Thursday, October 9th | Andrew Lampert in person! Artist, archivist, and curator Andrew Lampert is known for his mischievous live media performances and hilarious short films and videos, many of which cheekily turn “cinema” on its head. Lampert uses improvisation, unusual projector placement, and sets of game-like instructions to explore (and exploit) the dynamic relationships between projector, […]
This week SAIC graduate student Charles Rice writes about how he has drawn inspiration from Carlos Motta’s work in order to develop a practice informed by abandonment, autobiography and memory. My own artistic practice is centered on my own (queer) body and how I may establish a narrative that acknowledges my own lived histories. I […]
Thursday, October 2nd | Carlos Motta in person! Carlos Motta’s practice draws upon various political histories in an attempt to articulate counter narratives that recognize suppressed histories, communities, and identities. Composed of the three films Nefandus, Shipwreck (Naufragios) and The Defeated (La visión de los vencidos) his 2013 Nefandus Trilogy is a haunting examination of pre-Hispanic homoeroticism […]
Read More… from October 2 – Carlos Motta: The Nefandus Trilogy
I’m delighted to publish SAIC graduate student Cassie Carpenter’s short text on why she, as a woman who traces her roots to the Midwest, is so excited to see Jennifer Reeder’s work at Conversation at the Edge (CATE) this week. Regional identity has always been somewhat of a challenge for me. I was born in […]
Thursday, September 25 | Jennifer Reeder in person! Jennifer Reeder’s pop-noir films explore women’s experiences in breakups, breakdowns, and new beginnings. The award-winning Chicago artist presents four recent shorts and a preview of her latest project, Blood Below the Skin. A Million Miles Away (2014) listens in on the bedroom conversations of teenage girls as they forge bonds over absent […]
Read More… from September 25 – Jennifer Reeder: A Million Miles Away
This season we are commissioning original content from the School of the Art Institute of Chicago student body inspired by and about the many exciting artists we will be showcasing. Over the course of the season we will be publishing short texts on each artist’s practice written by students from across SAIC. Many of these students will […]
Thursday, September 18 | Jonathan Monaghan in person! Seamlessly melding imagery from art history, mainstream video games, and contemporary advertising, Jonathan Monaghan’s videos are surreal explorations of power, value, and the role of technology. The artist, whose work takes shape through glossy animated videos, virtual environments, and 3D printing, presents a selection of his latest videos, a […]
Read More… from September 18 – Jonathan Monaghan: Alien Fanfare
It’s George, CATE’s program assistant here. I’m so excited to share our Fall 2014 line up! We have some incredible practitioners from all over the globe, representing so many varied practices. Some of my favorites include the British filmmaking legend John Smith and his deadpan absurdity; Carlos Motta for his poetic investigations of non-Western Queer histories; and […]
Thursday, April 24 | Basma Alsharif in person! Basma Alsharif’s sharp, seductive films have often been informed by Palestine’s history, its contemporary political situation, and the conflicted experiences of those who call it home (whether or not they live there). She returns to CATE with a collection of recent films that explore bilocation—the act of being in multiple places […]
Thursday, April 17 | Tom Andersen in person! A master of the essay film, Thom Andersen turns his attention to the work of the Pritzker Prize–winning Portuguese architect Eduardo Souto de Moura. Considering built, unrealized, and abandoned projects and using a stop-motion technique that emphasizes the temporal dimension of architecture, Reconversão (2012) regards buildings not as static objects but living things, subject […]