Hayden Wentworth
“Hayden’s Wonderland”
Through the surreal imagery taken from Hayden’s sketchbooks she is able to create a world in which her work thrives in. Imagine having a bad trip on acid and walking into a fun house from the Elizabethan era. Loud, textured, surreal, and most importantly humorous are just the tip of the iceberg when Hayden creates her garments. She layers her ideas within her garments just like she does in her collage. Things are not what they seem. Look closer than what meets the eye and come feast in Hayden’s mind. Her work is the reflection of the endless chaos in her mind.
Step into her world and never look back.
Thank you:
My Parents 🙂
Contact & Social Media:
haydenlea@gmail.com
Instagram: @haydles
www.haydenwentworth.com
Michelle Sumin Suh
“Lot-Us”
Lot-Us is a continuation of my junior collection, “Belonging, Be-longing,” in a sense, which explored how my identity, and my sense of belonging is always in flux, moving in between different continents, cultures, and peoples. Lot-Us is about how I finally found where I belong, to my roots; my cultural heritage, history, my family, ancestors… Everyone who came before me, and will come after me. In Korean Buddhism, lotus is a symbol of eternal life, not because it lives on forever, but because it constantly blooms, lives, decays, perishes, then re-blooms on the very same spot, in the same pond. Everyone who gave me life, and everyone I will give life to, is where I belong eternally… in a perpetual flux of life, in the lot, in the us.
Thank you:
Kangwoo Bae/ Jiyeong Min/ Eunsun Choi/ Haeri Jo/ Hana Rha/ Jeehyun Kim/ Jayson Rha/ Byung Soo Cho/ Joung-a Youm/ Seonghyeon Park/ Yun Jin Jang/ Soo Hyun Park/ Byungwook Cho
Contact & Social Media:
Instagram: @make_suhmthing
Ellie Tie
“LOADING…”
Our society is poised before an existential threshold; we are at the cusp of obtaining social multiplicity where experience is no longer limited to a physical form. In other words, the experiences accumulated by the human body may become secondary to our digital extrusions and manifestations; our bodies will become the source code that will enable access to a parallel existence. The pandemic has catalyzed the diffusive collision between concrete reality and virtual reality and has shaken the foundations of what we consider to be identity. I anticipate that our perception of reality and experience will continue to shift towards the virtual and that the distinction between corporal and digital will blur and accelerate towards fusion.
This collection is positioned at the origin point (0,0,0) – the tenuous threshold pierced by the chaos of anticipation. While we wait for institutions to accept the virtual, we sample the inevitable and experience beta malfunction; a world in progress. I explore the concepts of generation, fusion, distortion, and glitch as chance procedures in world-building processes that uniquely garment the virtual form. I play with garment silhouette and fabric manipulations to create physical warping that represents coding errors and other transfer confusions. I used conventional apparel fabrics like cotton denim, spandex, and tulle with thermoplastic polyurethane, latex, waterproof, and rip-stop nylon to mirror the intertwining of present reality with metaverse aesthetics. In each piece, I emphasize the idea of parallel duality between norms and chance abnormality through juxtaposition: linear order | corruption, daylight | interior darkness, pixelation | nature, opaque | rendered. I utilized the RGB color model to select saturated textile colors that I applied onto black and white bases to replicate the formation of digital images.
Thank you:
My parents (Qi Tie, Xiaorong Ma), Abigail Maria Glaum-Lathbury, Yoshiko F Fredisdorf, Rowena Liu, Risa Shang, Shannon Lin, Lidan Zhang, Jason Yu, Kenny Zhao, Zeju Zhang, Bella Chen, Milly Huang, Matilda Liang, Chiyuan Sun, Fiona Zhang, Angela Golota, Zoe Roze, Astha Patel
Contact & Social Media:
Instagram: @ellie_tie_fashion
Milly Lingjue Huang
“My Body Feels It”
This collection is based on the idea of reducing anxiety of appearance, forgive and accept oneself. Make oneself comfortable and enjoy.
Contact & Social Media:
millylingjue@gmail.com
Instagram: @millyiiteeng
Lily Parker
“Nature Verse”
With a focus on futuristic androgynous wear but heavily influenced by past decades – even centuries – I use modern fabrics and graphics to juxtapose historical references. My work pairs 1990’s-era silhouettes with qualities from the late 1800s, with a hyper-flattened two-dimensional standard with a strong line quality throughout. In their rawest form, the garments resemble drawings.The nature of the garments is fleshy and organic, with glitchy cable and soundwave-inspired graphics in the fabric.
