Ryan Goh is an interdisciplinary artist, who works primarily with video and installation. Rooted in longing, Goh’s work contemplates loss and faith, attempting to reconcile hope and futility within an ambiguously redemptive gesture. Born and raised in Singapore, Goh is currently earning his BFA at the School of the Art Institute of Chicago. Goh has been awarded the full-tuition Overseas Teaching Scholarship, the Nippon Presidential Award, the SAIC Distinguished Merit Scholarship, and is part of the SAIC Scholars Program. Goh’s work has been shown at film festivals, screenings, and exhibitions in Singapore, Chicago, Berlin and Rome.
Fragments of a Past Elegy, 2017, Single-channel video
Anti-Semantics of Occupancy, 2016, 4-channel video installation
was blind but now, 2016, 2-channel video installation with sound (Left channel is projection-mapped onto a translucent window, right channel is projected onto the architecture of the surrounding space.)
Surface Tension, 2016, 3-channel video installation with sound and acrylic plexiglass
when did I last hear the horn of the karang guni man?, 2016, 2-channel video installation. (In its installation, both channels are projected separately in the space such that the viewer cannot see both simultaneously from a fixed position.)
On Every Image that Might've Been Lost, 2018, Digital video 
On Every Image that Might've Been Lost, 2018, Digital video 
On Every Image that Might've Been Lost, 2018, Digital video 
On Every Image that Might've Been Lost, 2018, Digital video 
On Every Image that Might've Been Lost, 2018, Digital video 
