My sculpture practice revolves around the (mis)translations and abstractions that occur when a work moves from one material or medium to another via a series of artist enacted moves and counter-moves. I investigate the intersections that my life has had with the entertainment industry and reflect on how it has shaped my understanding of the world. Employment at a theme park, movie studio and theatre along with the experience of growing up in Los Angeles drive this fascination with the construction of illusionary worlds and their (literal) framework.