My collection “Nature Verse” is based on the idea of the natural internet, focusing on the experience of Generation Z and how we interpret the world around us – specifically nature and the internet. The garments are meant to portray an unbiased representation of nature and the internet through our eyes, and could be more aptly interpreted as the answer to a different question: How can using the internet as a young person on social media be compared to experiencing nature? To highlight this, my documentation employs faux-nature, video game-like animations, simulating the metaverse – artificial hypernaturalism.
The original inspiration for the natural internet concept that my collection is meant to embody came from mycelium, a yeast-like fungus that makes up mushrooms, with branches that often grow underground or on rotting nature, and connect to create a large-scale network. This network is often called Earth’s “natural internet,” originally coined by microbiologist Paul Stamets. All plants communicate with deep, inwoven connections underground, similar to how Gen Z utilizes our version of the internet, but instead of underground, our mutual interconnectivity exists in the “cloud.” With this in mind, the internet can be an expression of a natural environment – one that Gen Z is particularly drawn to. This juxtaposition led me to consider the idea of cognitive dissonance as it affects nature; when one pictures a natural environment they are likely to picture something that looks “untouched by man,” however, man’s interference is what most often gives an environment this appearance.
Additional influences on this collection came from internet trends and contemporary meme culture. I have noticed a recent resurgence of trends born in the 1990s, the same decade that the internet became a global network. Gen Z and our use of social media and the internet are a huge factor, if not the most important component, in the return of these trends, which include whale tails, balaclavas, and the use of cut-out holes in garments. At face value, these trends seem ugly and are often considered as such, especially in hindsight. However, I chose to highlight these styles in my collection, to exemplify the bold sexy nature of Gen Z and our use of the internet.
The expected audience for my collection is the Gen Z community and other young adults. The work requires one to consider the role technology plays in nature, as well as society. I do not want to tell the audience how to feel, or whether the way they experience things is right or wrong, but rather, give an interpretation of nature and the internet, and how they relate to each other, as they exist and in the eyes of my generation.
Thank you:
To everyone who made this collection possible.
Contact & Social Media:
Instagram: @Lilith.Works
Music:
Bravado, Forget Basement
CASEY KNEPLEY
“WHAT WE HAVE”
WHAT WE HAVE is inspired by the novel The Faggots and Their Friends Between Revolutions. Through resourcefulness and togetherness, queer beauty and survival become intertwined, and the only option we have left.
Thank you:
Thank you to Eli and Havi for the help, Jade and Alex for the love, and every model involved in this process for being your beautiful gorgeous selves.
Contact & Social Media:
Instagram: @casedotexe
Music:
Belulah Loves Dancing by Planningtorock
Matilda Tongying Liang
“EGG”
Mother is the most beautiful word on this planet. I think a woman is so great to bring life to this world. However, after Artificial Reproductive technology came out, I feel something changed. Our “egg” does not just belong to us. I feel my egg will have the same life as a chicken egg which is a product and has commercial value.
I love my egg and I think my mom also loves her egg because this egg contains love, kinship, and future. My mom and I are like an egg and a yolk. Egg white helped my mom to hold me, just like a womb. In this womb, the placenta conveys my mom’s nutrition to me through the umbilical cord. However, It’s not just about how my mom contributed herself and help me to grown-up, also brings my mom’s emotions and story.
Thank you:
Lihong Liu, Tianyi Liu, Thea Lu
Contact & Social Media:
Instagram: @l_tilyy
Music:
I Cry and I Laugh — Raimond Lap
Chiyuan Sun
“Extract the Memory”
Music helps me extract the memories from the past and take me through time. In this project, I specifically chose music I heard when I was in middle school as the “extractor” to gather my memories back then.
Thank you:
Min Yang, Jianping Sun, Abigail Maria Glaum-Lathbury, Yoshiko F Fredisdorf, Xinyue Chen, Lingjue Huang, Anqi Li, Jiaxi Lu, Tongying Liang, Xinyi Tie, Hansi Yuan, Anqi Zhou
Contact & Social Media:
Instagram: @sunchiyuan_
Music:
25h12 by Mounika.
