VIDEO & SOUND FROM TAKESHI MURATA & ROBERT BEATTY
Thursday, March 3, 2010 at 6pm | Takeshi Murata and Robert Beatty in person! Still from “Melter 2” (Takeshi Murata, 2003). Courtesy the artist. For the last six years, artist Takeshi Murata and musician Robert Beatty (Hair Police, Three Legged Race) have collaborated on a series of visceral glitch-based animations, setting Murata’s psychedelic imagery to […]
An Interview with Laura Heit
School of the Art Institute Animation Professor Chris Sullivan speaks with Laura Heit about her practice. Chris Sullivan: What options or answers does animation offer you that are different than other medium? Laura Heit: My work is visual first, and my background is drawing and printmaking—image making—so this is the way I think, the way […]
NEW NIPPON: CONTEMPORARY FILM & VIDEO FROM JAPAN
Thursday, December 3, 6pm Akino Kondoh, “Ladybirds’ Requiem,” 2005-6. Courtesy the Artist and Mizuma Art Gallery, Tokyo. In a nation that is geographically isolated yet always looking outward, rooted in ancient tradition while existing at the forefront of technological innovation, the complexion of contemporary Japanese moving image is like no other. This evening’s program brings […]
LOOK FOR ME: ANIMATED FILMS BY LAURA HEIT
Thursday, November 19, 6pm | Laura Heit in person! Image: Laura Heit, The Matchbox Shows (1999-current). Image courtesy of the artist. Poignant and smart, the animated films of puppet artist and SAIC alumnus Laura Heit employ stop-motion, live action puppetry, hand-drawing, and computer animation. Heit is the co-director of the Experimental Animation department at CalArts […]
VARIABLE AREA: HEARING AND SEEING SOUND, 1966–78
Thursday, November 12, 6pm | Art Lange, Guillermo Gregorio and Brian Labycz in person! Still from The Gypsy Cried (Chris Langdon, 1972). Courtesy the artist. Experimental Sound Studio’s Outer Ear Festival of Sound and CATE team up once again to present a program of films that investigate the visual and aural possibilities of 16mm optical […]
Program details for Book of Mirrors: Films by Joost Rekveld
Still from Joost Rekveld, #11, Marey <-> Moiré (1999). Image courtesy of the artist. Program Details #3 (1994, 16mm, color, silent, 4 min.)) “#3 is a film with pure light, in which the images were created by recording the movements of a tiny light source with extremely long exposures, so that it draws traces on […]
BOOK OF MIRRORS: FILMS BY JOOST REKVELD
Thursday, October 8, 6pm | Joost Rekveld in person! Image: Joost Rekveld, #37 (2009). Image courtesy of the artist. Joost Rekveld’s films are spectacular treatises on the nature of light. They have screened around the world, including at Sundance, Rotterdam, Media City, and the Dutch Filmmuseum. Inspired by Medieval and Renaissance theories of optics, proto-cinematic […]
VISION IN MOTION: FILMMAKING AT THE INSTITUTE OF DESIGN, 1944-70
Thursday, October 1, 2009 and Friday, October 2, 2009 at 6pm Guests in person! Image: László Moholy-Nagy & ID students, Design Workshops (1944). “The illiterates of the future,” the pioneering Hungarian artist and educator László Moholy-Nagy once famously proclaimed, “will be ignorant of the camera and pen alike.” Founded in Chicago in 1937 and modeled […]
The Animated Films of Naoyuki Tsuji
Thursday, March 26, 6pm Naoyuki Tsuji, The Place Where We Were (2008). Image courtesy of the artist. The work of Japanese animator Naoyuki Tsuji hovers between dream and nightmare, fairy tale and psychodrama. Tsuji animates his films with charcoal—drawing, erasing, and redrawing over a single sheet of paper. The erasures remain as ghostly afterimages, creating the […]
The Presentation Theme: New & Old Films by Jim Trainor
Thursday, November 20, 6pm | Jim Trainor in person! Jim Trainor, The Presentation Theme (2008). Image courtesy of the artist. The work of celebrated Chicago filmmaker and SAIC professor Jim Trainor revels in the world between playfulness and prurience with shaky, line-drawn animations of animals, humans, and their habits. Tonight he presents two new films […]
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Conversations at the Edge is a weekly series of screenings, performances, and talks by groundbreaking media artists.
CATE is organized by SAIC's Department of Film, Video, New Media, and Animation in collaboration with the Gene Siskel Film Center and SAIC's Video Data Bank.
Programs take place at the Gene Siskel Film Center (164 N. State / Chicago, IL / 312.846.2600), unless otherwise noted.
