. Conversations at the Edge (CATE)

Cory Arcangel

Thursday, March 19, 6pm | Cory Arcangel in person! Best known for his Nintendo game cartridge hacks, multi-media trickster Cory Arcangel uses new and vintage computers, sound, performance, and the web to recontextualize popular figures (Super Mario Brothers, Bruce Springsteen, Simon & Garfunkel) and aesthetic systems (the instructional video, adult contemporary music, the “artist talk”) […]

Letters, Notes: Films by David Gatten

Thursday, March 5, 2009, 6pm | David Gatten in person! David Gatten, The Great Art of Knowing (2004). Image courtesy of the artist. “Influenced equally by Stan Brakhage and Ludwig Wittgenstein.”—Ed Halter, Village Voice For more than ten years, filmmaker and SAIC alum David Gatten’s serenely beautiful handmade films have employed experimental techniques—cellophane tape ink […]

DDR/DDR

Thursday, February 26, 2009, 6pm | Director Amie Siegel in person! DDR/DDR (Amie Siegel, 2008). Image courtesy of the artist. The latest feature by artist, filmmaker, and SAIC alum Amie Siegel (Empathy, 2003) is a multi-layered and disarmingly beautiful essay on the German Democratic Republic and its dissolution, which left many of its former citizens […]

Mock Up on Mu

Thursday, April 10, 6pm | Craig Baldwin in person! Craig Baldwin, Mock Up on Mu (2008). Image courtesy of the artist. Legendary for his rapid-fire found-footage collage films, underground filmmaker Craig Baldwin returns to the Midwest with a special sneak preview of his latest feature, Mock Up on Mu. A radically hybridized pulp-serial-spy-science-fiction-western-horror mash-up, Mu […]

Falling Out of Time: New Documentaries from the Former Soviet Europe

Thursday, April 3, 6pm | Curators Oona Mosna and Jeremy Rigsby in person! Igor Strembitsky, Wayfarers (2005). Image courtesy of the artist. Once the home of state-sponsored social realism, the former Soviet Europe has given rise to a new breed of documentary, revising its realist tradition with the observational ambiguities and formal rigor more familiar […]

CameraLESS Films / Movies without Cameras

Thursday, March 27, 2008, 6pm | Curator Jodie Mack in person! Thorsten Fleisch, Kosmos (2004). Image courtesy of the artist. For over one hundred years, filmmakers have found ways to emancipate themselves from advanced photographic processes and make films without cameras—by drawing, painting, scratching, or adhering figures and objects directly onto filmstrips. Whether produced meticulously […]

A Darkness Swallowed

Thursday, October 11, 2007, 6pm Betzy Bromberg in person! For twenty years, Betzy Bromberg straddled the worlds of experimental film and Hollywood, where she worked as a special effects supervisor and cameraperson on blockbusters like The Terminator (1984), The Abyss (1989), and Strange Days (1995) while also crafting her own visually striking, politically-charged films. Currently […]

Nothing Compares 2 U: Films & Videos by Michael Robinson

Thursday, September 27, 2007, 6pm Michael Robinson in person! The films and videos of Michael Robinson are a deft mix of stunning beauty and nervy wit. He combines lush, often optically-printed imagery with the electric fuzz of video-games, old movie footage, and dusty magazine layouts in pop song–scored cine-ballads that are at once cynical and […]

Cinema of Prayoga: Indian Experimental Films

Thursday, September 6, 2007, 6pm For nearly a century, Indian filmmakers have drawn on the country’s rich aesthetic traditions to craft radically original works.  Despite the international popularity of Bollywood, the country’s “Cinema of Prayoga” (which loosely translates as cinema of “experiment” in Sanskrit) remains largely unknown. Curated by Brad Butler and Karen Mirza of […]

The Outer Ear Festival Of Sound: Frédéric Moffet & Jean Genet

Thursday, November 9, 2006, 6pm Frédéric Moffet in person! CATE and the Outer Ear Festival of Sound team up to present this special screening of Frédéric Moffet’s award-winning video, Jean Genet in Chicago (2006) and Genet’s only film, the queer masterpiece Un Chant d’Amour (1950). Completed at the Experimental Sound Studio (the organization that puts […]

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