Lia L Krilis
“Mystical Beings”
Inspired by dance and movement, this collection is an interpretation of an otherworldly realm by designing garments for mystical beings residing in esoteric forests. These pieces are a merging of dance wear and my experimentations in knitwear and metal work. Utilizing the layering of translucent, flowing materials and draped, softness of knitwear with ornamentation of metal and stained glass jewelry pieces. My intention for this collection is to create pieces I imagine these ethereal beings to be wearing that can accentuate movement, as if they were to perform a dance through their mythical realms. My collection has been heavily influenced by growing up in a design studio and dancewear factory which became the foundation for experimentation in new mediums within fashion design at SAIC.
Thank you:
Thank you to Yoshi and Abigail for pushing me to do my best work, my parents for being extremely supportive. Thank you to Henry and Ximena for their contributions in this collection, my aunt Marie for her generous assistance, and a special thank you to my mother for enduring so many long nights with me and her immense support throughout this collection process.
Contact & Social Media:
Instagram: @Lia_krilis
Music:
Original piece “Untitled (soundtrack for mist)” by Henry Boeschenstein
Andrew Bohlin
“SIX HUNDRED TWELVE MILLION YEARS”
A six hundred twelve million year long story that captures the essence of evolutionary history, reconstructing a lost world that is informed by both an artistic and research driven lens.
Thank you:
you know who you are 🙂
Contact & Social Media:
Instagram: @andrew.bohlin
WONHO DO
“PHISHE”
Phishe is a collection focusing on sharing the aesthetics and joyfulness of fishing, and the pleasure when anglers catch a fish. Every angler has their own happy, bad and even inconvenient moments. The collection is aiming to blend all these experiences and visualize it. However, the main focus is on “having fun.”
You don’t have to think about anything while you’re waiting for a fish to bite your bait. Fishing is a brain clearing behavior. At that moment, you don’t have to deal with all the complicated situations you are confronted. It’s totally the time to simplify your brain cells and focus on your most primitive sense of catch!
Contact & Social Media:
Instagram: @wearedo.kr
Music:
Deep Sea – Dry jinn
Mette Ulland
“At the Lake”
“At the Lake ” centers around my memories. Absurd and humorous experiences of spending time at my family cabin in Northern Minnesota. While these reflections make me laugh, I see the past and present in a dream state as I float on the lake causing me to look forward to the future. In pulling from the past, the present, and conceptualizing about the future, I am gathering motifs, colors, textures, movement, and shapes from photos and vernacular objects, processing them through the sylvan memories and lenses of summer’s timeless. Lifejackets, sleeping bags, pool noodles, innertubes, and boats meld to create meaningful messages of the past and present to my future self. The shapes of the garments contain lake country elements, such as the bow of a boat, and the use of actual inflatable innertubes as key components of the garment. Many of these “Up-North” moments are shared with family who, just like my garments, are loud and fill space with possibilities. My hope is that this collection will make those who have experienced the lake directly as well as those who have never yet had the opportunity, feel the bliss of floating on a fun noodle on the lake or riding on a boat all day, as well as the terror of the dogs possibly getting skunked on shore, a sense of sentiment and excitement for more.
Thank you:
Thank you to my family and friends!
Contact & Social Media:
Instagram: @metteulland
www.metteulland.com
Iyomi Ho Ken
“An Exploration of Self”
In “An Exploration of Self,” I take the viewer through the experience of “me-” the feelings, thoughts, and various emotions that go through my mind. Each ensemble brings you into an aspect of myself, layered with bodysuits that change color over time, while the black garments layered on the surface illustrate the overarching theme of that particular look.
The roundness recurring throughout the collection illustrates a barrier that keeps others at bay. Over the course of the collection, the silhouettes draw the audience closer, each look slowly diminishing the barrier, evolving into a form that becomes almost one with the body and spills into itself. In turn, the colors guiding the audience through each piece become absorbed into the skin.
This evolution is an indicator of change, acceptance and openness to the woman I have been, currently am, and will be.
Thank you:
I would first like to thank my family, and most specifically my parents for pushing me to do what I love and believing in my chosen path. Writing this thank you truly doesn’t do justice to the amount of love and support you’ve given me, from when I was younger, to now. I’ve never doubted your belief in me and I’m so thankful to be blessed with parents like you.
To my friends- thank you for understanding the intensity that comes with being friends with a fashion major. Even though most of my college life was spent in the studio, it means so much to know you all are in my corner. We can finally hangout more! And to my fashion bbs- wowowowow we did it!! I’m so thankful to be surrounded by such passion, drive, and talent.
I’d also like to thank my amazing assistants Hannah, Megan, and Aliyah- I would’ve gone insane without your help, truly from the bottom of my heart, thank you.
