and about the many exciting artists we will be showcasing. Over the course of the season we will be publishing short texts on each artist’s practice written by students from across SAIC. Many of these students will […]

September 18 – Jonathan Monaghan: Alien Fanfare

Thursday, September 18 | Jonathan Monaghan in person! Seamlessly melding imagery from art history, mainstream video games, and contemporary advertising, Jonathan Monaghan’s videos are surreal explorations of power, value, and the role of technology. The artist, whose work takes shape through glossy animated videos, virtual environments, and 3D printing, presents a selection of his latest videos, a […]

Interview with Jodie Mack

Could you tell us a little bit about the program you’ll be screening for Conversations at the Edge this fall? Sure. The formal description: Let Your Light Shine investigates the formal principles of abstract cinema while maturing an interest in found materials; evolving modes of production and labor; and the role of decoration in daily […]

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