. Conversations at the Edge (CATE)

Mar 26 – Soon Mi-Yoo: Songs from the North

Thursday, March 26th | Soon Mi-Yoo in person! South Korea–born and Cambridge-based artist Soon-Mi Yoo’s debut feature is a nuanced look at political ideology and everyday life in North Korea. Winner of the prestigious Golden Leopard for Best First Feature at the 2014 Locarno Film Festival, the film interweaves biography (Yoo’s father fought in the war and […]

On Encounters

Alexander Stewart takes a moment to write about the upcoming program Encounters: Experimental Film and Animation from Croatia for the CATE blog. Encounters, screening Thursday (12th) and Saturday (14th) of this week, explores the rich history of Croatian film and animation. This intensively researched program reveals the unique history of Croatian avant-garde cinema–a history that runs in parallel to […]

Mar 12 & 14 – Encounters: Experimental Film and Animation from Croatia

Thursday, March 12th & Saturday, March 14th | Introduced by Alexander Stewart, filmmaker, curator, and Assistant Professor at DePaul University Zagreb, Croatia has long been an important hub for animation, experimental film, and avant-garde culture. Informed by unique cultural, intellectual, and political legacies, filmmakers there have produced decades of strong, challenging, and fascinating experimental work. Filmmaker Alexander […]

On John Gerrard

This week in our SAIC Student Writing series Matthew Coleman (MA Art History 2015) blogs on John Gerrard’s large-scale digital works. He looks at the way Gerrard reveals the artificial natures of linear time and knowledge progression by bringing into question the provisional structures of power and networks of energy that facilitate our everyday existence. John […]

Mar 5 – John Gerrard: Networks and Power

Thursday, March 5th | John Gerrard in person! The works of John Gerrard (MFA 2000) often take shape as large-scale projections of meticulously crafted virtual worlds, astonishing in their scope and execution. Driven by sophisticated military modeling and video game software, they recreate the outposts of human industry—a 19th-century paper mill in Norway, mysterious roadways along China’s […]

On Rebecca Baron

I am delighted to welcome back Lindsay Bosch, Marketing & Development Manager of Video Data Bank, who this week writes on the lyrical work of Rebecca Baron. Founded at the School of the Art Institute of Chicago in 1976 at the inception of the media arts movement, the Video Data Bank is a leading resource in […]

Feb 26 – Rebecca Baron: Detour de Force

Thursday, February 26th | Rebecca Baron in person! Los Angeles–based filmmaker Rebecca Baron is known for provocative essay films exploring such far-ranging subjects as Britain’s Mass Observation movement, 19th-century Arctic exploration, and the role of recording technologies in shaping our understanding of the world around us. Her latest film,Detour de Force, introduces viewers to the incredible […]

Outmoded Insights – An Interview with Robin Deacon

Robin Deacon is a filmmaker, writer, performance artist, and professor at SAIC. His performance White Balance: A History of Video explores the history of video through text, speech, and an artillery of outdated video equipment. But he wants wants you to know–it’s not a camera geek thing. It’s about the narratives these pieces of technology allow him to […]

On Robin Deacon

I am delighted that Conversations at the Edge will be opening with my fellow Englishman Robin Deacon‘s multimedia performance White Balance: A History of Video this Thursday, February 19th at the Gene Siskel Film Center. White Balance is a performance that draws on Deacon’s journalistic and documentary approaches to art making. Throughout the performance he engages with different […]

Feb 19 – Robin Deacon: White Balance: A History of Video

Thursday, February 19th | Robin Deacon in person! Acclaimed artist and filmmaker Robin Deacon presents a stirring performance on the history and aesthetics of video. The title White Balance refers to the process by which a video camera is adjusted to account for differences in light. For Deacon, this process also suggests video’s capability to convey […]

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