Last but certainly not least, I’d like to thank my professors- not only Yoshi and Abigail (who are the best fashion moms), but from my freshman year having intro with Jasper, into my sophomore year with Ben & Yoshi, and junior year with Caroline & Aubrie; even Rey, my adopted professor throughout my years in core. You all helped shaped me into the designer I am- and you are what makes this school (and the tuition) worth it <3
Contact & Social Media:
Instagram: @iyomihoken & @iyomi.co
www.iyomi.co
Music:
Black Out Days by Phantogram
Adela Ramirez
“No Man’s Land”
My collection is inspired from mafia and dystopian sci-fi movies. I created a plot and designed each look for different scenes that would happen thru the storyline.
Entering this dystopian alternative universe, set in a parched desert scape. In this society, power is key, and our protagonist is next in line to take over the godfather’s position. Unfortunately, nothing ever goes as planned. We follow our main character through the fall and rise, as they travel the desert, or attend underground events, in order to regain power and redemption. Through this collection we see her story progress thru the clothing she wears.
Thank you:
Thank you to my mom and siblings for their never ending support. You inspire me to work smart and to put in effort for the things I’m passionate about.
Thank you to my friends for pushing my ideas farther and supporting me thru stressful times.
Contact & Social Media:
Instagram: @Adelascollection
Pei Liu
“She and She and She”
In “She and She and She”, I explore the similarities between me, my mother, and my grandmother over time and space. My inspiration is from an unsourced quote that said: “Your personalities are so alike; your personalities are inherited in genes. Your difference is always the differences of the times, not the differences of people.” This concept then led me to introspect who I am and how I define myself by looking to my elders. I then use this collection like a mirror to explore the answers to these questions.
My garments move away from the body and incapsulate(capture) negative space that extends human body in the conceptual realm. I perceive these spaces as the externalizations of my mental world, which are manifested through my color choices and the silhouettes. In this collection, seemingly outdated colors stamped from old family albums are rearranged and charged with emotion. Therefore, they remain vibrant and relevant through the noise of memory. Longing to orient myself within my family lineage, I explore my domestic memories through experimenting with bamboo weaving, which inspires the silhouettes. Bamboo speaks to the shared qualities of my family members, their flexibility and persistence. The collection then becomes the bridge that communicates abstract mental space to others within the physical dimension of time and space.
Thank you:
Mr.Peanutbutter, Lovely Friends and Family
Contact & Social Media:
Instagram: @specialpei
Music:
!Aqua No Ma! by Up, Bustle & Out
Margaux Laibe
“MAUX”
Maux is a collection and brand that is driven by the need for functional and accessible clothing in the fashion industry. Throughout this collection you can see themes inspired by 60s fashion, complementing and contrasting colors, and strong lines that emphasize the body’s curves. You can also see construction components that are unique to different body types, such as changing the placement of a seam, altering the height of the waistline, or changing how you put the garment on. These design and construction ideas are from my own experiences with clothing and countless conversations I have had with others about fashion. These ideas have changed how I choose the placement of closures and it makes me think about how comfortable I can make a garment.
Throughout each look there are unique closures, seams, and pockets. Most of these functional construction elements are hidden in order to create garments that are aesthetically pleasing to a larger audience. We should bring the industry together with common interests between consumers. For example most people I know, when they have a dress on and receive a compliment, the first thing they say in response is “thank you it has pockets!” Pockets in all clothing benefits everyone whether they have a disability or not.
Maux is a brand that is driven by trying to solve functional issues within garments while simultaneously maintaining a pleasing and fun aesthetic. I want the audience to feel more comfortable, confident, and less isolated. I want to show that our bodies do not need to be altered to fit standard clothing. Rather, we should alter the standard to fit our bodies. Just because there has been a standard way of making clothing doesn’t mean it is the right way.
Thank you:
Thank you to my family, my models, and the Schrero/Levy family
Contact & Social Media:
Instagram: @m.maux.x
Rose Okamura
“The Divine Feminine”
The Divine Feminine is an elegantly constructed, costume collection featuring confident silhouettes for the female identity. Utilizing soft and sheer fabrics in highly structured garments to emphasize the strong design lines that bring shape and power to the wearer. Starting in a deep berry color, the silhouettes brighten through playful and strong pinks, finally ending in an off-white gown. Each look features clean, symmetrical garments with flowy yet sharp shapes that keep the eye peacefully entertained.
