This week for our SAIC student writing series Natalia De Orellana grapples with Massimo Sarchielli and Alberto Grifi’s Anna. She finds herself invested in the directors’ ethics, yet rebuffed by their use of their camera. “We preferred,” explained Grifi, “a movie about reality rather than undertaking the struggle to create a slightly less revolting reality.” Anna | Thursday, April 2nd | Introduced […]
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