The Divine Feminine celebrates the story of a woman reclaiming her power. This woman has made the choice to analyze the layers of her past selves in the effort to grow as an individual. She is self made, not allowing control to be taken from her. As this hyper-femme collection progresses, pink hues spread across the bodies. The pink scale that colors this collection conceptualizes the journey to self realization, clarity, and embodying your higher self. The use of layers reinforces the idea of multiple versions of the self to comb through. This collection aims to costume a woman in her powerful nature, and reclaim pink for the woman in power.
Thank you:
I’d like to thank my support system of friends and family throughout my time in undergrad, specifically within this last year. I’d also like to thank my grandma, who taught me, not only how to sew, but also to be the strong woman this collection aims to dress.
Contact & Social Media:
Instagram: @rose.okamura
Rose Bizub-Rodriguez
“Professionally Playful”
I imagine a parallel world to ours today that allows us to be more playful and expressive with our everyday fashion choices. Patriarchal views about how we should dress and act in a workplace environment have caused the idea of “professionalism” to have a connotation synonymous with being mundane and unimaginative. This collection takes rigidly structured looks and tears them apart, adding playful design twists, ruffles, and an abundance of color. I want to challenge our idea of what we consider to be “professional” dress and inspire everyone to bring out their inner child and have fun.
Thank you:
Thank you to all of my friends and family members who have helped me bring this
collection to life
Contact & Social Media:
Instagram: @rosebizub
Juanny Alcaraz
“UN/BIND”
Restrain, restrict, obstruct, disentangle, untether and liberate are all key words used in the research for my senior thesis. This collection was inspired by personal experiences, obstacles, and the fight to regain control of my own life and future. Visual inspiration came from works of art like installations that used rope and electrical tape or photography, images that brought back memories and instilled feelings I had during difficult times. The collection is an attempt to tell a story. It is composed of structured and edgy garments, offset by a bit of elegance and fluidity. UN/BIND transitions from dark colors, heavier fabrics and form fitting silhouettes to moving away from the body. The introduction of lighter colors and textiles are meant to depict stages from feeling trapped to liberating one’s self, the journey to freedom. Although the concept derives from a personal experience, everyone goes through hard times and is fighting their own battles. My intention for UN/BIND and its progression is not only to reach an audience but bring hope that they too can overcome their own obstacles.
Thank you:
I’d like to thank my family for all their love and support, my friends who motivated me when I didn’t believe in myself, my teachers who guided me and to the U.S Air Force who helped shape me into the person I am today.
Contact & Social Media:
Music:
Дорогой Человек By PERMSKY KRAY
Xinyue (Bella) Chen
“Looking Inside”
“Look Inside?”
The term “Chunyu”, which means being provocative at the same time being pure, is trending on Chinese social media. People seem to be so into the contrast of women but the judgments towards women’s dressing never stops. Where is the boundary or standard of clothes for women to be recognized as seductive? What is considered as appropriate and what is considered not? Why do people judge women who are being attractive? From my point of view, I think that “Chunyu” is not only a style of dressing but at the same time a stage of mind. People want to show off the beauty of the body, but are still observed due to the social standards.
So this collection, “Look Inside?” is representing the stage and continuously growing into a transition, where all the show off becomes obviously extreme and powerful. In my collection I want to explore the differences between youth and maturity. My pieces strengthen the power of women, at the same time save the naive and girly part of them.To accentuate these ideas, the materials I chose are partially from the suiting material, which represent the maturity of women, and partially from the flowy and dreamy fabric which represents the pure part of women in order to create a harsh and soft contrast effect.
The use of hardware is considered important in my collection. Hardwares are not only functional but at the same time gives the garment an aesthetically transform. I place the zippers around the bust or the crotch area which not only help the garment to get on and off the body it can also provide the negative space, that is also where it can be used to expose the body. Hardwares also leaves the control to people so some parts of my garment like the sleeve can be taken off completely.
I believe people will see what they want to see. This will also be the ironic part.
The expected audience is women or girls who are also in a stage of transition. I want to give them some courage to not be afraid of what they are wearing, to let them know they can also have the choice of what to show and what not to show. I hope people who are looking at my collection can also feel the power of dressing. In comparison, my audience would also be people who always judge others based on what they wear. Will they see women’s legs or breasts first because I intentionally emphasize these parts? When they see the garment, what will they judge the most?
When the viewer sees the silhouettes it becomes clear through the clothing what kind of person they are – are they one who sees legs and breasts? or are they someone who enjoys empowering? This is a confrontation test. This collection will not change people, instead it is an invitation to a conversation and rethinking. It is just like this collection name, “are you looking inside my clothes, or looking inside of my soul?”
Contact & Social Media:
Instagram: @chen_.bella Art Ins: @xinyue_bellachen
………………………………..
FIN
THANK YOU
The Department of Fashion Design would like to extend heartfelt thanks to:
Chicago Athletic Association
Colleen Dunn
Jillian Kaye
Driehaus Design Initiative
Tracey Tarrantino
The Paul Mitchell School
Chelsea Frenden
Eutopia Knight
One Model Management
Alex Claire
Nicholas Butts
10 Model Management
Liam Rogers
David Sanchez
Encore Global
Andrew Richardson
Thank you to our incredible talent:
Represented by One Model Management:
Allison Paulsen
Bella Miller
Brooklyn Winter
Cher Cobbold
Chloe Cantu
Ella Harbaugh
Emma Beardsley
Hunter Scott
Julianne McClean
Julius Adorsu
Kayla Bylon
Lauren Salazar
Lidiia Martynovych
London James
Lulu
Maryam Jama
Maya Chung
Nako
Nat Rios
Riley Roberts
River Wheaton
Sophia Bounou
Zuzie
Represented by 10 MGMT:
Alexandra Hill
Andrew Casey
Antonella
Etherio Noon
Issac Pick
Rocci Maxwell
Street-Cast Models:
Aleyah Rodriguez
Annaliese Romans
Anyce Paul-Emile
Arabella DeVita
Audrey Markel
Bella Miller
Bingru Zhang
Brianna Johnson
Cara Fitzgerald
Charlotte Peiper-Hokanson
El Wettig
Evie Green
Francis Carter
Freia Brostrom
Gia Fredisdorf
Gracie Burns
Heather Davies
Joy Beckett
Justine Guzman
Kaeley Rollins
Kaia Garland
Kennedi McCoy
Keri Inge Marshall
Lauren Rupp
Learenna Reynolds
Lex Lloyd
Logan McCollum
Madeline Wentworth
Micah Sweezie
Nia Barnes
Nico Valdez
Noxteli
Ody Kusoro
Omani Cross
Ondine Atwell-Hudson
Peyton Brunet
Reese Okuwobi
Regina Rodriguez
Soi Sauce
Solène Alisea Roullier
Veronika Wallace
Ximena
Zoe Roze
Thank you to our amazing students who are assisting the senior designers and dressing backstage.
Senior Faculty:
Yoshiko Fredisdorf
Rey Pador
Abigail Glaum-Lathbury
Fashion 2022 Producers:
Abigail Glaum-Lathbury
Pamela Vanderlinde
Fashion Design Department Sage-Endowed Chair:
Katrin Schnabl
The School of the Art Institute of Chicago’s Advancement team:
Stephanie Lentz Wilkinson, Director, Leadership Annual Giving
Torsten Johnson, Development Coordinator
Aidan Korte, Event Specialist
Thank you to the Fashion Photography class and to Faculty Don Yoshida and Mayumi Lake.
And last, but certainly not least, the senior class of 2022 would like to extend a profound and sincere thank you to the Fashion Department staff and Faculty who have shaped minds and made this show possible with their expertise, generosity and dedication.
Kara Hendrickson, Administrative Director
Isabel Axon-Sanchez, Administrative Assistant
Dolly Robertson, Department Technician
Jelisa Brown, Assistant Department Technician
Sarah Hicks, Executive Director of Facilities Services
Robert Schlingman, Assistant Director of Campus Services
Brad Johns, Executive Director: Fabrication and Instructional Resources
Full time Faculty:
Nick Cave, Abigail Maria Glaum-Lathbury, Benjamin Larose, Anke Loh, Rey Pador, Katrin Schnabl
Part Time Faculty:
Sandra Adams, Kylee Alexander, Caroline Marie Bellios, Bambi Breakstone, Gillion Carrara, Jackey Cave, Jasper Drummond, Yoshiko F Fredisdorf, Dijana Granov, Kate L Jacobsen, Laura Mae McCarty, Kristin Mariani, Aubrie Meyer, Steve Miller, Annie Novotny, James Rick Paul, Gerry Quinton, Eia Radosavljevic, Sharon K Shoji, Liat Smestad, James Sommerfeldt, Pamela Vanderlinde, William Walton, Donald Yoshida